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Kate Middleton: The Ultimate 'Slut Antidote'?

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Is it time for us to take some Kate Middleton and turn her into an easy-to-swallow pill so we can give every girl on earth a dose of much needed 'class'?

Should we make a 'Kate Pill' obligatory for all new-born girls? Would we have avoided all the boob/bum/almost-vagina-but-not-quite Instagram photos of Miley Cyrus and Kim Kardashian if they'd been given a Kate-branded 'anti-slut' antidote at birth?

Some people think so.

An opinion piece by Miranda Devine in Australia's Daily Telegraph referred to Duchess Kate as the 'anti-slut' - the ultimate antidote to the current crop of celebrity female exhibitionists.

Actually, here's Miranda in her own words:

"Kate's grace and elegance is a welcome change from the desperate self-loathing exhibitionism of most celebrity ­females of her generation.

Kate is the anti-slut, the antidote to everything wrong with Western culture. She has put class back into sexy, made modesty cool, and added ­cachet to marriage and motherhood. No wonder she has become a role model to a generation of young women, despite scornful feminists."


Miranda Devine isn't the only one looking for a pop culture alternative to... what's the opposite of an 'anti-slut'? A mega-slut?

Dave Grohl (of the Foo Fighters and Nirvana) recently told Rolling Stone that he was relieved when he first discovered 17-year-old singer Lorde, as she was a healthy alternative to all the other "stripper pop" that his two daughters listen to.

Clearly, a lot of people (and in particular, parents) are looking for a less overtly sexual role model for young women and girls. And fair enough - with Miley and Kim and Katy and Rihanna and Gaga all seemingly trading on their sexuality above all else, it can feel like the pop cultural world has been completely co-opted by tits and arse. You can't blame women for wanting an alternative role model when not wearing pants appears to have become the norm. For example:

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Not exactly much to choose from.

But is it really fair to call Duchess Kate the anti-'slut'?

Let's say that that makes her the 'anti-Miley'. That would put Miley and her ilk in the position of slut. But why? Because she got fresh with a foam hand on stage? Because she dry-humps giant teddy bears in her videos?

That feels almost as simple as saying that Kate isn't a slut because she wears pantyhose when her skirt doesn't reach the knee.

Women aren't one-dimensional. No woman is either a madonna or a whore. But our habit of putting famous people into easily identifiable boxes means celebrity women often come off this way. The way famous women represent themselves and their brand (and make no mistake - the 'royal' brand is just as cultivated as the crazy foam-hand 'Miley' brand) does tend to make them figureheads for a certain 'kind of woman'.

Duchess Kate and popstars like Miley definitely divide people - women in particular. Articles about their suitability as role models always elicit a strong and varied response, which just shows that women aren't one simple homogenous group. We don't feel the same way or think the same way on all things. And that means we're never going to agree on the 'right way' for a woman to live, or the right role model for girls to have.

And if one-dimensional is the way we're going to play it with our celebrity women - if we're going to insist on calling Kate the anti-slut to Miley's mega-slut - at least we have a variety of role models available.

Kate's brand may be 'classy' and demure but it's also a little inhibited and domesticated for some people. Miley's brand may be outrageous and offensive to some but she's also independent and not afraid of her sexuality. Can we really say one of these is 'better' than the other?

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Celebrities like Kate and Miley may be at opposite ends of the spectrum, but the point is, they're both on the spectrum. Because no one woman is the 'right' kind of woman. Parents may not want their girls to consider one or the other a role model but I think the most important thing here is that young women are learning that there's no 'right way' in the first place.

Not everyone is going to be everybody's cup of tea, but it's still good for us to have lots of kinds of tea to choose from.

And really? We should be concentrating on taking these women out of such limited pigeon holes to begin with.

This post originally appeared on Mamamia.com.au

The Feminine Touch: Do Women Make Better Bosses?

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As I launch this year's initiative to help Britain's female entrepreneurs, my thoughts turn to the different leadership styles they might possess. Will the winner be a boss who embodies a more aggressive and driven style of leadership or one who works hard on the morale in the workplace?

