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London Fashion Week: K-Pop Stars Mino And Hoony Take Over The Burberry FROW

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K-pop (Korean Pop) megastars Mino and Hoony, from the hugely successful band ‘Winner,’ have caused more of a sensation with their FROW appearance than any other celeb this London Fashion Week.


They fought off stiff competition from the likes of Lily James, Steve McQueen and Felicity Jones, who were spotted among other celebrity attendees at Burberry’s SS18 showcase, to be the most talked about stars on social media. 



Mino was captured at Incheon International airport wearing a Burberry car coat, cap and tote from the spring/summer collection. 






Fans absolutely loved the get-up (although we suspect it was probably the love of the wearer that did it for them). 


Naturally, they shared their appreciation: 






And when the pair arrived on the scene - well, it wasn’t too dissimilar to the Beatles’ arrival in the US circa 1964.






In this age of international angst and conflict, what could be more unifying than an all-consuming love of K-pop? 


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London Fashion Week: Trends Come From The Streets Not Runways According To These Attendees

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Word on the street is London Fashion Week trends might not have the influence some may want you to believe.


We caught up with LFW attendees to get their honest opinions on the latest trends and they were very honest.


Take a look at their candid responses.  


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Ashish At London Fashion Week 2017: 'Fashion Has A Part To Play In Fighting Hate'

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If you take just one style lesson away from London Fashion Week, let it be this: wear your identity with pride.


The Ashish runway on Monday 18 September proved that fashion can be fun without being frivolous - it can play an important part in fighting hate.


At a time when incidences of LGB hate crime are soaring, designer Ashish Gupta sent a model down the runway in a sequinned t-shirt proudly emblazoned with the word queer.


“There’s something very powerful about something as simple as a T-shirt with a slogan on it,” he told HuffPost UK.




Gupta strongly believes in the power of language, and it angers him the way it is sometimes used thoughtlessly, or at worst callously.


“I think we’ve stopped thinking about the words we use for certain things,” he explained.


“I find it quite offensive the way the word ‘immigrant’ is used. White people are called expats when they live in other countries, but people who aren’t white are called immigrants when they live in other countries, and I really don’t understand why.”


Gupta is an immigrant himself. Born in Delhi, he studied Fine Art in India, and then moved to London to complete an MA at Central St Martin’s in London, and he has run a fashion company here for the past 15 years. 



Usually designers go brighter for summer collections but this show was a much darker affair than Ashish’s rainbow-filled autumn/winter offering at the last London Fashion Week in February (which can be seen in the video at the top of this article).



Back then Ashish was still reeling from the shock of the Brexit vote, which he told HuffPost UK made him feel “angry, confused and sad”.


“I’ve considered this to be my home for the last 20-odd years,” he said. “And for the first time I questioned where I stood with that.


“It felt suddenly like maybe I wasn’t so welcomed here, by almost half of the people that live in this country.” 



“I spent several weeks feeling so awful and so miserable and the only way I could lift myself up from that was actually to try to be positive,” Gupta continued.


“I felt that what worked for me was to fight it with something positive and joyful.


“Anger can just burn you out, but I think it’s much more healing to be positive.”



So with the bold rainbow brights replaced by darker tones are we to believe that Gupta’s positivity has now turned to gloom?


Not one bit.


In the words of Martin Luther King, Jr, which were left on every seat in the audience:


“Only in the darkness can you see the stars.”


Indeed, every inch of dark material glistened with promise.



Ashish’s designs serve to remind us that even in the darkest of times there is always a (fabulously sparkling) glimmer of hope - as long as you can be proud of who you are.








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London Fashion Week: Winnie Harlow And Julien Macdonald Were A Match Made In Style Hevean

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Winnie Harlow walked for Julien Macdonald’s SS18 collection at London Fashion Week and she looked like she was made for his opulent dresses. 



The 23-year-old first rose to fame as an ex-contestant on America’s Next Top Model (cycle 21), after which she used her platform to pursue modelling. 


Within minutes of the Julien Macdonald finale, the show was shared online - partly due to Harlow nailing her turn in the coveted designs.





Harlow was photographed backstage getting ready before the show looking composed and ready to rock the runway.



Queenie Winnie slayed in the black mesh cut-out dress. All eyes (and smartphones) were on her. 



This look gave us subtle super (s)hero vibes.


Harlow and Macdonald were a match made in fashion heaven. 



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Why Model Teddy Quinlivan Felt It Was 'Crucial' She Come Out As Transgender After Fashion Week

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A model has publicly revealed she is transgender, after she walked the runway for Marc Jacobs, Oscar de la Renta and Coach this New York Fashion Week.


Teddy Quinlivan said she felt it was “crucial” for her to open up about her experience of being assigned a male gender identity as a child, in an interview with CNN and a three-part video she shared on Instagram.


“There’s been violence against transgender people — particularly transgender women of colour — since before I even knew what transgender was. I just felt a great sense of urgency,” she said.


“I’m very fortunate to be in [a] position [that] I never really thought I would be. It’s really important to take advantage of a time like this.”



“I remember living my whole life as male, but feeling like I was playing a part,” Quinlivan said in the video series.


“I always knew I was female, just in my soul, in my heart, in my brain. I kind of knew I had to pretend to be male to appease everybody else. At one point I just stopped giving a fuck.”




Quinlivan has been presenting as a cisgender female since she transitioned at the age of 16, so the decision to go public about her transgender identity was one that took a lot of thought.


