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Ursula Goff Is The Stylist Turning Hair Into Actual Works Of Art

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Can't afford a Monet for your wall? Now you can turn you hair into one of his paintings instead.

Hairstylist Ursula Goff is reinterpreting classic works of art as fabulous and colourful hair dye masterpieces.

Calling it her 'Fine Art Series', Goff - who has had a love of art since childhood - is sharing the snaps of her work on Facebook, inspired by some of the most famous painters of all time.

“I tend to colour hair much the same way I colour a canvas, using the same sorts of colour application techniques and identical colour theory,” she explained in one of her captions.

Check out her incredible work below...

Marilyn Monroe by Andy Warhol

Fine Art Series: Andy Warhol may be the most iconic artist of the 20th century. He was fascinated with fame and...

Posted by Ursula Goff on Friday, 22 January 2016




'Birth of Venus' by Boticelli

Fine Art Series: This is the famous "Birth of Venus", by Boticelli. This painting is enormous - 6 by 9 feet - and has...

Posted by Ursula Goff on Saturday, 23 January 2016




'The Kiss' by Gustav Klimt

Fine Art series: The Kiss, by Austrian Symbolist Gustav Klimt. Perhaps one of my favorite paintings, this work is...

Posted by Ursula Goff on Monday, 25 January 2016




'Water Lilies' by Claude Monet

Fine Art Series: This is one of many water lilies paintings that Claude Monet painted. Monet is the most famous of the...

Posted by Ursula Goff on Tuesday, 26 January 2016



'Red Canna Lily' by Georgia O'Keeffe

Fine Art Series: Red Canna Lily, by Georgia O'Keeffe, who may be the female artist most people are familiar with. This...

Posted by Ursula Goff on Wednesday, 27 January 2016




'Drowning Girl' by Roy Lichtenstein

Fine Art Series: Drowning Girl, and Pop Art Newsweek cover, by Roy Lichtenstein. Lichtenstein was a pop artist in the 60...

Posted by Ursula Goff on Friday, 29 January 2016




'Starry Night' by Vincent van Gogh

I am sharing Van Gogh's "Starry Night" again for those who missed it, and also because I didn't originally publish any...

Posted by Ursula Goff on Saturday, 30 January 2016




'The Scream' by Edvard Munch

I often get asked where I went to hair school, and what sort of cosmetology education background I have. The answer is...

Posted by Ursula Goff on Wednesday, 20 January 2016




'Girl with a Pearl Earring' by Johannes Vermeer

Next in the Fine Art series is Girl With a Pearl Earring, by Dutch painter Johannes Vermeer. What is interesting about...

Posted by Ursula Goff on Thursday, 21 January 2016




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Mark Wright Reveals The Hairstyle He Hates On Michelle Keegan

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Michelle Keegan may officially be the sexiest woman in the world but husband Mark Wright doesn't always agree.

Obviously the dude knows how stunning she is (he has eyes, right?) but it seems Wright isn't such a big fan of a certain hairstyle his wife chose to wear.

Namely, the 'hun' - a half up, half down style loved by countless celebs.

A photo posted by Mark Wright (@wrighty_) on






Sharing the above montage photo on his Instagram of Keegan and her cousin Katie Fearnehough, Wright wrote: "Slated the wifey for this hairstyle, two weeks later even her cousin copied it."

Someone should probably tell the former TOWIE star that huns are all the rage right now, especially the super messy style Keegan decided to rock.

Oh well, you can't win 'em all.

SEE ALSO:

Michelle And Mark Are One Very Co-Ordinated Couple At The NTAs

Michelle Keegan's Wedding Makeup Artist Reveals How To Get Her Bridal Look

Michelle Keegan Promises A 'Mascara Revolution


Is My Black Not Beautiful?

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I still remember the disappointment to this very day. Before I went to boarding school I had never read a fashion magazine. I grew up on a council estate in London and fashion magazines were a luxury item that weren't even on my mind. The closest I got to a fashion magazine was my cousin's Top of the Pops magazines, where we would learn the lyrics to every song and put posters on our walls. Then I went to boarding school and I was exposed to a very different crowd - one of affluence.

Anyway, in my very first year I shared a dorm space with another girl who would get weekly packages from her mother. And in those packages were a few magazines. I particularly remember Sugar. And every week they would have make up tutorials... How to do the latest looks ... On pale skin, olive skin and dark skin... But the dark skinned woman was Alesha Dixon at best. Fast forward 15 years later, and we're still in the same place.

Maybe I want to try the latest cat eye, or eyeshadow trend? Maybe I want to learn how to strobe and highlight and do whatever else the Kardashians throw at us.

It's not enough. Magazines don't go far enough to be inclusive, and have at least have one model representing every major skin tone. South Asian? East Asian? Mixed Race? Pale? I don't know how, but it would be nice to see more diversity all round. The page could easily be dived to fit even ten girls, showcasing how each beauty trend, looks on each skin tone, and the right shades to use.

All I'm saying is, thank God for YouTube. Thanks to YouTube, we have a wealth of information available to us, with fantastic bloggers such as Jennie Jenkins and Chanel Boateng; both incredible Brits who translate the latest trends onto darker skin tones. When I watch these videos, I somewhat feel like my black is beautiful... at least amongst my peers. That is, until I pop into the local corner shop to pick up some magazines before a long journey, only to find my beauty absent, unacknowledged.

Maybe the problem is wider than the magazines. If Grazia wants to show us how to wear the latest nude, and the headline is 'how to do nude on a budget', and there are no affordable brands that stock products that I can use, can I blame them? I mean, it's not like I can walk into Boots and buy Rimmel foundation?

The thing is, I don't understand why, when it comes to beauty, dark skinned black women seem to be left behind. On the high street, in the beauty shops, we're not present. I've never walked into a Superdrug or a Boots and found the right foundation for me. Ok, fair enough. Not every skin tone will be catered to, and not every formulation will be right, but at least give me an option. No, Jourdan Dunn is not dark and neither is Beyonce! What happened to Estelle or even Jamelia? Is their black not beautiful? Rimmel, No7, Revlon, Maybeline, GOSH, 17... I'm looking straight at you. And that list isn't exhaustive.

