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Why I Made the Choice to Give Up So Much to Open an Ethical Fashion Boutique

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This blog is part of a month-long focus around sustainable fashion across HuffPost UK Style and Lifestyle. Here we aim to champion some of the emerging names in fashion and shine a light on the truth about the impact our appetite for fast fashion has around the world.

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To many, my job seems the business. Work begins at 10.45am when I amble into a bustling covered market, known to many as Brixton Village, stalling to say hello to my eclectic fellow traders, before opening the doors to my extended-wardrobe-cum-shop and letting the hours unfold according to the pace and rhythm of that particular day. Being a predominately food-based market, tantalising smells begin to tempt me away from work, and by mid-afternoon I head out to select something from the culinary melting pot that lies in front of me.

Post-lunch routine may perhaps include chatting to customers about the quality of the clothes I stock, flicking through lookbooks deciding what to select for the season to come or perhaps the odd indulgent gossip about market politics to the fellow traders who've now become close friends. By 6pm, the working day is done, and once the shop has been put to bed I'm free to leave...

If only.

Despite not wanting to dispel the myth of such a wonderful working idyll, the life of an independent retailer is more of an exhausting slog and mental rollercoaster than I ever envisaged. As with everything that sounds too good to be true, the seductive allure of running your own business hides a pretty brutal work-life imbalance that takes it's toll.

Like so many of todays workforce enslaved by the frightening pace of technology, checking emails is the first and last thing I do on a day-to-day basis. Then follows the paperwork to sift through, invoices to pay, cash to be banked, staff rota to resolve, faulty items to return and new items to steam, customer requests to follow up, online orders to post and returns to reimburse, a trade show encounter to address, new orders to agonize over, products to upload, a blog post to edit, the monthly promotional event to plan and weekly newsletter to send, tweets to schedule alongside that visually alluring instagram photo.... and all whilst making a packed lunch before heading to work in the hope that the day's sales will help cover my ever growing overheads.

The evenings to-do list is as equally brain sapping as my morning tasks, and amongst this lurks the desire to see friends, or take some exercise as a way of re-filling the motivation tank and escaping an encroaching fear that the good things in life are just passing me by.

Having been a secondary school teacher, and completed a stint in the city, it's not the hard work - the early starts and sleepless nights - that are to be minded. What differs to the days of a monthly paycheck is the physical burden of being solely responsible for something that never sleeps, combined with the financial worries the come with such a fluctuating and fickle market as fashion retail.

So why then, do I continue under such hostile conditions and undue pressure? Without hesitation, my absolute belief that sustainable fashion shops like mine offer customers the choice to take a stand against an industry (ranked #2 most polluting in the world, second only to oil) gives me the motivation to battle on.

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The recent and highly acclaimed 'The True Cost' documentary gives an eye-opening insight onto the human and environmental implications of this ever-expanding fashion industry. By taking the audience on a journey into the lives of the many people and places behind our clothes, director Andrew Morgan highlighted a shared belied that ordinary people can help drive change. Yet, unless customers come into contact with equally 'fashionable' alternatives, there is little impetus for the public to take a stand against the injustice of this billion-dollar industry.

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Image Credit: The True Cost



In addition to offering an alternative, the sense of independence that sustainable fashion presents to the world is another driving force. My very first encounter with designers who'd adopted a slower paced-less waste, more mindful approach to their collections at Estethica transformed my own approach to buying clothes. Already the bombardment of trends, a constant comparison to fashion 'influencers', the homogenized offering on the high street and the excess of clothes abandoned in the furthest recess of my wardrobe had begun to engulf me. Yet it wasn't until speaking directly to designers about the production of their unique collections; the time and effort that went into researching more sustainable methods; their commitment to working with artisans and producing on smaller scales, that a new realization dawned. Fashion didn't have to feel so superfluous.

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Image Credit: People Tree



The gnawing stress and loneliness of running my business can be instantly quashed when encountering a new collection or designer producing stylish pieces with robust ethical credentials. The driving force then becomes an all consuming desire for my customers to know a bit more about what's on the hangers; the designer's personal background; the organic nature of the materials used; where the threads are sourced from; the dying process; who stitched the hem... in my view it's important to share that information so hopefully we'll not only cherish what we buy, but begin to demand greater transparency from other brands.

In the future I'd like to see governments demanding greater supply chain accountability from big names in the fashion industry. Greater knowledge should also be passed onto the consumer through standardized labeling, similar to food, indicating percentage of toxic dyes, volumes of water, age of laborer, carbon footprint. However, like most things, the beginnings of any great change often grows from the grassroots, and in this instance with the individual demanding greater transparency from their retail outlets. If the market dictates cleaner fashion, my hope is that mainstream fashion will start to clean up its act. Only then will I willingly retire.

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HuffPost UK Lifestyle is running a special series around Sustainable Fashion for the month of September. Livia Firth is creative director of Eco-Age and founder of The Green Carpet Challenge, and will be guest editing on 18 September. If you'd like to blog or get involved, please email us.

Man Buns May Be Making You Bald, Try Man Braids Instead

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Love them or hate them, you can't deny the power of the man bun.

There are Instagram pages and Tumblrs dedicated to the 'do, a handful of hashtags (#manbun and #manbunmonday for those who wish to know) and countless celebs sporting them - not to mention their omnipresence on average British high street.

But all that may be about to change, thanks to new revelations from a dermatologist.

A photo posted by @manbunmonday on





Turns out, the constant pulling of the hair follicles over long periods of time could be causing hair loss - making men prematurely bald.

Dermatologist Sabra Sullivan told Mic: ""It's really, really common, I see it probably once or twice a week."

"They're putting traction on the hair follicles that the hair is not really meant to take."

Sullivan added that the traction could lead to follicle death, plus permanent scarring.

"Traction alopecia in men is becoming more common," she said and agreed that man buns were at least partly to blame.

So could this signal the beginning of the end for the man bun?

Even man bun's official spokesperson (and happiest person to ever frolic shirtless with a water gun) Leonardo DiCaprio has got rid of his top knot.

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Leonardo DiCaprio at a press conference in New York on 22 September


But it's not all bad news. Not knowing what else to do with that bit of hair on the top of their heads, the men of Instagram have been busy finding a new way to spend their Mondays.

Mourning the man bun? Take some hair inspo from these genius guys:

Try a loose #manbraid (yes, thats a real thing now).






Or a #manfrenchplait.






This #manchignon is totally cute too.






Or just let it loose and be a real-life Johnny Bravo.

A photo posted by Chad Walters (@lifeaschad) on




SEE ALSO:

If You Want To Get A Man Bun, You Should Probably Watch This

Marks & Spencer Seriously Underestimated The Men Of Britain

These Man Buns Actually Look Pretty Tasty


Not a Bow Tie Kind of Guy

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Last week I went to a marketing & innovation conference that I've been attending for the past few years. One of the major events at this conference is the annual gala dinner. The dress code for this event specified 'suits for men' and 'frocks for women'.

In the lead up to the conference, a group email was sent from a colleague of mine, stating that he felt all the men from our team should wear a bow tie to the gala dinner. He claimed it would help us 'look stylish'.

I've never been a fan of the bow tie - I have worn it twice (at school formals) and on both occasions I felt uncomfortable. I enjoy wearing a suit on special occasions, and a standard tie has always done the job. With this in mind, I ignored his suggestion and wore my best suit, which adequately fit the dress code.