She told CNN that “the political climate in the world right now - particularly in the United States,” led her to decide that it was important for her to reveal that she was transgender. 


“I wanted to be the hero that I never had growing up for somebody else,” she said in the video posted on Instagram.


“I always ask myself, if not now, when? If not me, who?


“I feel a deep sense of responsibility to not only myself but to my community. I want to help break the stigma. I want to help push the world forward and help people to think more progressively about this issue.”



Quinlavin’s mother also speaks in the video, sharing thoughts she has for her daughter.


“Remember back when you were a little kid, we used to talk about if someone came in and said you were purple, you would know in your heart that you weren’t purple and that what they were saying was silly,” she said.


“As I’ve always told you, if you’re bold enough and strong enough to be who you really are and to be comfortable with your differences - these are the people who change the world.”




Designer Marc Jacobs wrote to voice his support of Quinlivan in a message she shared on Instagram:


“I respect, admire and support Teddy’s decision to come out as transgender,” he said.


“Now more than ever it is vital that we pledge our allegiance to the LGBT community and use our voices to encourage and inspire acceptance, equality, understanding and love. I am so proud to know Teddy.”




Nicolas Ghesquière, creative director of Louis Vuitton has also shared a message of support. 


“Teddy and I met in 2014,” he wrote. “As an exclusive model for Louis Vuitton, we spent months together working on collections.


“When the time came for her to start her career, I was amazed and proud to see how she embraced the fashion marathon with such a fantastic success.


“Today I would like to express my full support and love.”




Makeup artist Pat McGrath said she knew Quinlivan was destined for greatness.


“Over my past three decades as a makeup artist, I have been fortunate enough to work with some of the most renowned models of all time - extraordinary women of supernatural beauty; ladies whose names have entered the annals of history,” she said.


“In Fall 2015, I met a young woman named Teddy Quinlivan who instantly transfixed me with her iconoclastic glamour and irrepressible spirit.


“When she told me her plans to share her story and become an advocate for the Trans Community, I knew that she would join that pantheon of women who the world looks to not only for their beauty, but for what they represent - fierceness, fortitude and fearlessness.”




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Naturalistas Listen Up: Here Are Five Effective Ways To Style Your Natural Hair

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If you have natural hair then you’ll know how it feels to wake up clueless about what to do with your mane. 


In fact, you’ve probably sacrificed highlighting the cheekbones, just so you can focus on your hair, only to give into some type of bun (if you have enough hairbands) or the good ol’ head scarf. 


Well, take a look at five effective styling suggestions for natural hair in the video above from Refinery 29


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Halloween Costume Ideas: No Photoshop Was Involved In Mimi Choi's Terrifying Faceless Look

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Makeup genius Mimi Choi has done it again - created a look that will have people breaking into a sweat in their sleep. 


The über talented Vancouver-based makeup artist is known for the optical illusions her looks give, but this Resident Evil-esque look is on a whole new level of mind bend. Halloween, anyone? 




If you squint you can just about make out her nose, but we say just appreciate the get-up and let your mind go wild. 


If you can spare the considerable minute this look took to pull together, perhaps it’s one to try for Halloween? 




This isn’t the first time Choi has ventured into showing the space between her ears, so to speak. 


Check out that kiwi, casually sitting in the middle of her head. 




The artist shared this style, called split personality (get it?) to a barage of praise. 


One follower commented: “You always blow my mind. ❤️ Skills ”




But the latest look has by far got to be the most impressive - albeit it a little disconcerting. 


Kudos! 


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Top Tips For Wedding Hairstyle Preparations You Need To Know

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Here Comes the Bride

For many of us who have seen friends and family get hitched this year, the wedding season may already be over. However, for the brides-to-be for next year or the year after; the planning has only just got underway. Even though my tenure as a wedding hair stylist has ended, the desire to help women achieve the hair of their dreams has most certainly not. There are lots of things to think about for your wedding day. Your wedding hairstyle is one on a very long list. Here are my top tips for preparing and maintaining your wedding hairstyle on the day.

Things You Need To Prepare For A Wedding Hairstyle

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Photo Credit: Sweethearts Hair

Whether you are at home or at another location such as a hotel there are a few crucial things to remember for the big day. Washing the hair the night before is a very good idea and your stylist will love you for it. It will still feel fresh but it won't be too silky to style. You'll also need a mirror and a chair. Not only does the stylist need to see what you look like but so do you! Plug access can also be a commonly overlooked problem. An extension lead is highly recommended. Without it, you are relying on the plug being in the right position.

Ideally, you should have already taken the veil and any accessories to the trial beforehand. If that wasn't possible, be sure to let your stylist know where you would like everything to go, especially the veil. When choosing bridesmaids or flower girl accessories, the most style-friendly ones are Hair Twists and Paper Flowers on wire. Ebay is a fantastic and cost-effective resource for these items. The flowers are light as they are made of paper and the wire bends easily into the hair. Hair twists are also fantastic for holding the hair into place. Also, any accessories that are on crocodile clips rather than slides are preferable. They are a lot easier to put in and are less likely to disturb the hairstyle.

On The Day

If your hair is going up, there can often be many pins going into the style. It's not uncommon for one of them to catch onto another one. If this happens it can feel very uncomfortable or even painful. Never wait until the end of the style to say something. It's easy to reposition at the time; very hard to find it at the end. You should also keep a couple of these grips / bobby pins on your person just in case something does happen to fall loose during the day.