We want options. My younger sisters want options. And it just doesn't seem fair. It's hard to pin point who exactly is to blame. If you take a look around the problem isn't only is fashion; it's in music, it's in film and it's on TV. Darker skinned women just aren't represented anywhere, especially not in the UK. As a dark skinned model myself, I have become even more aware of the lack of representation. Quite recently, I asked my friends to name five dark skinned celebrities in the UK. They struggled. You try. Go ahead, I'll wait. We'll be here a while. I widened it to the USA. Between us, after an hour we named five. This is shocking. In the US media outlets have started discussing the issue of 'Colourism'; the discrimination endemic within certain communities that results in the preference of lighter skin tones over darker ones. This isn't isolated to the black community. It is also present in the South East Asian communities. This is one of the reasons for the prevalence of highly toxic skin bleaching creams that can be found in any uk high street, even today. But that's another topic for another day.

It isn't hard to see how the lack of representation affects the self esteem of many women world wide. And magazines are so accessible to young women these days that I feel magazines should be particularly aware of their responsibilities when it comes to inclusivity. Much noise has been about size diversity, but not enough about skin tone diversity. It's time for this to change.

This February, HuffPost UK Style is running a month-long focus on our Fashion For All campaign, which aims to highlight moments of colour, size, gender and age diversity and disability inclusivity in the fashion and beauty world.

We will be sharing moments of diversity at London Fashion Week with the hashtag #LFW4All and we'd like to invite you to do the same. If you'd like to blog about diversity or get involved, email us here.

Why Fashion Needs a Seat at the Table of Mainstream Education.

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We have all seen Sir Ken Robinson's TED talk entitled Do Schools Kill Creativity? You know which one I mean, the most watched TED talk of all time, the 20-minute masterpiece whereby the English author poignantly and humorously points out the fundamental flaws in modern education with regards to the systematic quelling of creativity. One piece of this speech that really stood out for me was when Robinson discussed the ranking given to subjects in schools:

"Every education system on Earth has the same hierarchy of subjects... at the top are mathematics and languages, then the humanities, and at the bottom are the arts. Everywhere on Earth. And in pretty much every system too, there's a hierarchy within the arts. Art and music are normally given a higher status in schools than drama and dance. There isn't an education system on the planet that teaches dance everyday to children the way we teach them mathematics. Why? Why not? ... We all have bodies, don't we? Did I miss a meeting?"


He goes on to argue that this is because of the ignorant "you're not going to be an actor, so why prioritise drama" arguments which all of us have heard so many times throughout our education. Robinson's speech says more than I ever could about the disparity between the arts and the sciences in schools. However, I would like to focus more on his mentioning of the hierarchy among the arts. In the decade since his 2006 speech, there has been a change. Drama, for example, has ascended to the level of music and art, with institutions such as the National Youth Theatre and a widespread focusing of the transferrable skills gained in theatre to thank for this shift. Dance, though still not part of mainstream, curricular teaching, is at least heavily encouraged as an extra-curricular even post-ballet, with films such as Step Up and television acts such as Britain's Got Talent's Diversity sparking a generational allure for modern and progressive dance.

Fashion however, still doesn't even have a seat at the table, and this is, in my opinion, a crying shame. Fashion is an art form. Think about it. It all starts off with sketching. The importance of colour combination, symmetry and originality are all plain to see. Is there such a difference between Kate Moss being Mario Testino's muse and Jacqueline being Picasso's? No. Aside from mere aesthetics, fashion, like art, is a means of expression. Coco Chanel said that "Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening." And she is correct. Why should Picasso's chilling 1951 Massacre in Korea, or just about anything by Banksy, be given more credit for documenting social issues than various figures' support for the LGBT community and Pussy Riot in the build-up to the 2014 Sochi Olympics, or Supreme's stance on racism in the American police and legal system with their Supreme is UnAmerican t-shirt? The answer? They shouldn't. Fashion, both in terms of technical style and zeitgeist meaning, holds its own.

And the world has accepted this: last year's Alexander McQueen exhibition at the V&A received as much media coverage and acclaim as any art gallery did. As celebrated designer Zandra Rhodes told The Guardian, "the same amount of artistic expression goes into clothes, a piece of pottery or a painting. I've founded a [fashion] museum on the basis that I think it's an artistic form that should be remembered." So why is this not the case? I am at Cambridge University, a self-acclaimed leader in liberalism, innovativeness and creativity. Why then, does their Art History course study architecture, but not give fashion a look in? I am also on the committee of this year's Cambridge University Charity Fashion Show (CUCFS), which will take place on the 13th of February. This year's show is only the second ever show of this calibre. It is in aid of Cambridge House, a fantastic charity which focuses on giving education to kids in Southwark, South London. Why then, is money pumped into student galleries, choir concerts and tours to foreign countries, while we struggle to raise enough income (and have to rely on generous, external resources) to put on an annual show? If I asked the bursary for funds to travel to New York or Milan for fashion week, they'd laugh in my face. Why? To borrow from Sir Ken, we all wear clothes, don't we? Did I miss a meeting?

Tradition is a big culprit. Traditionally, fashion has been seen by the world of academia as frivolous, as something which the non-intelligent and less capable divulge in. Also, returning to the Science vs Art debate, throughout history, the two have been pitted against each other as two ends of a spectrum, as non-compatible. You only have to look at how easily you accepted my saying "Science vs Art" just now for proof - this attitude is ingrained. This is the first thing that must change. As comedian Tim Minchin stressed in his UWA honorary degree acceptance speech:

"Please don't make the mistake of thinking the arts and sciences are at odds with one another. That is a stupid, and damaging idea. You don't have to be unscientific to make beautiful art, to write beautiful things. If you need proof: Twain, Adams, Vonnegut, McEwen, Sagan, Shakespeare, Dickens. For a start...The arts and sciences need to work together to improve how knowledge is communicated."


He is right- mainstream curricular education has to focus on a way of bringing together the arts and the sciences, and fashion should be included in this movement. More specific to fashion, tradition is again at fault. The old stereotype of fashion being 'for girls' has of course been broken and rejected worldwide- we are in 2016 for God's sake. But has it been rejected in education? Statistics would suggest not: the 2015 Cambridge Assessment Research Report showed that 90% of students doing Design and Textiles GCSE were girls. This, frankly, is scary: one must only look at the wealth of male designers, from Karl Lagerfeld to Gosha Rubchinskiy to see that the industry is far from a sphere limited to women, and this fact should be reflected in the encouragement of student participation in mainstream bodies of education.

Finally, we need to realise that what I am arguing for doesn't have to be a giant step. I am not saying that people should ditch the ruler for the dress (though rulers are, of course, integral for a fashion designer), or the test tube for the runway. There doesn't need to be a revolution. All that is needed is for GCSE and A-Level Art to include modules that study fashion design, and the history of fashion. This would inform people, spark an interest from a young age, and give a scope for creativity that is not currently present, without forcing people to solely study fashion. I am not putting other arts down, I am trying to bring fashion up to a similar position, and it is my belief that, with these changes in attitude and procedure, this is a very real possibility.