As ambassador for Britain's Top Real Role Model (BTRRM), Amway UK's annual competition to unearth and celebrate the nation's start-up business pioneers, the aim is to boost fresh talent, ensuring it is nurtured, not stifled. Innovation drives the economy forward, which means business models with an explicit pecking order in place that perhaps use the 'stick' rather than the 'carrot' are falling further out of favour. Creativity, bravery, initiative and energy are all needed to succeed in today's tough business world, but of course the best way to avoid an unpleasant leader is to become the boss yourself.

We need to promote a new wave of creative bravery in business to make a success out of bright and talented individuals. With employment opportunities waning, the start-up arena has never been more relevant. But developing a successful business is about much more than just having a good idea and the money to back it. A good entrepreneur will also be a fabulous leader and the attributes that are most respected are a little surprising.

Recent research carried out by Amway UK revealed that over two thirds of us would prefer a female boss to a male one, with the stereotypically female attributes such as compassion, trust and loyalty coming out on top. These 'softer' attributes were favoured over more traditional ones such as courage, confidence and strong leadership. I certainly think female bosses often have a slightly more 3-D approach to business and see the bigger picture. In my experience they are often more nurturing, which helps get them get the best out of people.

The female touch in business is often misinterpreted as being soft and fluffy, but it is really about being switched on and making the most of your prime assets - your staff. You also have to be brave and it is sad to see capable, business-savvy individuals stifled and ambition made stale because of poor leadership or poor communication.

BTRRM is something I feel very strongly about as I know only too well that starting up your own business and backing your ideas confidently can be a lonely and daunting process. It takes a lot of courage, so it's crucial that we support budding entrepreneurs in order for them to flourish.

Now in its fourth year, the BTRRM campaign has handed a total of £20,000 in funding to entrepreneurs, for the business ventures they presented. It's a fantastic platform giving people who might not otherwise get a foot in the door a shot and a real opportunity to get started. I can't wait to see the finalists' ideas and share their enthusiasm and energy.

My own path had a false start as I was steered away from my love of art and ended up doing a Religious Studies degree at Edinburgh University. It wasn't long before I realised it wasn't for me and I changed direction, but it was never easy. I had to hawk my art sketch book around London colleges before being taken on at Central St. Martin's College.

I didn't have the right qualifications but someone took a chance on my energy, enthusiasm and creative promise - a rare occurrence in recruitment these days. I got a job as Alexander McQueen's assistant and it was an incredible and inspiring experience. I was working 7am to midnight most days, but you barely notice it when you are doing something you love. I graduated and went freelance and that's where I realised I had an extremely steep ladder to climb.

My experience as a company boss has shown me that if you want something you have to go and work for it but I do notice a bit more of an attitude of entitlement around nowadays. We have interns who come in expecting to be designing straight away and appear a bit confused that they have to pitch in with everything. The real world of work is very different to university. Young people need to accept that they will be working hard. They may have to make the tea - just as I did - and get on with it. We had one intern who worked her socks off, learnt where the gaps were in the business and made sure she delivered in those areas and we couldn't let her go.

I ran Twenty8twelve with my sister Sienna for seven years in what is a notoriously fickle and unforgiving industry. You need a bit of steel to go with the creativity but it is important to be a good boss as well as a good designer. Having Sienna in the business was obviously an amazing help because of the profile she has. We made a good team as she has incredible style and we share a fashion sensibility. She is a bit more avant-garde than me but it was good because it forced me to take risks.

My current label, Savannah, is about finding out what my customer wants and meeting her need. That connection is everything. I still get excited if I see someone coming down the street in one of my dresses. It is the fact they have chosen one of my designs and it means something to them.

If you have an idea which fills a gap in the market, whatever it may be, as long as you're driven and have passion and belief in it, then the best advice I can give is to be courageous, take control and give it your best shot.

TO ENTER Britain's Top Real Role Model visit www.britainstoprealrolemodel.co.uk or the Facebook page or follow @BTRRM
Nominations are now open and close on 11th August 2014. Successful shortlisted applicants will be asked to submit a brief business plan and the winner - announced in September 2014 - will be awarded £5,000 to aid their business venture.