It is very important that you as a bride are consulted about your hairstyle all the way through. Whether it's what sort of curl you need or how much height you want. You need to have a degree of control so that the final wedding hairstyle is really what you want.

If you are wearing a veil, this can be pushed into the hair upwards or downwards. This doesn't necessarily matter but the security of it does. Even if the veil attachment feels very secure; I reinforce this with some grips / bobby pins at either side. This ensures the veil stays in place all day.

That Special Hairstyle

If you have your heart set on having your hair down with curls. Be sure that your hair type can take the sort of curl you want. Or at least can hold them on the day. If the curls are likely to drop. It is advisable to go for a low hairstyle with pieces trailing out. Or, have it down with elastics to still give the hair some extra support.

Short or fine hair can sometimes be a worry when thinking about possible hairstyles. Don't be put off by some of the hairstyles that look like they require more hair. Tools such as hair padding and chignon makers can transform your hair into a Pinterest-worthy style. The same goes for length. Consider buying some hair extensions to go those extra inches. Just be sure to invest in the real hair extensions that match up to your colour. Synthetic ones can't be styled. They also have an artificial shine and any colour differences will show up in those all important pictures. Here are some of my favourite wedding hairstyles for brides and bridesmaids.

Rapunzel Princess Hair

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Photo Credit: Sweethearts Hair

This is a great style if you want your hair down but your hair struggles to hold a curl. It is supported with elastics so it will stay in place no matter what.

Braided Wedding Chignon

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Photo Credit: Sweethearts Hair

Using a chignon maker, this gives a classical bridal look and can be used in a variety of different ways.

Combination Crown Braid

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Photo Credit: Sweethearts Hair

This is a different take on the traditional crown braid. The combination gives a little more of a Boho look. Great for those wanting a less traditional wedding hairstyle.

The Crown Braid Updo

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This is a softer version of the crown braid which adds another dimension to the hairstyle. The extra height on top makes it an ideal bridesmaid hairstyle.

Further Recommendations

You'll need to make sure you have all your accessories out and available. Make sure you have a surface for the stylist to work from. Or at least somewhere they can put all their products, sprays and tools. Ideally in a corner of the room, away from the hustle and bustle of the other activity around such as people getting dressed, make-up and photography.

I would also recommend braiding hairstyles for your little flower girls. These hairstyles are a little more indestructible and will last longer than just the trip down the aisle. Expect flower girls to run around, climb under tables and generally do anything but keep still. And of course if nobody has to worry about their hair, you can get on with enjoying your very special day.

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How Does Makeup Affect The Way Women Are Perceived At Work?

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How does wearing makeup impact the way professional women are perceived in the workplace? originally appeared on Quora - the place to gain and share knowledge, empowering people to learn from others and better understand the world.

Answer by Koyel Bandyopadhyay, sociologist and woman:

We often take the proverb of "beauty lies in the eyes of the beholder" as a sort of truism that excludes the multifarious factors impacting perception of women wearing makeup, beyond the aesthetic appeal of it. Moreover, what is considered as "beautiful" varies throughout the world, based on socialized notions of relativity, and not just evolutionary theory dictated terms of what appears as "healthy" for mating purposes.

So, the answer to this question depends on where you ask, and who you ask.

Perceptions of women wearing makeup aren't just formed by men - they are also formed by women [1]. Further, perceptions consist of two-way traffic of feelings and emotions [2]:

1) Makeup becoming a tool to create perceptions, and

2) Makeup conforming (or not) to expectations in creating perceptions.

We can't possibly ignore the interplay of the individual agency and collective expectations when it comes to professional women wearing makeup.

This also hinges on how far professional women are expected to deviate from their non-professional avatars - their domestic side of unpaid labour, which tags them as "unprofessional".

Why Professional Makeup?

This demarcation--between the professional and the unprofessional women belies makeup being used as a sort of embankment that holds their valued skill set. Professionalism pays skill sets. Unprofessional women, are involved in domestic, unpaid labour. They are usually working round the clock, and they do not need to wear makeup to prove their mettle, because nobody really is expecting it. Work awaits only for them. They rarely face any competition to gain dominance in that sector.

But where professional makeup is expected, it's used more as a screening tool to measure the labour worth of women, as visible through attributes such as confidence, cleanliness, grooming, dominance, and alternative ideas of femininity viewing women capable of navigating between both worlds of professionalism and unprofessionalism.

Professionalism, or the competence or skills expected out of a person - in this case a woman - does not include makeup as a screening tool to gauge the employable worth of a woman when she contributes in domestic labour.

"Professional makeup" signifies a specific kind of makeup. It is different than "party makeup" or "bridal makeup" or "wedding makeup" or "the no-makeup look makeup" or "funeral makeup". Makeup varies because it is a criterion to judge sense of belonging pertaining to a specific group, and that criterion is shaped by:

  • Cultural expectations regarding women,

  • Socialized, relative ideas of beauty and aesthetics,

  • Sectoral expectations of different kinds of professions, as well as

  • Varying ideas of "suitable amount of makeup" distinguishing "dignified" and "undignified" makeup.



It's quite a rule-bound process.

Variance in Professional Makeup

As regards professional makeup, countries and cultures differ on the metrics of how much makeup says "confident", "skilled", "put together", "powerful"; and whether or not makeup is deemed to be essential ways of saying the above, disregarding individual choices.