For more on fashion and other things, follow Francesco on Twitter and Instagram

Barbie Fashionistas Bring Body Diversity and Mad Shoe Game

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You never forget your first Barbie. Mine was Crystal Barbie and I'm still obsessed with that shimmery holographic fabric and outlandish Dynasty dresses to this day.

Now, thanks to Mattel's latest major makeover of the iconic best-selling doll - continuing 2015's expansion which added 23 new skin tones, a variety of hair colours and a flat foot so she could ditch those perma-heels - Barbie's enduring appeal just got a little closer to home for millions of kids worldwide.

No longer just tall, thin, blonde and blue-eyes with sun-kissed white skin, the doll has evolved and the new 2016 Barbie Fashionistas range includes three new body shapes - tall, curvy and petite, seven additional skin tones, 22 eye colours, and 24 hairstyles. You can see some of them in my snaps below or check out the full range at www.barbie.com
Continues after slideshow...



I had the privilege of seeing the new dolls up close at their launch earlier this week at a fabulous Barbie Discotheque, at 9am on a Monday no less - let's go party indeed; not going to lie, I found it hard to keep up with the 57 year old - and was pleased to see even the rainbow-haired of us being represented.

That said, the bleach blonde Jennifer Lawrence-meets-Jenna King off Southern Charm doll with the Mohican hairdo, complete with flocked 'shaved' sides was definitely my favourite, with the gorgeously hip-py brunette in the neon kicks a close second, tied with the chick who I'm sure is Dionne from Clueless sans braids... don't you think? Check them out in the gallery above.

For any of you who don't buy Barbies that regularly one thing that really surprised me - and, following an office discussion about it, seems to be the general consensus - is how the dolls only cost £9.99 each. How is that possible? I know they have to keep the cost reasonable given they're intended for kids but I'm sure they cost more than that even in the 80's?? I'm baffled, though obviously in a good way.

One standout feature, amazing body positivity messages and diversity evolution aside, was Barbie's shoe collection. I had no idea but this girl has major footwear game and now that she can wear flats it's well-rounded too. From Rockstud-style studded sandals to Superstar-esque sneaks, Barbie's packing serious shoe swag so why not take a few footwear tips? Melissa is a great place to start for on-trend dolly shoes for adults so check out their own line and designer collaborations at shopmelissa.uk

1 Strips rubber wedges by Melissa, £105; 2 Backless + Alexandre Herchcovitch for Melissa rubber flats, £98, and 3 Christy + Jason Wu for Melissa, £75, all from shopmelissa.uk. 4 Melissa x Jeremy Scott inflatable mules, no longer on pre-sale (they're SS16 but showed at New York Fashion Week in September and were made immediately available) but check Melissa later this season or grab now from online stockists like 10 Corso Como for E.165

2016-02-03-1454461463-9139458-MelissaShoesBarbieShoesforAdultsSarahMcGivenHuffpo.jpg

Valentine's Day 2016: The Sexiest Lingerie Sets Under £50

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It comes but once a year, the day when it's perfectly acceptable to spend a ludicrous amount of money on intangibly complicated underwear.

But what if you don't have major dollar to drop and still want to look like the human equivalent of a Valentine's Day card?

Luckily the British high street knows what a girl wants, and has stepped in to answer your skimpy lace prayers, offering a whole host of lingerie sets for under £50 each - with some clocking in at a whole lot less, including suspenders.

There's something for every V-Day, from barely-there cut out styles to seductively practical night slips.



SEE ALSO:

Valentine's Day Beauty Products To Treat Yourself To

A Day In The Life Of An Agent Provocateur 'Shop Girl'

You Can Now Buy Underwear That Smells Of Bacon


How To Get Beachy Waves With No Heat Styling Whatsoever

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Glossy beachy waves and glamourous blow-drys have been the hottest hairstyles for most of the last decade, but all that heat styling can be pretty taxing on your hair.

Luckily, we live in a time of inventive beauty gurus and some very clever people have found a completely heat-free way of creating the big and bouncy look (and no, it's not just putting your hair up in a scrunchie).

Blogger HudaBeauty recently shared Instagrammer Chloey York's incredible tutorial video with the world and it blew our minds.

A video posted by Huda Kattan (@hudabeauty) on






York's method sees her twisting up a t-shirt, fastening it into a circle shape and curling her hair into it. Left overnight, the t-shirt creates a full head of flawless curls.

It's not the first time we've spotted this trick either, beauty brand Aurora showcased its 'Band Night Roller' on Dragon's Den, and it pretty much does the same thing as the twisted t-shirt (albeit with a bit less hassle).






Aurora bands are on sale for around £12.99 on Amazon.co.uk and feature a slightly gripped texture so you don't have to secure with bobby pins.

Either way, this is one trend we'll definitely be trying out - not just for our split ends sake, but because these little bands do a better job than we could ever manage with curling tongs.

SEE ALSO:

Glow-In-The-Dark Hair Is The Brightest New Beauty Trend

You Can Now Buy Kardashian Hair Products In The UK

Woman Accidentally Dyes Asda Logo Into Her Hair


Suzanne Dore, Blogger With Bowel Cancer, Shares Colostomy Fashion Tips

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A woman who survived advanced stage colon cancer has become a blogging sensation after sharing style tips for ostomy bag wearers.

Suzanne Dore from Rayne, Essex, launched Gladrags And Bags in December last year to prove you can be stylish and comfortable after a colostomy.

Having worn a colostomy bag for five years, 42-year-old Dore has picked up a number of style tricks to hide the bag - but never lets it stop her from wearing a bikini.

suzanne dore

On her blog, Dore revealed her favourite items of clothing are side-twist or wrap dresses - as it flatters her shape and disguises her bag.

"In fact the only down side I have ever found with this style is when I find a dress and try it on only to find the twist is on the wrong side for my bag," she wrote.

But if Dore is wearing a flat-front dress, she'll "use a slip or petticoat to smooth the edges of the bag and the bumps within."

She also swears by maternity and leather-look leggings, as they have a lot of give around the stomach, and recommends cutting holes in tights to fit neatly around the bag.

suzanne dore

Writing on her blog, Dore said: "Finding clothes to wear with my colostomy has at times been a challenge, and not always successful admittedly, but I'd say I've had more wins than losses, so I'm happy with that.