Along with my personal disapproval of bow ties, I equally don't like being told how I should dress by someone else. I had to wear a school uniform for 13 years of my life - that was enough for me. I think we should all have the choice to express ourselves freely, and no adult should feel like they have to wear a particular item of clothing in order to fit in.

Anyway, enough about that.

As all of the conference attendants congregated in the foyer for pre-drinks and canapés, I walked up to join a group of my colleagues in conversation. Every single male from my group was wearing a bow tie - except me of course, and I was completely unphased by this.

The guy who sent the email looked over at me and walked across to where I was standing. The conversation went as follows:

"Why aren't you wearing a bow tie Jared?"

I looked him straight in the eye and answered

"Sorry but I'm just not the bow tie kind of guy"

He shook his head in disbelief and replied

"But it's just for one night, it looks really cool"

I smiled and said

"I'm glad you're enjoying wearing yours, but it's just not my style - let's enjoy the night"

The disappointment on his face was impossible to hide. Everybody else had 'joined the club', except me and for some reason this seemed to really bother him.

I couldn't help but chuckle.

I've been thinking about this interaction for the last couple of days. Ever since my teenage years, I've always been a non conformist - not because I want to be a rebel, but rather because I know who I am and refuse to be someone I'm not.

Can the masses really be right about everything?

If I were to reflect on some of the fads that have come and gone over the years, I'd cringe thinking about many of the bandwagons people have jumped on for the simple reason that everyone else was on board.

I find it incredibly sad when I witness people who follow others just so they can feel as though they are part of something.

Our individual traits are the things that make us interesting as human beings. Quirks, different styles and tastes give us all a unique flavour.

There is something very comforting about knowing who you are and being comfortable in your own skin. Unfortunately we don't' get to see this from many people - especially the youth.

Sometimes I wonder if the strict conformists of the world haven't quite worked out who they really are, or if they are simply too scared to reveal their true selves to others.

One of my biggest qualms with society is that we don't embrace diversity enough. Way too many of us display uneasiness when someone stands out from the crowd.

So if you are reading this and are one of those people who follow the sheep out of fear, I urge you to have the courage to break free from the pack and embrace who you really are.

If you have children, celebrate their unique traits and help give them the confidence and courage to stay true to themselves. I firmly believe that the kids who give in to peer pressure often struggle to break free from it as adults later in life.

Ralph Waldo Emerson once said:

"To be yourself in a world that is constantly trying to make you something else is the greatest accomplishment."

Oh how right he was.

You don't have to wear the same clothes, listen to the same music or drive the same cars as everyone else. If you truly like those things then that's great, but if you are not the bow tie kind of guy, or the stiletto kind of girl don't be shy to acknowledge it.

How Long Does Makeup Last? Here's Why We All Need To Know When Our Beauty Products Expire

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Turns out, you're not alone if you find yourself hoarding old makeup (even though you know it's super gross and could lead to potentially deadly illnesses).

A new survey by cosmetics brand Stowaway revealed that 80% of makeup users continue to put expired products on their face - even though they're aware it's gone off.

This is more than likely because 75% of the 4,052 women aged 25-50 who were questioned by the researchers don't use up their makeup - not just before it expires, but ever.

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Makeup artist Xavia Somerville told HuffPost UK Style that the expiration date on makeup isn't just there to make you buy more.

"The ingredients can react and change over time and old makeup can provide a breeding ground for germs, this can mean dermatitis, bumps and blemishes," she said.

"Expired makeup should really be thrown away - your face will thank you."

Not sure whether to keep it or chuck it?

Mascara: Bin after three months.

Eyeliner and eyeshadow: Has a shelf life of six to 12 months, liquid products expire faster.

Lipstick: Keep for up to 18 months.

Foundation, powder and blusher: Lasts around a year, but check the bottom of the container as there's usually a number indicating how many months it will last for after opening.


To rev up your makeup hygiene even more, make sure you clean your makeup brushes frequently - here's how often you should do it.

Can't bear to part with your limited edition MAC lippie? You can help stop germs spreading by spritzing products with an antibacterial makeup spray after use. We love Pro Hygiene Collection Antibacterial Makeup Spray, £15 from feelunique.com.

SEE ALSO:

Rihanna's Makeup Line Could Be Here Sooner Than You Think

61% Of Women Aren't Washing Their Makeup Brushes Enough - Are You One Of Them?

Your Out-Of-Date Makeup Could Harbour Killer Bacteria


Jim Chapman Vlogs For River Island, Shows Us How To Look Slick In Autumn Fashion

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Autumn has officially arrived and it's time to switch up your wardrobe.

If the influx of trends in high street stores is leaving you a bit overwhelmed (and you really can't deal with any more ripped jeans), there might be an easier solution.

Step in, YouTube star Jim Chapman who's teamed up with River Island to create a masterclass in how to look slick wearing their new season styles.

#regram from @ristylestudio @riverisland #imwearingri secret shoot. (There wasn't enough room for me on the cool sofa)

A photo posted by Jim Chapman (@jimalfredchapman) on






A self-confessed “very British” dresser with enviable style, the vlogger says his tip is to have two aesthetics “one sharp and one super casual”.

Chapman also has “multiple man crushes” at any given time, suggesting that fellas should look to the likes of Eddie Redmayne for tailoring and Ryan Gosling for causal style.

His top tips for wearing a suit all day is to make sure you're comfortable: "Try switching out your shirt for a plain tee or rollneck," he suggests.

Heading out on a date night? In Chapman's words: "You should always be making the effort."

He advises experimenting with separates for maximum effect, plus as a bonus: "Make sure you take an outer layer so if she feels the chill you can offer it and be a real gentleman."

With over two million subscribers to his channel and 122 million views on his videos combined, we think we'll take his word for it.

SEE ALSO:

YouTube Star Tanya Burr Marries Jim Chapman In The Most Stunning Dress

Your Man Bun May Be Making You Bald

How To Look Good In A Suit

Balmain X H&M Collection: Kendall Jenner, Gigi Hadid And Jourdan Dunn Give Us Serious Squad Goals

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H&M have set our hearts aflutter by teasing us with the first ad for their latest designer collaboration: the Balmain x H&M collection.

Unsurprisingly the shot features members of Balmain Creative Director, Olivier Rousteing glamorous entourage of model mates.

Gigi Hadid, Jourdan Dunn, Kendall Jenner, Hao Yun Xiang and Dudley O'Shaughnessy stare moodily down the camera lens from the interior of a mocked-up subway train, presumably on their way out for a night of debauchery - and boy are we jealous of this fantasy.

"Are you in?" Ask H&M in their Instagram post.

A photo posted by H&M (@hm) on






There is still just over a month until we can get our hands on the collection, which will be hitting stores on 5 November, but the good news is it will be simultaneously launched online - so you can snap up pieces from your desk.

Want to know more about the collection? H&M will be hosting a live Twitter Q&A with Rousteing at 6pm CET on Saturday 26 September.

SEE ALSO:

H&M's Latest Campaign Proves Diversity Is Hot

Kendall Jenner Demos How To Shave Your Legs On The Go


Duchess Of Cambridge Wears Silver Tweed Dress: Here's How To Steal Her Style

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The Duchess of Cambridge has just taught us all a lesson in how to nail the autumn/winter trend for tweed.

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Proving that tweed can be sleek, Kate wore a fitted long-sleeved dress with a peplum detail at the waist while meeting the Rehabilitation of Addicted Prisoners Trust (RAPt), an addiction charity working to help prisoners addicted to drugs and alcohol.