For example, if as a woman, you are working in a State Bank of India in Ahmedabad, you would be judged very differently as to whether or not you are wearing "professional makeup", than if you were working in the Bank of Montreal in Toronto; in case of the former, whether or not you wear makeup would be deemed irrelevant, though you could be judged if you tend to wear "too much" (a variable marker) of it.

If you are a woman professor working in Paris, the same amount of makeup you apply in reference to "professional makeup" in Paris would be judged very differently if you are a woman professor in Pakistan, because in the latter case, academicians are expected to cover a certain ground of being attractive only through their intellect or teaching methods; going beyond those prescriptions would bring in questions as to the "need" to do so, as regards acceptance.

Having said that, certain professions demand specific kinds of makeup from women, such as air stewardess, TV journalists, receptionists, secretaries, makeup personnel themselves, etc. Little countrywide variation exists regarding makeup in these professions, especially when it comes to women.

But nobody is really expecting women janitors to apply makeup when they come for work; if they do, it's their individual choice and then they are marked for their individual expression--the ones towards the tails of the normal curve.

The Boundaries and Sense of Belonging

Wearing professional makeup signifies a break from appearing unprofessional or appearing to be good only for unpaid, unskilled work, often collated with domestic labour (which is by no means unskilled).

It conforms to the expectations that you are taking your group membership seriously.

However, in cultures that don't view women as ever being disjointed from their domestic roles, makeup signifies a break from domesticity and is therefore not encouraged in the workplace, sectoral differences (being a receptionist or air-stewardess) notwithstanding.

In some cultures where makeup is not viewed as a criterion to establish professionalism of women owing to a fuzzy role boundaries of women being more suited for domestic jobs or "outside jobs", subscribing to a societal pressure of having to apply makeup doesn't exist; it's more of an individual choice.

And in those cultures where women are supposed to deliver it all and smoothly operate through the dual, separate worlds of domesticity and public domains, professional makeup becomes ominously important as to how they are perceived in conforming to group expectations.

In the end, your experiences are going to be different based on which culture you belong to.

Footnotes
[1] Sex Differences in the Perceived Dominance and Prestige of Women With and Without Cosmetics
[2] Cosmetics Industry Driven by Emotions | Psych Central News

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London Fashion Week: Watch The Tommy Hilfiger Show Live Here

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Tommy Hilfiger will showcase his SS18 collection at London Fashion Week on 19 September. The anticipated show will be the brand’s first in the UK. 


Many are very excited about Hilfiger’s collaboration with Gigi Hadid, especially as the supermodel doesn’t usually come to London during fashion month. 


This 30-minute live streaming event kicks off at 19.30. 


If you want to see it, watch it here, with an intro by Yahoo Canada Style editor, Hilary Hagermanhere.


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Rihanna's Fenty Beauty Has Made This Albino Woman Very Happy, As It Really Does Cater For All Skin Tones

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A woman who is albino has taken to social media to sing Rihanna’s praises for her universal approach to taking on the cosmetics industry. 


Acondria’s gushing Instagram post about Rihanna’s Fenty Beauty line has gone viral (and attracted the attention of Queen Riri herself), as many people can relate to her relief at finally finding a foundation to match their skin tone.



A post shared by Acondria (@acondria) on




Fenty Beauty has taken over the industry like it’s something start-ups casually do now. 


The colour-inclusive brand has gained the love of the masses, largely due to the wide variety of shades available.


Digital influencer and beauty guru Breeny Lee shared her thoughts on Fenty Beauty’s success with HuffPost UK. 


“I think Rihanna really considered all women when creating this line, from the lightest to darkest who both have a hard time finding the correct shade,” she said.


“Not only does Fenty Beauty offer diversity in shades but also diversity in undertones, which is extremely important when it comes to foundations.


“Fenty Beauty has brought back a much needed fun-factor to makeup, which is why we beauty gurus are totally loving it.”



Lee’s sentiments are echoed all over Twitter, Instagram and Youtube - as Acondria demonstarted, you don’t have to be an expert to appreciate Riri’s work.


And Queen Rihanna reciprocated Acondria’s love on social media by giving her a cheeky follow. 



A post shared by Acondria (@acondria) on




Acondria has further opened up about her experience using the Fenty collection. 


She said in a post on Instagram: “It actually means the world that she not only made diversity of shades for all women of colour but she brought us all together.


“When I was in Sephora all the women were doing their swatches and complimenting each other (all skin tones).” 



A post shared by Acondria (@acondria) on




In another post, Acondria said Rihanna and her Fenty Beauty team “have great minds and big hearts” after saying being able to purchase a foundation in her shade made her feel like “finally me being myself was Worth It.” 



A post shared by Acondria (@acondria) on




Thank you, queen, for sharing your story with us all. 


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Time To Put An End To Killer Heels

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You might be mistaken for thinking the worst side effect of a pair of killer heels is the odd blister after a night of dancing. However lung cancer, blindness, asthma, skin ulcers, nose bleeds, fevers, headaches, and eczema are just some of the side effects that workers producing a killer pair of leather heels can suffer.

Shoe production is a shady world. There is little to no transparency throughout the shoe industry, and complex global supply chains make it nearly impossible to pick up a shoe in a high street store and trace its origins. Even a shoe labelled 'Made in Italy', for example, can rarely be guaranteed. Often leather tanned in Asia is transported to Europe for assembly, and your 'Made in Italy' shoe could be almost entirely assembled in Romania.