"My blog isn't going to appeal to those who prioritise comfort, there's plenty of sites for comfy colostomy clothes, and their offerings scare the cr*p out of me (if you'll pardon the pun). I'm not ready to swap to comfort yet, nor do I imagine many younger or young at heart ostomites are."

SEE ALSO:

5 Beauty Bloggers With Disabilities You Need To Follow

Size 16 Model, Barbie Ferreira, Ditches Photoshop In New Swimwear Shoot

Winnie Harlow, Model With Vitiligo, Stars In New Sprite Advert



How Naomi Campbell Helped Gigi Hadid Learn To Love Her 'Weird' Walk

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Gigi Hadid may have gotten some schtick from the press for her 'weird' runway walk, but it turns out - it's worked in her favour in the fashion world.

Speaking to Love Magazine, the six-time Vogue cover star (pretty impressive at the tender age of 20) revealed she turned to fellow supermodel Naomi Campbell in the run up to her Victoria's Secret Fashion Show debut after receiving criticism for her catwalk style.

gigi hadid
Gigi Hadid


Hadid explained: "I was with Naomi a couple of weeks before the VS show. She said, 'Don’t apologise, don’t do it. You are perfect the way you are. Everyone said my walk was weird too.’"

Campbell then invited Hadid to her hotel for a quick workshop: "I go to her hotel and we end up practising walking in the hallway of the hotel.

"Italian families are coming out to watch and she’s like, 'Don’t look at them, keep walking, they’re your audience.’

"The elevator would open and the waiter would come out – 'Don’t look at him, he’s your audience, do a spin and keep going.’

"It was terrifying, walking in front of this Italian grandmother and her kid.

"After getting a lot of different opinions about my past Fashion Week I went into the VS show thinking, 'Yeah. Maybe I am different,' but I have heard Naomi saying, ‘Bitch better have my money after I walked for her.’ So it’s going to be fine.

"If people don’t like how I walk then they don’t have to watch.”

kendall jenner
Kendall Jenner


Hadid stars in the 24-page Love Magazine spread alongside best pal Kendall Jenner, Selena Gomez, Emily Ratajkowski and Jasmine Sanders.

The shoot is the first ever published work of casting agent-turned-photographer Carin Backoff. It was styled by Sally Lyndley and features illustrations by The Daisy Chain.

selena gomez
Selena Gomez


emily ratajowski
Emily Ratajkowski


jasmine sanders
Jasmine Sanders


See the whole interview with Gigi Hadid in LOVE 15, the LOVE Club issue for Spring/Summer 2016, which goes on newsstands 8 February.

SEE ALSO:

Gigi Hadid Leads Star-Studded Line Up On Versace Catwalk

These Victoria's Secret Models Got Naked In The Name Of Fashion

How To Dress Like An Off-Duty Supermodel


17 Quotes On Why Diversity In Fashion And Beauty Matters

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The fashion industry might be changing, but the ultimate goal of a truly diverse representation of men and women remains uncertain.

Models portraying a spectrum of race, age, size and disabilities have inspired change and proven that beauty can be everywhere.

But how long do we have to go to until fashion is for all?

Here, models speak out about why diversity in fashion matters and how the industry is changing.



This February, HuffPost UK Style is running a month-long focus on our Fashion For All campaign, which aims to highlight moments of colour, size, gender and age diversity and disability inclusivity in the fashion and beauty world.

We will be sharing moments of diversity at London Fashion Week with the hashtag #LFW4All and we’d like to invite you to do the same. If you'd like to blog about diversity or get involved, email us here.


SEE ALSO:

Hayley Hasselhoff Interview: Plus Size Model Speaks Out About What Needs To Change To Make Fashion More Inclusive

Addressing Fashion Week's Race Problem: Talking About It Is Like Farting Loudly During A Karl Lagerfeld Show

Model Nykhor Paul Speaks Out About Fashion's Problem With Black Beauty


We Need Honest Depictions of Women of a Certain Age in Our Beauty Adverts

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One of the things that impelled me to launch a makeup business in 2013 with products specifically formulated for older faces was the way in which the beauty industry utterly ignored me as a 65-year-old woman.  Look Fabulous Forever has been stunningly successful because we dare to do things differently from most other beauty brands.

Since the early Sixties when wonderful designers like Mary Quant, Barbara Hulanicki, and Ossie Clarke burst onto the fashion scene, both the fashion and beauty industries have been obsessed with youthful faces and bodies. Before that time, clothes and makeup were for grown ups and even Vogue magazine which is (nowadays) notoriously ageist, was happy to feature Mrs Exeter, a woman in her later years who was in their description of her in 1949, "Approaching 60, Mrs Exeter does not look a day younger, a fact she accepts with perfect good humour and reasonableness."  What a contrast with the last 'Ageless' Vogue cover from 2015 featuring an air brushed 48 year old Stella Tennant looking like a moody teenager!

I am sure that some will point to the use of 80-year-old writer Joan Didion to sell sunglasses for Celine, or those funny little old ladies in the Dolce & Gabbana ads clutching their sparkly handbags or the images of Joni Mitchell in the Yves St Laurent as indications that there is a real shift towards increasing diversity. Really? Are these ads designed to be inclusive in order to attract my generation to buy their clothes or (call me cynical if you wish) to offer an amusing and even shocking contrast between the (beautiful and trendy) clothes and the old people wearing them?

And what about Charlotte Rampling in the Nars advertisements and Dame Helen Mirren in those L'Oreal ads for skin care? Surely they show that  large cosmetic companies are waking up to the power of the grey pound and the fact that women over 60 still want to wear gorgeous makeup and can well afford to? Actually no, I don't think these ads show that at all.  Charlotte Rampling is a very beautiful 69-year-old with trademark hooded eyes. The images of her in the Nars advertisements have been so digitally altered that she is barely recognisable. If I didn't know they were of Rampling, I would assume they were of a strikingly attractive woman aged around 45.

L'Oreal's portrayal of Mirren also bothers me as someone of a similar age. She's lit to look blonde despite the fact that her hair is actually white and they have dressed her in one ad in a black leather jacket and filmed her on a bridge walking past a handsome young guy. Mirren looks into the camera and raises an eyebrow as if to say 'I know I'm still hot - so I'm sure he fancies me.' Is that really why most 70-year-olds do their hair and makeup? To appeal to much younger men and to be thought of as sexy? Again, I don't think so.