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Way back in February tweed was seen on the Fashion Week Autumn/Winter runways at Prada, Chanel, Max Mara, Marc Jacobs and Roksanda, to name but a few.

If you want to steal Kate's style - and why not? Let's face it we're unlikely to have to worry about wearing it to the same event as her - you can get her silver tweed Eaton dress from The Fold for £365.

SEE ALSO:

Duchess Of Cambridge Debuts A Fringe, Everyone Wants A Fringe

The Duchess Of Cambridge's Engagement Dress Can Now Be Yours


Following the Duchess' visit, Kensington Palace shared an Instagram photo with a statement from the Duchess herself, which read: "I was reminded today how addictions lie at the heart of so many social issues.

"I saw again today that a failure to intervene early in life to tackle mental health problems and other challenges can have profound consequences for people throughout their lives.

"I am grateful to the women I met for sharing their difficult personal stories with me."




Dawn O'Porter On Why She Hates Fast Fashion: 'The Best Clothes Have Already Been Made'

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When you think of Dawn O'Porter you think of a short, heavily-fringed bob and signature sixties style - that means dropped waist, big buttons and bright colours.

But, while O'Porter certainly has a love affair with a bygone era, her penchant is about much more than a look - it's about rejecting the fast-fashion of the high street and encouraging women to discover their unique style.

The journalist and presenter, who has reported on everything from size zero to dating, has now found her niche in fashion. She recently launched her own clothing line BOB, where she sells vintage finds and her own contemporary collection of vintage-inspired clothing.

"I think some of the best clothes that have ever been made, have been made," she tells HuffPost UK Style. "We should let them live on rather than chucking everything away.

"I don’t like the high-octane, mass production of the high street. I don’t think it's charming, it’s not good for the environment and it’s not good for how people spend their money."

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While she'll happily buy essentials (tights, underwear, T-shirts) from Topshop, Cos or American Apparel, when it comes to clothes she "wouldn’t even think about high street".

"I’d rather go around vintage shops and discover something that I love rather than buy something from the high street that four million other people will have," she says.

O'Porter says she is "instinctively drawn" to 60s. It was a significant decade for female emancipation (the pill was introduced in 1961), and she feels this is echoed by fashion.

"There was no corsetry, no waistlines and skirts got really short," she says. "It was about fun, freedom, flirtation and power - looking to the future, not the past."

Since becoming a mum - her and husband Chris O'Dowd welcomed their son, Art, in February - O'Porter has brought other decades into her wardrobe.

Now, she's just as comfortable in the high waists of the 50s or boho 70s-style. "Maybe it's something to do with becoming a mum and remembering my own mum in seventies gear," she ponders.

dawn oporter

But she wasn't always such an individual in the style stakes.

While at university, O'Porter says she "dressed like everyone else", racking up huge debt on high street store cards and wearing clothes because they were in fashion rather than because they really suited her.

But when she moved to London in her mid-twenties, she fell in love with vintage shopping and would happily spend hours rummaging around to find something special.

For her, this was like a homecoming. She grew up in Guernsey, where there were few high street stores and more independent local shops and was raised by her aunt and uncle, who worked in the retail industry and had a passion for clothes.

"They’ve always talked about fashion and the way it used to be," she says. "So I always had this idea that a woman would go shopping, walk down a cobbled street into a boutique and find one item of clothing that she would fall in love with and keep her whole life."

This romantic nostalgia is what drove her to set up her own label. While BOB is mostly available online, O'Porter also runs a few pop-up shops a few times a year.

No stranger to a hard day's graft, O'Porter works each day of a pop-up - our interview has to fit around when she was needed at the current Carnaby Street pop-up.

"I work everyday," she says. "It’s hideous, I’m the busiest person ever. I usually work between 11am-4pm at the shop - I have the baby in the morning, get home for bath time and then I write in the evenings."

For a woman with such an eclectic career, she's certainly found her calling.

"If an interesting writing or presenting opportunity comes up I’ll take it," she says. "But this is definitely where I see myself now."

Dawn O'Porter will be hosting Stylist Live, a four-day event taking place in Islington on 15-18 October 2015. For more information visit Stylist Live. For more information on BOB by Dawn O'Porter.

Meet Our New Beard Idols...

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Three men sporting some of the fiercest facial hair we have ever seen are taking the internet by storm.

The three models were captured in all their maned glory backstage at barber salon La Barbière de Paris by French hair magazine Biblond. But little did they know the inspiring effect their snap would have once shared on Facebook.






We love that the man on the right is also rocking the man braid trend, making this the ultimate photo to take with you on your next trip to the barbers.

We weren't the only ones to find the photo inspiring. It wasn't long before the people of Reddit started to put their photoshop use to work....

View post on imgur.com


Elf beards


View post on imgur.com


SEE ALSO:

The Best Celebrity Beards At The Emmys

Love A Good Beard? These Instagram Accounts Give It Large...

Amazing Time Lapse Of Man's Beard Growing Over A Year


View post on imgur.com


View post on imgur.com


My Pre-London Fashion Week, Supposed, Chill Time...

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Whether you love it, hate it or you're not particularly fussed by it, London Fashion Week is totally a big thing. So I reluctantly decided to get involved this season. And, lets be honest, why wouldn't I be into it, with such demanding questions like:

"What on earth will I wear?"

"But where will I sit?"

"Have I lost enough weight to fit into a size zero, built for a child, outfit?"

So for my pre fashion week regime, I thought i'd take it easy, get some rest and put some quality time and effort into planning my week of fashion.

This thought process lasted all but a solid twenty four hours.

After spending majority of that day, sat in front of my laptop, searching for outfits, I decided, life is too short and fashion should be way more fun. So, I took it upon myself to start off my London Fashion Week in true British form...

With plenty of alcohol and a jolly good bit of socialising!

My week started off, in fine form, with the book launches of my close friends Millie Mackintosh (Made) and Professor Green (Lucky). In true supportive friend mode, instead of making the effort to buy their books, I took it upon myself to 'borrow' one, each, for an indefinite period of time. So apologies guys if you are reading this but it was so worth it and don't worry, I don't expect to be on the christmas card list this year.

Next I headed to the Levi's Lot 700 Launch celebrating women in denim. Now, feeling brave and thinking I was cool, I opted for a triple denim look to really brown nose the Levis posse. Sadly my outfit didn't take into account,

1. We were in the basement is a heavily lit regent street store.

2. The air con was turned off (May I also add my jacket had a fleece lining)

This meant not only was my upper lip sweat flowing as heavily as Niagara Falls, but, as it was so bright, people over on the other side of the room could see it. It looked like I'd been rained on.

In needing of some serous relaxation, it was off to the Dorothy Perkins pamper bar. Thinking maybe I should make an effort this fashion season, you know, get my nails painted, try to look pretty. In hindsight, maybe I should have gone with my initial thought of not bothering. So, to set the scene, I sat down, took off my shoes and assumed the pedicure position. Though this one contained Prosecco in one hand! Now I am not a huge fan of people playing with my feet, I find it to be more like torture than relaxing, so I was already dreading it!

Then it begun. Already I could feel the tickle of her hands poking my toes, so I drank more, hoping distraction would cover my ever twitching foot. it was then that she found it, that sweet spot where there was no control. My foot started to twinge. Then it happened. My foot jolted forward and I kicked in her left breast. Shock, Horror! Totally embarrassed I said I had to go, put on my shoes and walked out with one and a half feet done. No opened toe shoes for me this fashion week!