The UK is one of the world's largest consumers of shoes, with each person buying an average of five new pairs of shoes per year. Many of these originate in Asia. India, for example, is the second largest producer of shoes globally after China with over one million people involved in the Indian shoe industry. Of this industry leather shoes are by far the most important element, and the UK is one of the main importers of Indian leather footwear.

Shoe supply chains are multi-layered. Brands often employ agents to source factories, who then subcontract work out to other factories or homeworkers. The lack of transparency removes brands from a direct relationship with the dangerous workings of tanneries in India and Bangladesh, however it doesn't make them any less culpable.

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Photo credits: GMB Akash

The human and environmental impacts of leather shoe production can be deadly. Tanning, the process of transforming animal skins into leather, is usually done using chromium salts. This process, when properly managed and regulated, does not necessarily pose a threat, however tanneries across Asia operate with little concern for their workers safety. In such cases, chromium III, a relatively harmless element used in tanning leather, oxidises and turns into chromium VI, or hexavalent chromium, a severely toxic substance that is highly allergenic and carcinogenic.

Tannery workers are often not given any training in how to safely handle the chemicals nor any protective clothing to wear, wading with bare skin into vats of toxic chemicals. There are often no medical treatment areas on site, even for large tanneries where over a thousand people work. Many workers also sleep on the tannery floor, unable to escape the fumes even whilst they dream. A study of tannery workers in the Southern Indian state of Tamil Nadu estimates that 40% have health problems as a direct result of the chemicals they are handling. Widespread corruption means that Indian laws protecting workers are wilfully ignored.

Not only are these tanning chemicals harmful to the workers, but dangerous waste is not being disposed of safely, instead it is pumped into rivers and water supplies, seeps into soil and quickly finds its way into the food chain. Alongside the health risks, this also means even fewer options for people seeking alternative work, as agricultural land which was once rich and fertile is now heavily polluted.

These are industry-wide issues. Tanneries in Asia supply leather across the footwear spectrum, for luxury as well as fast fashion brands. If you're wearing leather shoes right now there's a high chance that someone handling the leather at some point in your shoe's journey will have suffered.

There is clearly an urgent need for reform, which is why Labour Behind the Label, and the Change Your Shoes campaign, is calling for greater transparency. We want UK brands to publish their supply lists, to report on progress in terms of moving away from dangerous chemicals, and to ensure a living wage and safe working conditions for all their workers.

Some brands, such as Clarks, have willingly engaged with us and agreed to
publish their supplier list within the next few months. This is a positive step, indicating that brands are willing to be held accountable for conditions in their supply chains.

Other brands, including high-end Harvey Nichols, high street brands Office and Schuh, and online fast fashion retailer Boohoo, have either not replied or provided a very limited response, giving little detail on definite steps they are taking to improve transparency and protect workers rights. Their silence raises questions over the level of human rights abuses hiding in their supply chains.

Please add your name to our petition demanding greater transparency in shoe production. Ask brands where they source their shoes from. Question how they guarantee the human rights of all their workers are upheld. No-one should have to go to work in conditions that will cause them harm. No-one should risk their life to make shoes.

Please take this first step towards ensuring a fairer shoe industry.

Together, let's put an end to killer heels.

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Emilia Clarke Has Dyed Her Hair Daenerys Blonde For Real

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Not long after her Dolce & Gabbana campaign was announced, actress Emilia Clarke has gone from her staple brunette to a bleached blonde.


The Game Of Thrones star seemed thrilled with her new look, which is an homage to her onscreen persona Daenerys Targaryen and was styled by ‘Game Of Thrones’ very own hairdressers Kevin Alexander and Candice Banks.  



A post shared by @emilia_clarke on




Fans were equally as excited - Clarke’s page is filled with emojis galore. 


One fan commented: “You’re gonna be like, why didn’t I do this sooner?!? Also how amazing for you to shout the incredible hair team on GoT who deserve everything and more. What a team! ”


Check out the difference from her previous look when she modelled in the Eau de Toilette campaign for D&G’s ‘The One’. 




Now Clarke is a little less dolce vita and a little more Daenerys. 


“Mother of dragons meet Emilia,” she said in her Instagram caption.


“Emilia meet mother of dragons. If you squint just so you might never know. ⚡️”



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London Fashion Week: Tommy Hilfiger's Debut Flaunted Gigi, Bella And Anwar Hadid

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Anwar Hadid, Gigi and Bella’s younger brother, made a stealthy appearance on the Tommy Hilfiger catwalk. 


The ‘Tommy Now’ extravaganza took place on day five of London Fashion Week and the stars were out in full force. 


There were just as many well-known faces on the catwalk as there were on FROW, but one not-so-famous model (yet) stood out: the youngest Hadid.


Gigi and Bella posed backstage. 



Anwar took his turn on the catwalk in a preppy-cum-sporty ensemble. He was a natural. 



Gigi also did her thing, as usual. 



And who can forget this look on Bella?



What a family. 


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Pretty Little Thing Advert Banned For 'Sexualising' Models 'Who Appear To Be Children'

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Pretty Little Thing has had to take down an advert after it was banned by the Advertising Standard Authority (ASA) because a viewer complained the models looked too young. 


The Manchester-based company was told by the ASA to make sure “future adverts did not sexualise those who appear to be children.”



The advert first aired during Dinner Date on ITVBe on 12 April 2017, and was promptly called into question when a viewer flagged it up to the ASA. 