The fashion and beauty industries inhabit a world where images are necessarily glamorous and above all youthful and where they are not, those images are either digitally altered or used to shock and provoke.  But, I would suggest, there is another way. At Look Fabulous Forever we have no desire to appeal to woman under 50. We are not obsessed with looking youthful and alluring to the opposite sex. So our images are honest and truthful depictions of women of a certain age looking like the bright, vital and fabulous people that they are.

Tricia Cusden is the founder of Look Fabulous Forever

This February, HuffPost UK Style is running a month-long focus on our Fashion For All campaign, which aims to highlight moments of colour, size, gender and age diversity and disability inclusivity in the fashion and beauty world.

We will be sharing moments of diversity at London Fashion Week with the hashtag #LFW4All and we'd like to invite you to do the same. If you'd like to blog about diversity or get involved, email us here.

Alexa Chung Teams Up With Marks & Spencer For New Fashion Collaboration

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Alexa Chung is bringing her effortlessly chic style to the British high street with an affordable new range.

The fashion icon is teaming up with Marks & Spencer to design a 31-piece womenswear collection, based on the brand's archive pieces.

alexa chung marks spencer

Curated and handpicked by Chung and the M&S design team, the collaboration will see archive pieces brought back to life for the modern age - with a supermodel twist.

The supporting campaign will launch, along with the clothes, in April with Chung herself taking creative ownership of the mood and direction.

alexa chung marks spencer

"I have always had an affection for Marks & Spencer," Chung said of the partnership.

"I am thrilled to be part of this special and unique project. There was something very touching about looking back through the British fashion and social history for which M&S is synonymous."

alexa chung marks spencer

This project is the first of the ‘M&S &’ series - a number of exclusive collections with some of today’s most exciting designers, brands and fashion icons.

The M&S & Alexa Chung collection will debut in April 2016 and will be available in selected stores and online at www.marksandspencer.com

SEE ALSO:

Alexa Chung Reveals Her Biggest Fashion Disaster

Alexa Chung Predicts What We'll Be Wearing All Winter Long

Alexa Chung Had 90s Brows And A 'Rachel' Haircut


Kylie Jenner Channels Sister Kim Kardashian In Leather And Latex Dresses

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Kylie Jenner may be keen to make a name for herself outside of the Kardashians, but she still takes some style tips from her famous family.

Channeling some serious Kim Kardashian vibes, the 18-year-old reality star-turned-makeup guru wore two latex and leather ensembles in as many days.

Partying at the FORWARD By Elyse Walker & Unravel event in LA last night, Jenner wore an biker-esque leather mini dress from Unravel's spring/summer 2015 collection - teaming the look with low key makeup.

A photo posted by King Kylie (@kyliejenner) on






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Actress Jasmine Sanders and Kylie Jenner


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Make-up artist Joyce Bonelli, Khloe Kardashian, actress Malika Haqq, Kylie Jenner and hair stylist Jen Atkin


The night before, Jenner hit the town in a daring red latex pencil dress by sister Kim's go-to latex designer Atsuko Kudo.

Jenner teamed the ensemble with her recently revealed Lip Kit shade from her upcoming Valentine's collection - a bright red hue called 'MaryJo K'.

A photo posted by King Kylie (@kyliejenner) on






A photo posted by King Kylie (@kyliejenner) on






A photo posted by King Kylie (@kyliejenner) on






Can't wait to get your hands on Kylie Jenner's new Lip Kits? Check out the top dupes you can shop right now below:



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This Unfortunate Cat Got Its Head Stuck In A 'Necklace'

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Our feline friends may be known to get their heads stuck in things at any given opportunity, but one cat appears to have turned the mishap into a serious style statement.

A Redditor shared the image below, explaining "My friend's cat got its head stuck in a vase, freaked out, broke the vase, and was left with this."

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As expected (it is a funny cat photo after all), the internet went into overdrive, with people comparing the base of the vase to a rather fetching gold choker.

But one smart commenter was quick to point out the cat bared an uncanny resemblance to an ancient Egyptian statue, posting the photo below.

egyptian cat statue

"Same thing happened 2000 years ago. But this was the only way to post it back then," another commenter added.

So that explains it.

By the looks of the original image, the poor kitty was at the vets getting its new 'accessory' removed. We hope it learned its lesson.

But knowing cats, probably not.

SEE ALSO:

These Cat Bags Are So Lifelike It's Creepy

The Controversial Fur Trend At Men's Fashion Week

How Not To Advertise Your Men's Jewellery Brand


Rihanna's Latest Hairstyle: A Sharp Bob

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Rihanna is one of our favourite celebs to stalk follow for hair inspo and her latest look has got us calling for a hairdresser.

Recently she's been favouring long, flowing locks, but a snapchat video of her behind the scenes at The Ellen Show revealed her hair no longer looks like this:

rihanna


Riri's gone for a sleek bob, a look she first debuted in 2006 and which was her signature style while promoting her 'Good Girl Gone Bad' album.

A video posted by Rihanna Snapchat (@rihchat) on






SEE ALSO:

The Reviews Of Rihanna's New Album 'Anti' Are In...

Mark Wright Reveals The Hairstyle He Hates On Michelle Keegan


#RihannaonEllen ❤️❤️❤️❤️ @badgalriri

A photo posted by ANTI (@navyturkey) on





Rihanna's badgirlriri Instagram account is a veritable treasure trove of hair inspiration.

#ANTI

A photo posted by badgalriri (@badgalriri) on




A photo posted by badgalriri (@badgalriri) on






r.i

A photo posted by badgalriri (@badgalriri) on




But if that's not enough of a style treat for you check out her beauty evolution in the gallery below.


Valentine's Day: Share the Love - How to Buy Ethical Jewellery

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Forget flowers, this Valentine's Day is set to see a record spend on jewellery, an altogether much more significant and lasting token of true love. US retail figures indicate that spending on jewellery for Valentine's day gifts will top $1.7 billion in the United States alone, climbing from $1.6 billion in 2015 (source: Statista.com). With such heartfelt sentiment behind these gifts of love and devotion, it's surprising that so little attention is paid to the provenance of these presents. Whereas the labels on a dozen red roses will reveal precisely where they were grown, and the tag on the designer bag tells us exactly what it's made of (and where from), our jewellery purchases are strangely silent. Look down at your wrists and hands - do you know where your adored adornments came from? Does it matter? I believe we should know and that yes, it does matter.