So after this hectic build up to an even more hectic week, feeling tired already, I opted for Reviv drip vitamin booster. I was slightly skeptical. In my mind the only time needles should go in your body is for medical reasons. But, It's safe to say I've never felt such goodness from such a tiny prick. I left with a new skip in my step ready for the manic week of TOTES FASH YAR!

Fashion Today: Mourning the Individual

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Working conditions, labour rights, waste levels and clothing quality are just a few of the hurdles to overcome when talking about working towards a more sustainable fashion industry. As we become more exposed to its methods of operating, we can be left in no doubt of the terrible reality that is Fast Fashion and its damaging consequences.

There has been a considerable amount written about the hazards of this unrelenting and abusive giant, but it occurred to me recently that we rarely talk about the other causality this global phenomenon has caused. While arguably far less important than the environmental and human implications, Fast Fashion seems to have abolished the individual.

To my teenage self, the fashion industry represented originality, diversity and passion. A world I could only dream of. A degree, several jobs later and working in the thick of it, I found myself wondering what exactly had caught my imagination so much?

When I think of fashion, I don't think of a desk job (doesn't being labelled as 'arty' early on in your life excuse you from this sedentary fate?). Still, I remained hopeful and chose to interpret my workspace as a blank slate, ready for the input of fresh ideas and enthusiasm. On reflection, perhaps the great expanse of unremarkable grey plastic that greeted me every morning was a sign of things to come.

I seemed to while away my time as a 'designer', a title more than slightly misleading, sifting though images, hoping to come across a design that could be "recreated" into something new. What happened to the world of innovation and change I thought I was going to be a part of? Turns out that went out of style. I soon realised that the way we design fashion is mimicked in the way we produce and consume it: fast and without soul.

Why is it that in this increasingly standardised world, in which we are all desperate to communicate our individuality through our lifestyle choices, when it comes to what we wear, conforming is the name of the game?

With no desire to conform to the traditional path of a fashion graduate any longer, I decided to get out before I became a captive in its ruthless cycle. And in the short time I've spent running my own small brand, I have come across so many others seeking to pursue something more meaningful and worthwhile.

As awareness of the Sustainable Fashion movement becomes more prominent and small independent brands seek to break into the market, a step that we can all take, regardless of budget or style, is to wean ourselves off the globalised high street and dare to be different by stepping away from the crowd.

This post was originally featured on the study 34 blog

Five Of The Best: Luxury Organic Spa Products

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September is Organic Month, and if you care as much about what goes on your skin as what goes into your body (you should) it's the perfect time to switch up your beauty routine, inspired by some of the world's best spas.

The good news is that being kind to your skin doesn't mean having to sacrifice product performance... Here Spa Spy Toni Jones picks her favourite natural products of the moment.

1. Ila - available at almost 100 spas worldwide


Can bath salts really bring you inner peace? A scoop of these Himalayan salt crystals will certainly leave you feeling beautifully serene. Spa junkies have been on to Ila for years and the range of skin saviours gets better every season (they've even had a Goop endorsement from Gwyneth Paltrow).
Available at the most stylish addresses around the globe including Shangri-La, Four Seasons, Jumeirah and Ritz properties, you can also purchase online.

Pssst... Ila is also served up at some of our favourite high end fiitness studios: A shot of the Toning Body Wash at London's sexiest spin class Psycle is totally worth the killer 45minutes workout.

Bath Salts For Inner Peace £49
www.ila-spa.com/shop/bath-body/bath-salts-inner-peace

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2. Highgrove Baby Organic at Skibo Castle Spa


Originally developed for baby skin this bath and body range from hair guru Daniel Galvin Jr and facialist Alexandra Several is loved by mums too. A seal of approval from the majestic Skibo castle, as well the royal family AND every product is under £20 - what's not to love? If we had to pick a favourite it would be the Baby Organic Bath & Body Oil: a fragrant blend of mandarin and chamomile delicate enough to be applied directly to baby skin.

Body Oil £19.95
www.highgroveshop.com/bath-body/highgrove-baby/highgrove-baby-bath-massage-oil.html

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3. Ishga Scottish Seaweed Collection at The Spa at Blythswood Square, Glasgow


Another Scottish connection, this range of 100% organic skincare uses sustainably harvested seaweed from the Hebrides. Seaweed is know for its magical detoxifying and anti-ageing properties thanks to its high content of natural anti-oxidants and the five star Blythswood Square spa uses this range for everything from facials to body wraps. Also available at other UK spas including including the ASPA at Auchrannie Resort, the Spa at Turnberry and Seaham Hall in Durham.

Priced from £15-£70
www.ishga.co.uk

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4. Eminence - available at Spas worldwide


Far far away from the Hebrides, Los Angeles is often seen as the home of the super spas and the hottest new beauty trends.
Lately the famous locals are embracing the super healthy vegan lifestyle, and with it natural beauty brand Eminence, whose fans include Megan Fox, Jessica Biel, Ariana Grande and Rose Byrne.
This Hungarian beauty brand is only stocked in certified spas (see here for local listings: https://eminenceorganics.com/ca/spa-locator) and best-sellers include the Bamboo Firming Fluid and the Strawberry Rhubarb scrub.

eminenceorganics.com/us/product/strawberry-rhubarb-dermafoliant

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5. Neom - available at spas and hotels worldwide


Neom's collection is one of the most comprehensive and delicious organic ranges on the market and has become a hotel favourite for jet set clients wanting some downtime between cities (for me, a Neom candle flickering at reception is an instant sign of a spa I will want to spend a LOT of time in).
Founder Nicola Elliott says: "Wellbeing is fundamentally about looking after yourself and feeling the best that you can feel," and describes their candles as 'therapeutic treatments' that release no toxins, just gorgeous, natural oils to help you relax and recharge, wherever you are.

Moment Of Calm, 3 Wick Candle, £45
www.neomorganics.com/moment-of-calm-scented-candle-3-wicks.html

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Words: Toni Jones

www.the-spa-spy.com

Frayed and Confused?

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It seems curious, doesn't it, to buy brand new clothes that have been artfully, artificially distressed; to part with significant sums of money for clothes that appear to be in a state of disrepair, rather than in pristine condition? After all, not so long ago tattered clothes would never have been purposefully chosen, let alone manufactured. In fact, wearing shabby attire would have been deplorably uncouth.

Today's sartorial landscape is quite the opposite. It is abundant with apparel that is raw, unpolished, and in various guises of mock deterioration. The S/S 15 shows were testament to this: dresses at Prada were embellished with strips of ragged fabric and unapologetically frayed hemlines; delicately frayed edges offset the clean lines of Sportmax's luxurious chequered creations; long threads hung off a jacket at Lanvin that appeared so roughly hewn, and had such coarse, conspicuous stitching that it looked unfinished, (an inversion of the distressed style, perhaps).

A quick glance at net-a-porter's denim section offers further evidence of this current penchant for battered clothes, with about as many pairs of jeans that have been deliberately torn as those with the fabric in tact. Of course, the ripped jean is hardly a new trend, but now it abounds with greater profusion than ever before. Clearly the style of dishevelment has enduring appeal. And yet, when we wear garments that are ripped, frayed and torn, like jeans strewn with holes or dresses with raw, unravelled hemlines, we brandish an aesthetic of pretence: we all know that the lived-in, worn-in look has been perfectly contrived. So what compels us to do it?