In their ruling of the ban, the ASA commented on the “tight-fitting and revealing” clothes and were shook by the fact that “one of the models’ buttocks was partially exposed” and their expressions were “sultry and seductive.”


However, many tweeters felt the advert was misjudged. 










In their statement, the ASA continued: “Further, we also considered that the outfits shown, the colourful props and set, and the name of the brand, contributed to the overall impression that that model was a child.”



Responding to the complaint before the ruling Pretty Little Thing told the ASA that the models featured in the ad were 23 and 24 years old respectively.


“The styles of clothing worn by the models in the ad were on-trend pieces designed for the festival season, because many of their customers were festival ‘goers’,” they explained.


HuffPost UK has contacted Pretty Little Thing for further comment and will update this article upon their response. 


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Six Women Wore The Same Dress To A Wedding And No, They Weren’t Bridesmaids

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What happens when six wedding guests say “yes” to the same dress?




A potential fashion nightmare ended with a good laugh after six women wore the same exact dress to a friend’s wedding in New South Wales, Australia, on Saturday 2016 September, giving the bridesmaids some unexpected competition. 




“I’ve heard of two women, maybe three, wearing the same dress, but six? You couldn’t make it up,” bride Julia Mammone told the Daily Telegraph.







The navy lace dresses are by the brand Forever New and were reportedly purchased from the Australian store Portmans.




Debbie Speranza, who was among those wearing the dress, recalled the initial shock of seeing others in the same ensemble.




“I turned up and did a double take when I saw my cousin in the same dress and she mouthed ‘oh my god’ back at me from the other side of the reception room,” she told the Telegraph. “Next thing we knew there were four others in the same friggin dress. What a bloody nightmare.”




Speranza went on to post a photo on the brand’s Facebook page that showed them standing together with the bride. “No we are NOT the bridesmaids, just the guests,” the caption read.




The bride told the Telegraph that “we all cracked up about it.”




“It’s every girl’s worst nightmare, what else can you do?” she said.




Speranza’s post elicited a ton of engagement on Facebook, with more than 45,000 likes and 10,800 comments as of Tuesday.












This article originally appeared on the US edition of HuffPost.


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Someone Made A Dad Bod Bum Bag That No One Asked For

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The term “beer belly” could soon have a whole new meaning.




The Dadbag is a fanny pack that is designed to look like a hairy man’s stomach.





Albert Pukies, a 27-year-old who lives in London, England, invented the fabric pouch.




“My inspiration was seeing all the posts about dad bods being cool,” he told HuffPost. “I think people want them because of that reason. You can have a dad bod without any health issues.”





The dad bod refers to a 2015 trend started by a college student who claimed “girls everywhere are going nuts” for a specific male body type that strikes “a nice balance between a beer gut and working out.”




So Pukies, who makes his living as an art director, decided to design a few versions of that ideal.





“It’s obviously meant to be funny but I do want to produce them,” Pukies told HuffPost. “I’m looking for manufacturers at the moment.”




Puckies told HuffPost he’d like to sell them for about $30 a pop and he is considering a Kickstarter campaign.





Regardless of what you may think about the bag, it is a clever design. Plus Pukies seems to have a good sense of humor about his invention.




When asked what one would carry in the Dadbag, he replied with:





“I’m thinking of typical dad items, like beer, medicine, a sandwich, wallet, sunglasses, keys.”




Because, really, what dad doesn’t leave the house without a sandwich?




To find out more about the Dadbag, check out Pukies’ site here.


This article originally appeared on the US edition of HuffPost. 



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Capturing The Theatre Of London Fashion Week SS2018: Days Three, Four And Five

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London Fashion Week, which opened on Friday, featured more than 100 designers from different corners of the world. I've been shooting there for over a decade, and this season drew in more high-profile brands than most, including Emporio Armani, which hasn't staged a show in London for 10 years, and Tommy Hilfiger, which moved from its usual slot at New York Fashion Week to London in February this year. It's great to see London challenging rival cities on the global style circuit: it's proof that our city is an international cultural and creative hub.

Over the past few days, I've been shooting a lot of assignments for the British Fashion Council, as Getty Images is now its Official Supplier, which has meant I've been close to a lot of the action.

Although, not all of it. We have a team of over 35 people on the ground, putting in 2,000 man hours to ensure every moment is captured during London Fashion Week--there's a lot going on.

This year I've seen a lot more diversity on the catwalk. I love shooting diverse models, and styles: this sort of positive imagery can have a direct impact on fighting stereotypes and empower communities to feel represented in society.

Diversity also makes for an even better image. At London Fashion Week, I always focus on capturing moments beyond the normal: looking at style as well as the human character, emotion and beauty, whether it's backstage or on the catwalk. Different is good.

Here's a selection of images from the final three days of London Fashion Week, with an alternative view.

2017-09-20-1505909410-1096176-Preen_by_Thornton_Bregazzi_1.jpg

This model really enjoyed being photographed backstage at the Preen by Thornton Bregazzi show at the Queen Elizabeth II Centre. I've shot shows here before and the big, textured concrete walls work well as temporary studio backdrops. I love the movement and animation as she moved around. It really accentuates the fabric of the clothes. I decreased the saturation and contrast when I processed this image in Lightroom to complement the muted pinks of the dress.

2017-09-20-1505909440-8673501-Preen_by_Thornton_Bregazzi_2.jpg


This is another frame from the Preen by Thornton Bregazzi show. I love the texture of this wall which works well in black and white, and makes the model really stand out. I also shot this from a low angle to accentuate the strong look of this model. I really enjoy Preen shows and have shot quite a few over the years; its designs always make for great images.