The raw materials used to make some of our most precious possessions are too often shrouded in secrecy. Gold, silver and precious gemstones can have a very murky past (think 'Blood Diamonds' and slave-labour mines), which is why provenance is all the more important here than in any other areas of the luxury goods market. After all, who wants the wages of war to spoil such a special token of affection? Consumers and jewellers alike increasingly demand transparency and traceability of their precious metals and gems, and there are a number of new and good initiatives to make an ethical choice an easier choice. By far my preferred favourite is the Fairtrade gold certification, as it is the only mark of authenticity to have a clear and independent audit trail, with no vested interest.

Working with small-scale artisan miners in both South America and, most recently, East Africa, the Fairtrade Foundation ensures that their certified gold and silver is some of the cleanest (in every sense) and fairest in the world. Not only do they help protect the environment by minimising the use of the toxic chemicals (arsenic and cyanide) used in the refining process, they also provide safer working conditions and better welfare for the artisan miners and their families. They pay an additional premium for their gold (currently $2000 per kilo) that funds community projects such as clean water. And the Fairtrade Foundation also bans anyone under the age of 18 from going down the mines, so it's a child-labour-free guarantee too.

What I love most of all, is the knowledge that buying Fairtrade jewellery is making a genuine, tangible difference to the lives of thousands of artisan miners and their families. If we're going to enjoy our jewellery for years to come with a clear conscience, seeking out the more ethical options is the only way ahead. And what better day to start to share the love than this Valentine's Day.

How to buy eco and ethical jewellery:

1. Look for the Fairtrade hallmark
Established in 2011, this mark guarantees artisan miners have received a fair minimum price for their gold, as well as reaching set standards for working conditions, health and safety, chemical handling, women's rights, child labour and environmental protection. It's the 'gold standard' of gold standards.

2. Be a curious consumer
Check the traceability of your jewellery. Ask your jeweller what country the gold came from? The name of the mine? Is it Fairtrade? If they can't tell you, don't buy. Asking questions not only helps us buy more ethically, it also signals to retailers that consumers increasingly care about provenance and cannot be kept in the dark. The retailers, in turn, will have to ask more questions from their suppliers, encouraging greater transparency.

3. Know your diamonds
Although the percentage of 'blood diamonds' or conflict/terror-funding diamonds has significantly decreased since the Nineties, this doesn't mean that all is now fine and peachy. Miners (including children) still face tough working conditions, including exposure to arsenic and other harmful chemicals. The Kimberly Diamond Process aims to certify diamonds as being 'conflict-free', although many say its monitoring is not as rigorous, or as impartial, as it could be. However, it is a step in the right direction. A further step forward is to ensure you know exactly where and how your diamonds are sourced. As an example, Arctic Circle Diamonds are one company with a range of fully certified, traceable, conflict-free Canadian diamonds.

4. Find a jeweller you can trust

Retailers are becoming more inspired to stock ethical and Fairtrade jewellery to offer their customers an increased choice. In the UK, Cred (who I collaborate with for my own designs) lead the way for only selling ethically sourced fine jewellery, making it easier to shop with a clear conscience. When commissioning a bespoke piece from a jeweller, look for designers who can trace the origin of all their materials, from gold to gemstones.

5. Support small scale
Small brands such as Geronimo Jones, Just Trade and Birdsong enable us to connect to community projects supporting artisan makers, often giving livelihoods and dignity to those who have been rescued from poverty, indentured labour and trafficking. Usually working in cheaper materials than gold, they work at grassroots level to tangibly improve the livelihoods of some of the poorest and most in need. Check websites for online providers of community-based and not-for-profit ethical jewellery.

Buying a piece of jewellery is so often an act of pure love. Let's make sure our buying power shares that love with those who produce it.

Liz Earle launched her range of certified Fairtrade jewellery in September 2015, to be voted Best Emerging Designer and Best Ethical Jewellery by Professional Jeweller magazine 3 months later in December 2015. www.lizearlewellbeing.com

The Fashion Industry Is Walking the Green Mile to Its Demise If It Doesn't Listen to the Cries of the People

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I am an Asian woman. I am a size 12 Asian woman. I have been a size 18 Asian woman. I have been a size 6 Asian woman. I have been a size 18 disabled Asian woman.

At no point in my thirty years, have I ever felt truly represented by the fashion industry. This is despite growing up in London, arguably the most cosmopolitan city in the world, known as the capital of fashion, the birth of trends in art and music, and part of a democratic country that prides itself upon it's capabilities within "political correctness."

What's going on? How is it possible for such little progression to emerge by 2016? How can anyone look themselves in the mirror knowing that they are promoting and profiting from bold segregation, a crime akin to racism? Exclusion is merely a passive-aggressive way of discriminating. It's pathetic and outrageous, and extremely sad that the government has not yet been more heavily involved in forcing equality, and more so, that the fashion industry is so short sighted, closed minded and xenophobic that it would have to take government intervention to remedy their blatant disregard of anyone who does not fit into their (frankly ridiculous) mould of what they deem as beautiful, and essentially, acceptable.

Christ, I mean even for the able-bodied, predominantly Caucasian girls, the standards are scarcely human. They must be 5'10", but with the body of a male who is 10-years-old, and the proportions of someone eight inches smaller than their frame. They are pressured to emulate a look that genuinely resembles famine, and most of them lead a lifestyle of malnutrition that is conducive to that look. When I was a model at 15, I was eating one red pepper a day, and if I had a big day of castings, I would survive off a bag of Haribo, which gave me the 500 calories a day that would keep me alive. I was congratulated daily on my appearance, the more vertebrae upon my back you could count, the better my auditions went. By 16, my periods had stopped completely. By 17 I had bed sores on my hips and lower spine.

I felt ashamed by what I was doing when there were people in my home country literally starving to death with no choice but to wait to die. I never did that again. For a while I became a model scout and agent, thinking naively I could change the industry from the inside, and even kicked off the famous "size zero debate" with an article I wrote to the evening standard about my concerns from behind the curtain of the business, back in 2005. I was on all of the news channels at 19-years-old, begging for the industry to wake up and mend its damaging ways. There was all sorts of fuss, and promises made by the BFC, government chin stroking and nodding. But ten years later, a girl who isn't a size 6 walks the runway or appears on a magazine cover, it still makes front page news.

I'm so embarrassed for the fashion industry. And I am confused. It is an industry in which the agents, scouts magazine editors, writers and even bloody designers are almost all quite fleshy, with varied ethnicities, of varied heights, and with varied physical capabilities. So it does beggar the question, "What the fuck are they all doing?" I mean, don't they want to see themselves represented in the world of style and beauty? It can't be good for their self esteem to never promote a look similar to theirs as an acceptable form of aesthetic?