To some extent the attractiveness lays in the visible appearance, since holes, tears and patches make a garment more interesting: they add texture, allow greater contrast of colour, and appear idiosyncratic. But belying this look is an essence; a feeling and an attitude that imbues it with desirability, that gives it its purchase and appeal.

The desired effect is to ooze an aura of effortlessness, not grubbiness. To appear unkempt is to appear insouciant; the sartorial answer to a mane of tousled bed-head hair. It is the apparent lack of effort inherent in a pair of distressed denim jeans that gives them an oh-so subtle sex appeal. Think how alluring it is to catch a glimpse of skin beneath a frayed gap in the fabric when that hint of flesh comes with a twist of tomboy grunge, and lashings of nonchalance. It's seductive without trying to be: distressed clothes suggest a life that is lived without too much thought for appearance.

Perhaps, then, when we don clothes replete with rips, holes and scraggy hemlines, we are reaching out toward the authenticity of experience; to time spent living, and the memories of childhood: that era of freedom, innocence and lack of restraint. In childhood, jeans easily became torn through sheer play as we tumbled around, hemlines were often pulled loose by small fidgety hands, and wearing tattered hand-me-downs didn't matter so much. Back then, our attire just wasn't as important. Only when we grew up did we realise that clothes could be such potent signallers of identity.

It is impossible to fully reclaim the liberty of childhood, but growing up doesn't mean we have to stop having fun. Free-spiritedness transcends age and don't we want our clothes to convey this? A frayed edge might be all that is needed. Literally speaking, frayed fabric is a loosening of threads as they become unwoven, but this gestures toward metaphor too: like the antithesis of the tightly done up, unyielding corset that restricted women for so many centuries, frayed edges imply a woman who has come undone in the best possible way; a woman who is less repressed; a woman with personality, autonomy and an abundance of joie de vivre.

Perhaps it is no surprise that tatty and unravelled edges are so often a feature in the various incarnations of Chanel's signature bouclé jacket. Inspired by the fluidity of menswear, when Coco Chanel designed that item she had modernity and freedom of movement in mind. The frayed detailing means a little bit less polished, a little bit more attitude. Consider one of Chanel's more recent items: a vibrant dress from the S/S 15 collection where the thick, colourful yarn un-weaves into a long, densely 'frayed' hem, so that it resembles a technicolour Hawaiian grass skirt. With the fray the dress is looser, freer, and more fun.

Could it be that wearing 'distressed' clothes is not quite as curious as it seems; that behind the façade there lays an emblematic power, and actually, it all makes perfect sense? Perhaps frayed isn't so confused, after all.

Victoria Beckham, When It Comes to De-Inking, I'm With You

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In my imaginary appearance on Dragon's Den I'm extolling the virtues of my new invention: a machine that instantly and painlessly removes tattoos. All the dragons are in.

Last week's revelation that a line of Hebrew text (meaning "I am my beloved's and my beloved is mine") which runs from the nape of Victoria Beckham's neck down her spine has been gently fading away, led to questions over the state of her marriage. I think it's far more likely that it's the tattoo, not David, that has fallen out of favour.

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And I know how she feels. Back in 1997, I had been living in Hong Kong for almost five years, working as television news correspondent and presenter. It was coming up to the Handover, the return of Hong Kong to China and also the end of my stint in the region. In an area called Wanchai there is a famous old tattoo parlour that has been inking sailors for generations. where I decided to get a Chinese character tattooed on my hip.

It meant 'brave and strong', a similar meaning to my name. I was in my twenties and I thought it was the perfect symbol of my time in Asia, its permanence would be a reminder to me not to become too conservative or stuffy as I aged. I also had it, of course, because I thought it looked good; great, even. It sat between low waisted jeans and a cropped top in the late 90s saying that, despite the serious nature of my job, I was slightly rebellious, bohemian, free spirited.

In the intervening 17 years I may not have changed in the ways my twentysomething self worried I would, but tattoos have exploded in a way I certainly didn't predict. There are 1,500 tattoo parlours in Britain, double that of 10 years ago. Up and down the country from Aberdeen to Abergavenny they are inking everything from hieroglyphics to hummingbirds onto arms and ankles, backs and buttocks with the same regularity we once received our BCGs.

Now 20 million people in Britain have a tattoo, it feels about as free spirited as having a Tesco's club card. Back in my twenties, getting 'inked' was the kind of thing that still shocked your parents. Now, twentysomethings' parents are more likely to be getting their own: almost a quarter of 40 to 59-year-olds have one somewhere on their body, compared with one in six of those aged between 18 and 24. And a study from this summer found that today's novelty-seeking pensioners aren't just taking up backpacking and joining Facebook, some 5 per cent of over-60s are getting their first tattoo.

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Now in my mid forties I don't deeply regret my tattoo, in fact I liked it for the first ten years. As it's on my hip, it's only visible on the beach, so I don't have to cover it up. But on the beach this summer, surrounded by Celtic swirls, Sanskrit and oriental calligraphy I felt like distinguishing my own with a little label, noting its interesting provenance and date - like a rare cheese at a farmer's market that just happens to look like cheddar.

Or, I thought seriously for the first time, I could just get it removed. After all, I don't wear the same watch, have the same hairstyle or even own a single item of clothing I had in the 90s - why was I hanging on to this?

A generation ago removing a tattoo was prohibitively painful. It involved dermabrasion, acid peels or literally cutting the image out and replacing it with skin grafts. More recently, celebrities like Angelina Jolie and Beyoncé have used lasers to erase tattoos that signified past relationships.

Following VB's decision to de-ink may be merely a fashion choice, but as ever, she's on trend. Recent statistics from the British Association of Dermatologists (BAD) suggest a third of people with tattoos regret them. And although getting them removed is an expensive, painful and lengthy process, costing between £50 and £300 a pop, for up to 20 carefully-timed sessions, the removal business is booming - growing 440 per cent in a decade in the U.S according to research firm IBIS.

UK stats are harder to come by, but new methods for tattoo removal as much as celebrity endorsement that could really drive the trend. A laser called PicoSure is the latest, which uses thermal energy in ultra-short pulses to break up the ink particles, which are then absorbed by the lymphatic system. This is supposed to mean fewer sessions and better results.

However, even with PicoSure, the consultant told me it could take between four to eight sessions to remove my small tattoo (and it's black, the easiest colour to erase). That would cost between £500 and £1000 depending on how many sessions it needed. Although an anaesthetic cream will alleviate some of the discomfort it would still be painful. Worst of all there's no guarantee it won't leave a scar.

I've already had one trial session of advanced laser tattoo removal which just a 1 cm test patch, it was quick and uncomfortable rather than painful but didn't make any noticeable difference to the pigment. It's also a laser system that breaks down the ink but normally requires 6 to 12 sessions . From the research I have done the PicoSure is the one promising the fastest results.

I've decided I'm prepared to suffer and be ink free on the beach next summer. In the meantime
if anyone out there comes up with that instant tattoo removal machine, don't trouble yourself with those pesky Dragons - I'll invest myself, in the sure fire knowledge it could make its inventor richer than the Beckhams.

Battle Against Dark Under Eye Circles

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It is said that 9/10 people suffer from dark circles beneath their eye, but I honestly think everyone struggles to keep them at bay. To win the fight, or at least reduce them to something you can manageably cover up, you need to understand why they are there.