2017-09-20-1505909467-2915536-Roland_Mouret_1.jpg

Whilst I was at the Preen show I got a call from my assignment editor at Getty Images asking if I could step in to cover the Roland Mouret show. I made a mad dash across the Thames to the National Theatre. Last minute changes and rushing around town is all part of LFW. Luckily at Getty Images we have an amazing team of assignment editors and field editors who support us and make all of this possible. When I got there a lot of the models were in final looks, it was quite a dark venue to shoot in but there was this lovely big north-facing window that gave beautiful light to shoot in.

2017-09-20-1505909492-3799185-CHALAYAN_1.jpg

The CHALAYAN show was at Saddlers Wells. Backstage hair and makeup occupied the dressing rooms there with tiny corridors connecting them. There were a lot of industrial looking pipes on the walls and roof which made for some great backdrops which suited the look of the show.

2017-09-20-1505909518-353211-Roksanda_1.jpg

The Roksanda show was held at the Serpentine Gallery in Hyde Park. There were some very bright looks and great clothes. I stayed until the end of the show and ended up capturing this image when designer Roksanda Ilinčić embraced one of her models, a lovely moment, which made for a great atmospheric backstage image.

2017-09-20-1505909547-1667197-OSMAN_1.jpg

I loved the serenity on this model's face during hair and makeup backstage at the Osman presentation show. I also asked her to pose for a portrait, but chose this shot as it has a more natural look. I like the contrast of her calmness while the chaos behind her is captured in the background. The slightly hazy look is from clouds of hairspray, which can look great in the right light.

2017-09-20-1505909571-1180279-OSAMN_2.jpg

I was drawn to the strong look of this model backstage at the Osman presentation. Final looks ended up taking place on a staircase due to the space at the venue, so I asked her to pose in the corner and look down which created this nice expression.

2017-09-20-1505909593-3490508-Osman_3.jpg

What could be more British at London Fashion Week than a model drinking tea from a china cup and saucer? This was shot backstage at the Osman presentation. The show was great to shoot: there was a fantastic combination of great looks and a nice space.

You can look back at my highlights from days one and two here.

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Banning This Pretty Little Things Ad Sends A Dangerous Message About Women's Sexuality

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Women, be careful how you behave when out in public or someone might mistake you for a child and have inappropriate thoughts.

That's the message I got from the Advertising Standards Authority's decision to ban a Pretty Little Thing advert because it featured models who it deemed appeared to be under 16.

The models are in fact aged 23 and 24 - ages that clearly make them grown adults.

The fact that one of them has (as described by the ASA) "smooth facial features, doe eyes, long lashes and a lean frame" and they were behaving "in a manner that could be considered as juvenile and mischievous", does not change this fact. They are both adults.

plt


The ASA received a complaint from a viewer who spotted the ad when it was first aired during 'Dinner Date' on ITVBe on 12 April 2017.

The viewer challenged whether the ad was irresponsible because they believed the models featured appeared to be children and had been portrayed in a sexualised manner.

The ASA upheld this complaint, stating that the models' appearance and mannerisms made them appear "to be children".

How insulting for these young women to be told they look like children - just because they possess the very same characteristics seen on most models featured in advertising: "smooth facial features, doe eyes, long lashes".

There are shelve-loads of beauty products that promise to give women smooth facial features, doe eyes and long lashes. Should we ban them too?

Because surely if the ASA's logic is to be followed, women who use these products and then exhibit sexually provocative behaviour, could cause confusion and outrage.

In fact there is a whole market of products intended to make women look younger - the very thing this advert fell foul of.

plt


The ASA also noted that: "the models featured were acting in a manner that could be considered as juvenile and mischievous - eg. both models were seen twirling, one model was swinging off an arch and in a later scene, clambering on one of the letters of the giant 'PLT' signs."

Someone had better warn the 'Strictly Come Dancing' team that twirling and swinging are not considered suitable behaviour for adult women to partake in.

And we'd better all delete those Instagram images of us climbing on signs from Hollywood to Amsterdam - because only children can be playful, apparently.

That's not all, the ASA also noted that: "the makeup and styling were reminiscent of 1990s teenagers' fashion, in particular the model who was wearing two high buns on the top of her head."

Take note Rita Ora, Michelle Keegan, Rihanna and literally everyone at Coachella this year, if you choose to partake in the 90s fashion revival then you better make sure you act in a chaste manner while doing so - just to avoid any confusion.

The ASA conceded that: "the outfits shown were generally reflective of the type of outfits popular with some music festival goers, and that the background and colourful set was evocative of summer festivals."

But then countered this with: "we noted that some of the outfits featured - eg. short body con dresses, a body suit worn without tights, low cut strappy bralette with short denim shorts, a thin cross-over bandeau - were tight fitting or revealing."

In other words, what you'd expect to see at a festival.

If these were children being used to sell "low cut strappy bralettes" then perhaps the ASA would have a point, but as they noted the models are aged 23 and 24 - ages at which it is perfectly acceptable to wear anything you want without first asking your mother's permission.

Clearcast, a company that checks ads against the UK Code of Broadcast Advertising, to ensure they aren't offensive, have said their internal viewing panel "felt that the tone of the ad was in line with the summer or festival spirit of the products and the models featured were neither childlike nor indecent or overly sexualised."