I once questioned a very, very big magazine editor about why magazines don't take charge and insist on bigger samples from designers to fit girls who are over size "Baby Gap.", seeing as if they refuse to put the clothes in their pages, designers would be devoid of a huge medium for the world to see their art, so would have no choice but to cave.

She answered, "We are selling a fantasy."

What? WHAT? Imagine the depth of how dark that statement is. Such a swift and blunt declaration of elitism, that is birthed by who exactly? Who got to decide that flesh was not beautiful, that love handles and tummies weren't sexy and womanly, that a wheelchair didn't just make you a woman who was sitting down, that walking aids or hearing aids subtracted from your right and ability to be deemed attractive? Who decided that none of these things could allow you to be a fantasy?

You can't just pretend that most of the world doesn't exist! The average size in the UK is a size 16, there are 11.9million people out of only about 67million who have a disability, and the variety of ethnicities in the UK, and the West generally, is staggeringly vast. Having a token black, Indian or Japanese model, is a mortifying concept in this day and age.

All human beings deserve to feel good about their appearance. We all deserve to feel sexy and desirable. It is not a tiny industry's right to tell us otherwise via their dangerous and thoughtless propaganda. When I visit London Fashion Week, I just feel sad as I watch the girls totter down the runway, looking sullen and devoid of energy or the delicious youthful glow that anyone not being practically starved to death, would possess in their teenage years.

Also the age thing is bizarre. While we are talking about diversity. What 16-year-old, who isn't a Kardashian or Hadid, can afford Chanel, Celine and Louis Vuitton? What 26-year-old can even afford these things? Why are grown women, who are the only realistic customers of these brands, forced to try to imagine themselves in clothes and products modelled by children? Aside from the fashion industry's unhealthy obsession with youth, and terror of gravity and wrinkles, they realise that teenagers aren't fully grown yet, so it is easier for them to achieve that elusive thigh gap, their breasts and hips have not yet made a proper entrance and they have the time and energy to exist on very little nutrition, and they are young and impressionable in an industry full of adults, so will be more willingly complicit in achieving impossible aesthetic standards. But they are selling those clothes to grown women who are developed and have jobs and children and cellulite, breasts and flesh on their upper arms, who then feel inferior for not matching how the clothes look in the magazines.

So the industry perpetuates a constant cultural feeling of unrest and inferiority that is based on the nonsense manifestation of some uncompromising maniac's ideal of "beauty".

The definition of a model is a system or thing used as an example to follow or imitate.

How dare anyone feel that it is acceptable to force such an elusive stereotype? And high fashion complains that year upon year it is losing money to the high street. Well the high street caters to a size 16, and (so bloody) slowly, but surely, high street brands for larger sizes are growing in power and influence. So it's not even good business. It's cutting your nose to spite your face in the most mortifyingly obvious way.

We need to move fast to make reparations. There is (the much larger) portion of society who deserve to be heard, and dressed. And they have good money to spend, and can breathe some god damn life and inspiration into the high fashion industry that is walking the green mile towards its demise if it does not listen to the cries of the people.

A wheelchair, a lack of symmetry, a few lumps and bumps, freckles, dark skin, short legs, full arms and frizzy hair, are not bad things. They are part of human beings. They belong to real lives that are being lived everyday, who are being subliminally rejected every single day.

It begins with the designers. You have a job to do. You have a platform and a responsibility. You have a power to make anyone in the world feel beautiful at your fingertips, which is one of the greatest gifts you can give to a person. Prove that you have the imagination, will, and basic talent to be able to make something that isn't solely a walking rail, look spectacular.

Aside from the fact that you will be doing something fair and noble, you will also be bloody rich. If nothing else is a motivation, a 90% higher consumer rate, must be something to look forward to.

Surely.

This February, HuffPost UK Style is running a month-long focus on our Fashion For All campaign, which aims to highlight moments of colour, size, gender and age diversity and disability inclusivity in the fashion and beauty world.

We will be sharing moments of diversity at London Fashion Week with the hashtag #LFW4All and we'd like to invite you to do the same. If you'd like to blog about diversity or get involved, email us here.

Have We Really Said Goodbye to the Back of the Bus?

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I've spent a few days struggling how to write this article, so please forgive me if it gets a little heavy in places. I began wanting to write something joyous after hearing that the Huffington Post has joined forces with Models of Diversity for a campaign to run for the whole of February call #Fashion4All. The drive is to get the fashion industry to become more diverse, and to finally represent the wider society it is trying to sell to. I have been a supporter of MoD for many years and have covered their campaign for magazines, interviewed some of their models and even modeled for them myself. You see I was one of the first disabled people to ever do catwalk, at London Fashion Week, way back in 1996, when I modeled for a club wear designer called Dane, who went of to design stage wear for the Spice Girls. That show was made up of every type of model, whatever their ethnicity, sexuality or ability. The diverse line up made a Benetton advert look tame. To be honest I was a well known TV presenter and musician at the time and this was more fun that a possible career choice. It also wasn't a huge political and cultural statement by the designer, he was just mirroring the clientele from the thriving club scene at the time.

2016-02-03-1454508692-1680389-danemikmodel.jpg

In the 21st century, and yes that does make me feel old, we now have a generation of young disabled people who see modelling as career and they want the chance to strut their stuff. Not as a token but as a professional. Models like Kelly Knox, Chelsea Jay and Jack Eyers prove that disabled people really can be model material. There are many more too. I will also be supporting the MoD team as they travel the UK this month asking the public for their support for a campaign to get more disabled models on our catwalks and on the pages of our glossy magazines. However, recently the news have been full of stories that make their battle for professional recognition become part of the bigger battle. A fight not for representation but to seen as a valid part of the wider society at all.

Yesterday my wife and I wandered round Camden Market near to where we live. It's not the easiest place to shop if you are a wheelchair user like me, and I am working with the market's management to create a map of the easiest route for people with mobility impairments, and then to make physical improvements to the site. It's annoying to fight your way round your local shops, especially if they are such iconic hot spots for fashion. But imagine how it might feel if you were barred from even entering your local shopping centre. Well if you live in Macclesfield you don't need to imagine, as that is what has just happened.