The skin under the eyes is the thinest in your entire body. Thus, when blood is passing under that area it will produce a blueish tint to the veins under your skin. Therefore this section of your the skin will make the discolouration very visible. So you must remember that before you start stressing over this issue, it is something that everyone deal with, but it may vary in the strength of discolouration for different reasons.

Reasons:

Not Enough Sleep
Yes I know everyone has been told this is the soul reason for dark circles but I can not lie that more sleep will help reduce dark circles. However, not everyone has the luxury to sleep 12 hours a day, so this may not be something you can fix. Thus, if you find that the other reasons for dark circles are applicable to you, then trying to change those elements of your life may be more attainable. Although if your anything like me then you just want some kind of fast solution, then keep reading and I will give you some tips that I have recently discovered.

Diet
Your body will always be a reflection of your diet, even break outs on your face can be linked to what parts of your diet need improving. For dark circles to be reduced, more iron in your diet can have a major impact. This is because if you do not have enough iron then there is a lack of oxygen to the body tissue. Hence, this causes discolouration.

Allergies 
When you have allergies, you can find yourself often rubbing and scratching the skin around your eyes. As I have mentioned above, the skin is very thin so it is more vulnerable and will become damaged far more easily than the rest of your body. Although this is something you might not be able to help but I thought it is handy to be aware of.

Removing Makeup
Everyone is guilty of it! your too sleepy and do not have the motivation to stay awake and remove your makeup. However, it will clog up the pores under your eyes (and the rest of your face) and cause them to swell and puff up. Thus you wake up to a scare! It is so important to have a good night time routine, make sure your skin is clean and well looked after in general.

Reducing Dark Circles:

By understanding some of the reasons for why dark circles appear, it means you can change aspects of your routine. However, I have only included the most common reasons above and there are far more. My personal outlook is that I will always have dark circles and even changing certain thing will never totally get rid of the problem (but it can be reduced). Thus I wanted to share some of the methods I use to try and cover them up as best as possible.

The Cucumber Effect
We have all seen it in the films, or had a pamper day where you place slices of cucumber on your eyes. You may wonder what this actually does, well it simply reduces puffiness and brightens the skin. It is great if you want to have a relaxing evening at home but for an every day routine it may not be ideal.

Makeup Solutions
This is my everyday makeup routine I have been loving recently to reduce dark circles. Firstly, I make sure that the eyes are moisturised and primed for concealer. I then take my concealer, I use the ELF Under Eye Concealer and Highlighter because it has worked incredibly well at reducing any discolouration under my eyes. However, any cream concealer is best for under the eyes because it is easy to blend into the skin. This is important because by doting the concealer under the eyes, then patting the cream into the skin with the ring finger, it is gentlest method. Therefore, it does not cause any irritation for the eyes. Then using a highlighter I brighten the inner corners where it is especially dark. This will make the eyes look brighter and more awake because it reflects the light in the inner corner.

I hope you enjoyed my first post for the Huffington Post and if you would like to read more posts from myself then check out my blog (link)

Tess Holliday Interview: Plus Size Model On Body Confidence, Naked Photos And Her Upcoming Clothing Line

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Tess Holliday is one of the most talked about names in plus size fashion.

From her landmark People magazine cover, to starring in H&M's latest campaign, the size 26 model is putting her stamp on the fashion industry - with no plans to stop anytime soon.

At 5'4" tall and with a softly-spoken Mississippi accent, in person she's petite - almost diminutive. Until you spot the sequins... and the gaggle of excited fans queuing up for her meet and greet session.

Holliday was in Manchester to attend the first ever Curve Fashion Festival, an event designed to rival the 'straight size' London Fashion Week with plus size shopping, catwalk shows and celebrity panels.

"I wish things like this were around when I was younger," Holliday tells me. "I was really self conscious as a kid, I felt terrible - like a prisoner in my own body."

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Tess Holliday at the Curve Fashion Festival in Manchester on 26 September


After being relentlessly bullied for her size and forced to drop out of school, it wasn't until she began her career as a plus size model four years ago that 30-year-old Holliday truly found body confidence.

"That was when I discovered fashion that looked good on me and a community of people that actually supported me and celebrated my size," she says.

Holliday describes herself as a "body positive activist", by which she means she is vocal about the injustice faced by people of certain sizes and the commonly-held prejudices against plus size women.

"Somebody has to speak for others," she says. "We often get pushed to the corner and people don't really pay attention to us or take us seriously - it's really frustrating."



Holliday poses for Galore magazine



It was this frustration that led to Eff Your Beauty Standards, a movement started by Holliday from her bedroom one afternoon after she found people making fun of her on blogging site Tumblr.

"People were saying because I was a certain size I shouldn't be wearing certain things and I thought 'fuck that!, I'll wear that I want to wear.'"

Today the #effyourbeautystandards hashtag has almost a million posts on Instagram alone, and Holliday now employs a team of six social media gurus across the world to help spread the message.

SEE ALSO:

Plus-Size Model Ashley Graham Stuns On #NYFW Runway

'Naomi Campbell Of Plus Size' Calls New Campaign A Great Step For Diversity

Why There Needs To Be An Empowering Movement For Plus Size Men



The popularity of Eff Your Beauty Standards led to a range of branded t-shirts, tote bags, stickers and pins - which Holliday lists for sale on her website - with a new jewellery range set to launch on 1 October.

But it won't be the model's only foray into fashion.

"I'm in the process of coming out with my own collection," she revealed. "I'm designing it now and it will launch next year. It's been really exciting, but stressful."

What can we expect from the range?

"I don't have any styling rules - for me, it's all about wearing what makes you feel good. If that means wearing a Halloween costume, whatever. If that means wearing a chic dress, then cool."

Holliday thinks the UK is on a par with America in terms of plus size fast fashion, citing ASOS and SimplyBe as her go-to brands, but she says there's still a long way to go in terms of choice on the high street.

"So many stores cut off at size 16. There needs to be more sizes," she says.

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The Eff Your Beauty Standards t-shirt range


Along with her upcoming plus size clothing line, Holliday is also in top secret talks for other major projects: "Maybe a book, maybe TV."

The model attributes her success to her transparency, speaking publicly about her difficult childhood and the issues she's faced because of her size.

"Sometimes I feel like a million dollars and sometimes I feel terrible," she says. "But I've always been open about the fact that it's OK to be human and embrace those feelings."

Her career success and relationship with fiancé Nick Holliday (whose name she has already taken professionally, though they will not be married until later this year) have helped her find happiness, but Holliday admits her journey to body confidence was a long struggle.

"It's important to surround yourself with people that care about you, but also to look within and see if there's something you need to work on - for me, it was getting a therapist and talking about stuff I had dealt with as a child.

"I take antidepressants, which I was embarrassed about for a long time, but it keeps me going."



Holliday shooting for ASOS Curve collection in London last week



With millions of fans who look to her for inspiration, Holliday admits being a role model "sometimes feels like a lot of pressure."

When I ask how she copes on those darker days, she tells me: "My son (nine-year-old Riley) has gotten me through the hardest parts in my life.

"On a bad day I'll do something for myself that makes me feel good, like get a massage or a manicure. Sometimes I'll take naked photos in the mirror and post them online - which I've been known to do," she laughs.

There's been a lot of debate about whether the fashion industry should drop the term "plus size", but Holliday says that far from finding the term offensive, it is one she has chosen to "embrace".