Yet one person's complaint has led to the advert being taken off screen - what message does this send to young women about their bodies and their sexuality?

Protecting children is a serious issue. But this ruling is not protecting children, it is suggesting that the behaviour of adult women is inappropriate purely because of their youthful appearance.

These women were not pretending to be children, they were styled and behaving in a manner appropriate for their ages.

Women's bodies take many different shapes and forms. It's perfectly natural for some women to have "lean" physiques and telling them that sexual behaviour is inappropriate for them is body-shaming.

So unless the ASA wants to go one step further and say that sex should not be used to sell - which would mean waving goodbye to a large proportion of ads currently on our screens - can we please stop policing young women's behaviour and holding them up to standards that aren't expected of others.

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I'll Never Forget The Moment I Got To Thank Rihanna For 'Everything'

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I remember growing up comfortable with the fact that makeup didn't come in my colour. It was an odd, shrug-worthy, 'that's-the-way-it-is' kind of comfortable.

Thus I was okay with the fact that, when I'd be old enough, I'd have to remember to buy my foundation on the (very) occasional trip to Paris, or order it online and have the products shipped from the US.

I know that the cosmetics brands my mother used were black-owned and foreign to the UK. Paris-based brand BlackUp was the only holy grail of beauty to me.

There's nothing wrong with purchasing from brands that are far from home. However, it's a little odd that, for a decent amount of time, it was the only option for a lot of women who were darker than the dubiously titled 'tan' shade. Or those who were lighter than the generic 'fair' token.

To make matters worse, the brands bothering to sell cosmetics in a wide range of shades were luxury companies charging luxury prices.



No wonder I was never too fussed about wearing foundation. The truth is, I found it easy to go makeup-free because I was simply not in the habit of buying makeup. What's the point in spending your money on something that will make you look ashy, anyway?

Buying foundation meant making the extra effort and loving yourself enough to put up with the faff without complaint. That was for the grown-ups, the likes of my sophisticated mother. It was not for me, the pensive teen with her nose stuck in a book.

Fast forward a few years and it's quite a different story, not just personally but commercially.

As an ex-freelance model and casual blogger, I got to know a bit more about makeup through the professionals who had to 'make me up.' I was always grateful when they (near enough) had my shade, but when I'd ask them where the makeup was from it was always from some unattainable professional line.

While I'll never be the most makeup-obsessed person in the room, I have a real appreciation for it and the creativity it encourages. And while the beauty industry still has a long way to go in terms of diversity and inclusivity, it's a hell of a lot better than it used to be. So I thought I was happy with the slow but sure manner in which progress was moving.

Good day

A post shared by L'atelier Grace Ekall (@graceekall) on



Then I, along with the rest of the world, realised what we'd been missing thanks to Rihanna and her entrepreneurial ways.

London Fashion Week ended on a high with the UK launch of Rihanna's Fenty Beauty event. Hosted by Harvey Nichols in Knightsbridge, the night was a party and a free shopping experience all rolled into one.

I was delighted to have snagged an invitation to the exclusive shindig. Even more thrilling to me, however, was the fact that a foundation in my particular colour existed. I have a deep, dark brown complexion typical of a native of the Cameroon. I am also a descendent of Saharan nomads sometimes referred to as black arabs.

This means I am not a token 'deep brown,' any more than caucasian women are not simply 'fair.' There are hues in between: imagine a tanned Mediterranean woman wearing a foundation shade called 'porcelain' and you get the idea.

A 'more ' version of me, courtesy of @graceekall. #wrapforlife #headties #africanfashion #lateliergraceekall

A post shared by L'atelier Grace Ekall (@graceekall) on



At the Fenty Beauty event, a makeup artist tried the Pro Filt'r Soft Longwear Foundation in 480 on me and it was truly like a second skin. It was such a match to my own complexion that you could barely tell I was wearing any makeup. I know this, because Rihanna told me so herself.

After the grand entrance met with cheers, (and some well-earned time dancing with the crowd of attendees) Rihanna toured the room observing each section of makeup. The collection had been laid out meticulously, split into foundations in one end of the room, highlighters in another and so on.

The beautiful star seemed to glide from section to section, where makeup artists were dutifully demonstrating the products on attendees. When Rihanna came up to my section, all I could do was smile inanely.

Rihanna said to me: "You look amazing. You can't even tell you're wearing anything. It looks like it was made for you." Of course I almost fell off my stool.

Turning to the MUA, she said: "You've done such an amazing job." (It struck me how long she stood there quietly after commenting, admiring the artist's work with her glorious products. There was something really humble and genuine in her manner.)

She came. She saw. She conquered. @fentybeauty by @badgalriri #FENTYBEAUTYxHN #FENTYBEAUTY

A post shared by Harvey Nichols (@harveynichols) on



All I could manage in response was "thank you. Thank you so much. For everything."

By everything, I wanted her to know how grateful I was for not only making her line inclusive, but for making the notion of diversity in the beauty world as natural and normal as it should always have been in the first place.

Thanks to innovators like Rihanna, some of us no longer have to go to the moon and back to treat ourselves to a bit of coverage. Fenty Beauty's take on inclusivity means so many more people can feel happy and comfortable in their own skin.

The family's all here. Tell us what shade you are below. Not sure yet? We got you. Peep our shade finder on www.fentybeauty.com.

A post shared by FENTY BEAUTY BY RIHANNA (@fentybeauty) on

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