The Macclesfield Express reported on January 28th that the owners of the Grovsvenor Centre have barred wheelchair users and people with mobility scooters from entering the centre after a fire safety inspection. Steve Gibbons, head of Cheshire's Fire Protection service said "We have serious concerns that if a fire was to break out in the Macclesfield Grosvenor Shopping Centre some people would simply not be able to get out." A spokesperson for the centre explained "Following instructions from the Cheshire Fire Authority, we were unable to allow access to the centre for disabled and mobility impaired persons, due to concerns over the accessibility of fire exits within individual stores." However Mr Gibbons did not agree with this explanation of the centre's reaction "We have not prohibited people with disabilities from visiting the centre - we simply need the owners to satisfy us they have effective means in place to ensure the safe evacuation of everyone, particularly those with mobility issues." To be honest I bet no one in Macclesfield really cares who said what, they just want the right to shop like everyone else. The shopping centre's owners shouldn't be allowed to let anyone in if it isn't easy to escape in case of emergency, as many people have mobility issues who are not as easy to see as sitting in a wheelchair might be. More than that, the centre should never have been allowed to open without an effective fire escape procedure in place, one that encompasses every possible user.

As we spend February fighting for #Fashion4All, let's also make sure we fight for access to the shops that sell that fashion too. Let's fight to make sure that disabled people are not seen as a group who can be barred entrance to anywhere just because of who or what they are. That's how Black people were treated in apathieid South Africa and segregationist America of the 60's. Then Black people were told "get to the back of the bus". In Macclesfield it seems disabled people aren't even allowed on the bus. Sure, seeing disabled people up on the catwalk will help change the way we are thought of by society but so will creating a society that doesn't exclude us from stuff non-disabled people take for granted. Not everyone out there has what it takes to be a model but we must all have the right to go shopping? I wholeheartedly support #Fashion4All but in truth I want #All4All.

Photo by permission

This February, HuffPost UK Style is running a month-long focus on our Fashion For All campaign, which aims to highlight moments of colour, size, gender and age diversity and disability inclusivity in the fashion and beauty world.

We will be sharing moments of diversity at London Fashion Week with the hashtag #LFW4All and we'd like to invite you to do the same. If you'd like to blog about diversity or get involved, email us here.

ASOS Under Fire For Selling 'Slave' T-Shirt Modelled By A Black Man

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Fashion giant ASOS faced an online backlash after customers spotted a T-shirt worn by a black male model - printed with the word 'SLAVE'.

The site swiftly removed the shirt with racist connotations from its Marketplace site - a venue for buying and selling goods from independent labels -after a user spotted it and posted the image on social media.

The shirt, which costs £18.99, is still being sold on its creator Wasted Heroes website, but the company refuse to admit that the shirt is racist.

asos slave t shirt

A post on social media site, Yik Yak, popular amongst students, showed the image of the black male model wearing the T-shirt.

The user wrote: "Someone @ ASOS is losing their job."

Speaking to student newspaper The Tab, a spokesperson for Wasted Heroes said: "ASOS have removed the item in question.

"The t-shirt was referencing that we are slaves to fashion labels hence why it is titled 'Slave to the label' and no offence was intended with this design or listing."

wasted heroes slave t shirt

In a statement, ASOS aimed to distance itself from the shirt.

A spokesperson said: "Marketplace is a collection of independent sellers who must agree to our terms and conditions when they join.

"Whenever we find product that violates our policies we remove it immediately.

"There is also a 'report this item' link under every product picture."

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Woman Claims San Tropez Fake Tan Made Her Face Turn Green 'Like The Incredible Hulk'

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A woman claims her face turned as green as the 'Incredible Hulk' after using a bottle of tanning mousse.

Kirsty Reeves’ beauty blunder was so severe her dad nicknamed her Princess Fiona, after the ogre character from the Shrek movies.

The horrified fake tan fan said the bright green colour took days to fade and she was unable to leave to house until her face returned to normal.

The 27-year-old’s unhappily ever after began when she sent boyfriend Ty to get her a bottle of the popular San Tropez dark mousse.

fake tan

According to the couple, Ty went to the Boots store, at Tollgate, in Stanway, Essex, and when the product was not on the shelf, he asked a worker who got a can from the stock room.

Bur after using it Kirsty’s face suddenly turned an unbecoming shade of green and she was so mortified she refused to leave her home, in West Bergholt.

Kirsty, 27, said: "I put it on for the first time and it is usually tinged a bit green because it has a green undertone to it.

“I left it for about 45 minutes as usual but it was getting greener and greener. I only put it on the bits you are going to see. I thought it wasn’t going well and it didn't come off.

"I rang my friend, who is a beauty therapist, and sent her a picture. She said it looked like the tan had got air in it."

Kirsty, who has used the £33 product before, said she frantically tried to remove the green colour with a standard makeup wipe.

But the colour refused to budge and it was three days before her face returned to its normal colour. Even after the green shade had faded she was left with a large angry red mark on her face.

rash tan

Kirsty claims she has only been offered a £15 voucher which she says is an insult after her ordeal.

She said: "I’m on a zero-hours contract, but there was no way I could go to work. I didn’t go out. I was horrified. I knew I didn’t have an allergic reaction. I knew it was the product."

She said: "My dad was calling me Hulk and Princess Fiona."

Kirsty visited the store with the product, pictures of her green face, and a bank statement to show proof of purchase. She said the manager filled out a complaints form to send to head office.

After chasing the complaint, she was told it had never arrived and she was advised to contact the manufacturer directly.

SEE ALSO:

Woman's Skin Turns Bright Pink After She Rubs Lush Product All Over Her Body

Beauty Blogger Shows How To Contour Using Sellotape


She said: "The manufacturer said when you put the product with oxygen it changes colour.

"They said more than likely what’s happened is it hasn’t been stored properly. Boots keeps saying it can’t do anything because it is the product and have only offered me a £15 voucher.

"No one is taking responsibility. That's what’s really annoying."

A Boots UK spokesman said: "We are very sorry to hear about our customer’s experience. The quality of the products we sell is of utmost important to us and we will investigate this matter further with the supplier."

The manufacturer of St. Tropez was contacted for comment by Cascade News, but did not respond.

In a statement given to The Huffington Post UK a spokesperson from St. Tropez said: "St. Tropez has identified some isolated quality issues with a small quantity of St.Tropez Self Tan Dark Bronzing Mousse.

"The guide colour of some tanning products containing higher levels of DHA such as the Dark Bronzing Mousse have a tendency to go green when they get warm. This is because increased levels of DHA in heat can cause the red dye to leach from the guide colour so that it looks green instead of brown.

"Brown is made when you combine three primary colours, yellow, blue and red. When the red drops out you are left with a green guide colour. We recommend that all tanning products containing high levels of DHA are stored below 30 degrees (as indicated on pack).

"We advise any customers who find their St. Tropez product has discoloured before use to call our customer service team: 020 7845 6330."

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