"I embrace the term plus size. I'm plus size. It's just a word," she says. "I think people that want separation from the word are focusing on the wrong thing.

"Until there's more diversity within our industry - until we're seeing different body types and skin tones in the plus size industry - we shouldn't give a shit about the term plus size. It's just wasted energy."



One of Holliday's Instagram posts



Along with helping her on a personal journey to self-acceptance, Holliday is keen to use her modelling success and newfound fame as a platform to change the fashion industry.

"I want to see diversity in fashion," she says. "I want to see more people that look like the women and men I come across in the street."

"It's detrimental to young women to not be able to look at a fashion magazine or TV and see someone who likes like them because the reality is, we're all different."

Lana Del Rey Makeup Tutorial: YouTube Star NikkieTutorials Shares Nylon Mag Inspired Look

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With thousands of Lana Del Rey hair and makeup tutorials populating the Internet, how do you know which one to choose? (And obviously we're going to be choosing one after having her new album on repeat all week).

We're here to save you from hours of Googling, as we've just found the most spot-on one to date, from makeup artist, beauty vlogger, and woman behind that amazing 'Power of Makeup' viral video - NikkieTutorials.

nikkie tutorials

Nikkie's latest video, which you can watch in full above, sees her transform into a 60s-style beauty icon, in a shoot that the queen of misery pop herself would be proud of.

The look is inspired by Lana's recent Nylon magazine cover and uses products by MAC, Pixi, NYX and Anastasia Beverly Hills (you can see the full list here), including a total of four eyebrow products - which seems pretty ridiculous but hey, we can't argue with the results.

SEE ALSO:

How Long Does Makeup Really Last? The Answer May Shock You

This Double Vision Makeup Tutorial Will Trip You Out

This Instagram Filter Will Get You The Most Likes


On Rana Plaza, Living Wages, a Broken Industry - and How to Fix It

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This blog is part of a month-long focus around sustainable fashion across HuffPost UK Style and Lifestyle. Here we aim to champion some of the emerging names in fashion and shine a light on the truth about the impact our appetite for fast fashion has around the world.

Who REALLY is to blame for Rana Plaza (NO it's not as easy as "greedy consumers and greedier brands"), why boycotting fast fashion is a bad idea, and what CAN be done - by us, the consumers!
This is about the underlying problem of the fashion industry, and how to fix it.
Yes, this IS a complicated topic (that's why most media avoid it).
In this blog post, we start to explain it in 1000 words.


Fashion items (as most lifestyle products) are quite simple products - little skill is required to produce them. This is also where the beauty of the industry lies: in its ability to absorb unskilled labour into formal employment. For countries that have experienced an industrial revolution, the apparel industry has almost always spearheaded the shift. The possibility to work in garment factories provides independence to women undreamt of before. But at some point, something must have gone wrong...

Two and a half years ago, a building collapsed - and we are still in shock. More, we (!) still have a bad conscience (which we try to suspend while shopping, as several studies have demonstrated). And we do what we always do in such a situation: we find culprits.

We blamed companies who sourced from Rana Plaza.

Yet, the building also hosted a bank, offices, and shops - it looked safe (as mentioned by the German TÜV). On April 23, it showed cracks and was evacuated. On the next day, two inspectors declared it as safe (bribed by Mr. Sohel Rana, the owner of the building, who has been officially charged for his role in the disaster), but only the garment workers went back, while the rest remained closed. They were threatened to lose a month's salary. Instead, they lost their lives, loved ones, or the ability to work again and earn their livelihood.

We should blame the low wages which leave no room for choice.

On that subject, we have already blamed the fast fashion brands (which offer cheap fashion) for their alleged greed, who in turn blamed their own customers and their - equally alleged - unwillingness to pay more. Yet, all surveys and statistics demonstrate that most consumers would in fact be willing to pay an adequate markup for fair production conditions - we are talking about a few cents per piece, after all.
It's not (only) about the money!
But while it may be easy to choose FairTrade sugar over conventional one (it is only slightly more expensive, can be found in the same stores and tastes at least as sweet) - fashion is a bit more complex.
Here, consumers have but a few options (buy FairTrade/secondhand only) - all of which would bring about limitations in convenience, choice, style, and/or budget. So they may be ready to pay more for fair production, but not be willing (or able!) to pay the quite substantial price difference charged by current FairTrade brands (which is not solely due to the treatment of workers but mainly to their lacking of the fast fashion brands' economies of scale and efficiency). In addition, all options would reduce the total amount of garments sold, which would inarguably worsen the situation for the garment workers.


So, even though the ones who would in the end carry the additional costs of higher wages (the consumers) would be willing to do so, the market cannot regulate itself to create this mutually desired outcome. And where market cannot regulate itself, the underlying system is dysfunctional - the fashion industry is broken.

The weakness lies in the length of the supply chain and its lack of transparency.

The companies CANNOT simply raise the garment workers' wages - because usually they don't know them. Trying to change that in recent times, most now know their first- and second-tier suppliers (and some have disclosed them in some countries), but there are so many subcontractors involved with whom orders are handled mainly via purchasing intermediaries, that they are not in direct contact with the majority.
This system is called Indirect Sourcing. It provides the flexibility necessary for fast fashion production. However, it also leads to an immense lack of transparency, wrong understanding of priorities, lack of identification and accountability, and enables time pressure to be a driving force. The actual price war takes place between the suppliers (not the retailers!), the actual price sensitivity lies with the purchasing agents (not the consumers!).

It makes no sense to blame the companies for sourcing from one special building (or postulate compensation from them), if the underlying system is the cause for the real problem. Instead every single company which relies on indirect sourcing should have contributed to the Rana Plaza fund - because in that system, it was mere luck, for which brand products from involved factories were destined. In fact, they should open an emergency fund for fast relief in future industry accidents (agreeing on safety standards is a good start, but not more than that, since these only cover first-tier suppliers). And the amount of contribution should depend on their total revenue. It would be tiny, if every major company would take part. Yet, this wouldn't fix the main issue, the wages.

How to fix fashion

There are two possible solutions:
  • a) Establishing strong, direct, long-term relationships with the suppliers AND the sub-contractors and
  • b) Raising the minimum wage.


Both is needed. The first has already started, but progress can only be slow. More efficient would be to raise the minimum wage.
Some companies are trying to convince governments to do so, but these can't, as long as they have to fear that all the other brands will move on to countries with even lower wages in case they would indeed raise their own minimum wages.


What is needed, is that as many brands as possible pledge to pay living wages.
This approach is shared by some of the biggest brands, who have in a so far unprecedented move conjointly sent a letter to the Cambodian government last year preceding the upcoming wage negotiations, stating that they are willing to pay higher wages. As a result, the minimum wage was raised by 28%. Brands' pledges also endorsed the introduction of the first minimum wage ever in Myanmar a few weeks ago.

They now need to strengthen their pledges by adding credibility. The for years unfilled Rana Plaza Fund (filled only recently bay an anonymous donation) symbolizes the fact that there is no "charity" money in the fashion industry. So why should anyone believe that these companies are really ready to pay higher prices than they absolutely need?
Therefore, they should put some money into their talk - or into an emergency fund.
The brands are in the driver's seat. So are we, the consumers.

It is a great step to take action like so many did on Fashion Revolution Day (a twitter campaign in which consumers stated their interest in the origins of their fashion items). Now we need to put some money into our talks, too - and to ask for a precise action.
In order to encourage more brands to follow those pioneer brands, and all of them to enhance their pledges with credibility, we should start to demonstrate that we indeed DO CARE and ARE WILLING to pay a tiny little premium for the workers' well-being.
Prof. Muhammad Yunus (the Peace Nobel Laureate known for his concept of microcredits) calculated that 50 cents per item represent the difference to a living wage. So we should pay 50 cents to offset the production conditions of our lifestyle and fashion items - and use the money as statements to fix the industry.
For this, the FairBuy Foundation was founded. It provides a free app to handle the donations and to register them as statements. To find our more, watch our 90 seconds explanation video on fairbuy.org and visit us on FairBuy's Facebook page.

HuffPost UK Lifestyle is running a special series around Sustainable Fashion for the month of September. Livia Firth is creative director of Eco-Age and founder of The Green Carpet Challenge, and will be guest editing on 18 September. If you'd like to blog or get involved, please email us.

Trendtastic - Do You Really Love It?

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No really, do you?

With fashion month in full swing, I got to thinking - what's the deal with trends? Don't get me wrong, I love to see the process of a trend taking place, but do we all really love what's trending? Not always.

I'm a big believer in personal style. The fashion world can get so cluttered sometimes, meaning that personal style is the only way you can organise it all - using two foolproof ways of course, the love it pile, or the hate it pile (both that exist purely in our minds, the latter is usually forgotten about). By having a deeply ingrained personal style, trends don't always lead the way, we do.

I can only imagine that designers work this way too, as I've never personally asked (maybe one day, I will). Yes, they're business men and women, but they're also creatives and work with their heart. What we see on the runways, comes from passion. The same passion we put into those two personal style piles. It's not forced and it's certainly not influenced by anything other than itself.

So is it their passion that influences us as spectators and shoppers, or a connection with that passion? My guess is an emotional mixture of both.

And it's not just limited to the major four cities that we see across fashion month, oh no. This kind of love-hate, passion fuelled trend-fest takes place at fashion weeks all around the world. Just because a designer is lesser known, emerging or brand new, doesn't meant the theory is blown out of the water. Maybe, it's even stronger.

I once read that consumers will hunt for what's right, whether it's mainstream or not. But, just like that inner passion when it comes to editing out the noise with trends, it exists in individuality. Some of the fashion giants appeal to the masses, but not always - if they don't fall into that love it pile, they never will.

That's the beauty of sites like Net-a-Porter and MyWardrobe, or even more independent ones like Wold & Badger and Tumqo, they're offering a range of designers (yes, and trends) that appeal to that passion.

Think about it. Do you wear the brands you do, just because others do? My guess is no, just no. You're wearing it because it fell into that exact same love it pile as the trends did. The designer's style suits yours, whether they're mainstream or not. If you relate to a collection, brand or designer, it's because you've found your passion's niche, not because you're forced to.

So, the next time you accuse yourself of being a sheep, remember: it's not possible, your love it pile is there because you made it. Trends may come and go, but your wardrobe says so much more.

The Andean Worldview - an Alternative Economic Model?

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This blog is part of a month-long focus around sustainable fashion across HuffPost UK Style and Lifestyle. Here we aim to champion some of the emerging names in fashion and shine a light on the truth about the impact our appetite for fast fashion has around the world.

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In the book Fixing Fashion, to be published next month, author Michael Lavergne says
The history of global textile and apparel industries... is mired in vicious cycles built on a foundation of exploitation for profit. To break free from the systems of production, distribution, employment and trade policies... will take a re-engineering of our social values and economic constructs nothing short of revolutionary.
But where do we start to look for this new, revolutionary economic model?

Before my life was hijacked by Fashion Revolution, which metamorphised from a crazy idea in the bathtub into a global movement in 80 countries, I had started writing a book. The working title is Business Secrets of the Incas and it is about the lessons we can learn, economically and socially, from Andean culture. I came into the fashion industry 23 years ago, somewhat by accident, after an MA in Native American Studies. It was after researching the textile industry in Ecuador that I decided to set up Pachacuti, meaning 'world upside-down' in Quechua, to help redress some of the inequalities in the fashion industry.

If there is one very obvious lesson we need to learn from the current economic climate, it's that the system isn't working for us. We need new ways of operating - an alternative worldview.

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After centuries of imposing Western notions of development on indigenous communities around the world, it may be time we finally realised that perhaps we can learn something from people who established stable economic systems, at least until we arrived to tamper with them, and who managed their society and its ecosystems in a sustainable manner.

The indigenous cultures of the Andes still practice belief systems which have prevailed in the region for millenia. Although many of these concepts are linked to the Inca culture, they drew on the views of past cultures such as the Huari and incorporated different belief systems as they expanded their empire. We must be careful not to idealise traditional societies and former ways of life, but I do believe we can look to the worldview of Andean cultures to find ways to address the unsustainable growth model of our current economic system.

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The Andean worldview embodies a very different way of being within the world. Andean thought is hard to take out of context and we will never be able to put ourselves into the mindset of someone who sees every stone in the field, every potato they plants, as a living part of their ayllu. The concept of ayllu is difficult to define, but is seen as the basic cell of life, comprised of nature, humans and spirits who live in solidarity and harmony. For Andean peoples, divisions of time and space disappear, as do divisions between humans and the natural world.

Ecuador has drawn from its indigenous past and has incorporated the concept of sumak kawsay, into its approach to development, becoming the first country in the world to legally recognise the rights of nature in 2008. Sumak kawsay in Quechua or Suma Qamaña in Aymara is often translated as simply 'living well', but the concept is far broader. It does not mean living better than anyone else, nor does it imply the accumulation of material wealth; it means living well together, with mutual support, sharing knowledge and community wisdom. Bolivian president Evo Morales describes it as
"living within a community, a brotherhood, and particularly completing each other, without exploiters or exploited, without people being excluded or people who exclude, without people being segregated or people who segregate."


Sumak translates literally as 'beautiful', but what is beauty? In the Andes, something which is beautiful is typically something which is well-balanced, something ayni. The Incas strived for an animated cosmos, embracing the inflow and outflow of ideas and beliefs. Ayni was the system of equilibrium and reciprocity they used to achieve this. Everything in the Inca world was based on ayni. Everything was done both in solidarity with the rest of the community and through a system of exchange with neighbouring communities and cultures based on mutual respect, solidarity and justice.

Cooperation typically makes everyone better off. The modern cooperative movement dates to a group of 28 workers, more than half of whom worked in the textile trade. As the Industrial Revolution forced skilled workers into poverty, the idealism and vision of a better social order inspired the creation of the Rochdale Equitable Pioneers Society. The Rochdale principles include limitations on member compensation and appropriate use of surpluses and working for the sustainable development of their communities.

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The Sustainable Development Goals set a target for transforming our world by 2030, but as Jason Hickel expressed in the Guardian last week, the business-as-usual approach has to change. We simply cannot continue to see growth as our principal strategy for eradicating poverty. Sumak Kawsay presents an alternative paradigm to development, recognising that we can adopt a different economic and social model. I believe the Andean worldview can help us consider new ways of engaging with one another and with the world.

HuffPost UK Lifestyle is running a special series around Sustainable Fashion for the month of September. Livia Firth is creative director of Eco-Age and founder of The Green Carpet Challenge, and will be guest editing on 18 September. If you'd like to blog or get involved, please email us.
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