Very Little Glamour on Show in V&A's Italian Fashion Exhibition

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The Glamour of Italian Fashion 1945 - 2014 is the first major exhibition to explore Italy's rich contribution to modern fashion from the end of the Second World War to the present. Its intention is to emphasise how traditional Italian craftsmanship in textiles and tailoring was reinvigorated through investment via the post-war Marshall Plan, bringing growth and glamour to a country devastated by war and fascism.

There is a really fascinating story to explore here, which would really illuminate an exciting exhibition. But this hasn't happened here.

First, there are few pieces on display, which is extraordinary considering this exhibition is covering almost 60 years of a major national industry. The display fills only a few rooms and the content is spread very thinly across them.

There can't be more than 100 mannequins on show here. And compare that to the Gaultier exhibition which has close to twice that - and that's for one man.

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The pieces on show are also not exciting. There's a couple that catch the eye at the start of the exhibition, such as Aztec-print beachwear from Pucci's first collection and some very elegant evening dresses in lace and ruffles from early pacesetters such as Simonetta and the Fontana Sisters, but it all peters out very quickly after the promising start.

The standard for fashion exhibitions has been set very high by shows such as Isabella Blow, Gaultier and the McQueen exhibition in New York (which is transferring to, ironically, the V&A next Spring). This exhibition falls very short in comparison.

Multimedia exploration is also minimal.

I expected an army of dress mannequins surrounded with film footage of old Hollywood glamour arriving for the Oscars, catwalk shows, design sketches from these iconic fashion houses, and photos of the suits and dresses on the stars of the time. But there was very little of this on show.

And the rooms were silent. Was sound design even considered?

This is all such a surprise as in the galleries next door is the William Kent exhibition, where such attention and focus was given to multimedia, audio-visual content. And that's for Georgian Britain!

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Even in comparison to other V&A costume exhibitions such as Hollywood Costumes, or the Bowie and Kylie shows, this stood out for all the wrong reasons. These shows were filled with colour and details on the exhibits were plentiful, including how these looked on the original artists they were designed for via sketches and photos.

Nor was the bland curation of the show the only issue.

Italian Fashion from 1945 to 2014 is a vast wardrobe to draw from, and it's a period that just exudes glamour, celebrities, sensual evening gowns and sharply tailored suits, celebrity designers, catwalks...

I expected the galleries not just to be packed with mannequins but also to be packed with pieces that I recognised, with pieces that screamed glamour. Not at all.

There's more Benetton knitwear on show than Valentino dresses. And instead of sharp tailoring in male trouser suits, there are dull, drab dark brown suits instead. And few pieces were familiar.

Elizabeth Taylor's Bulgari necklace, earrings and brooch set (in typical Taylor style, why just have one piece when you can have three??!!) in emeralds, diamonds and platinum were instantly recognisable as hers. But that was pretty much it.

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An embroidered coat worn by Maria Callas was on show but it's not a memorable piece from her wardrobe. And the dress on show worn by Ava Gardner was a very plain black wool dress. It's all a bit deflating compared to the high-octane glamour you're led to expect.

In the contemporary section in the final gallery of the exhibition, Tom Ford's white peep-hole dress I recognised, but more because it had been used heavily in Gucci advertising at the time rather than it being a red-carpet dress. Cavalli's animal-print was easy to pick-out - but again because it was distinctively Cavalli rather than being actually, well, glamorous.

And just think of all the glamour and all the celebrities associated with Gianni Versace - Diana, Madonna, Elton John, Michael Jackson, Cher - yet none of these pieces were available. Instead the Versace piece in this section is from Donatella's era for Versace.

You can't help feeling that this exhibition might have been hamstrung by not having access to as many fashion pieces as they'd have liked. If so, it's a real shame that fashion houses and other private collections couldn't be persuaded to release more, and more familiar, pieces to the V&A.

How this exhibition would have been lifted by one of Diana's Versace dresses, some of Missoni's instantly recognisable and colourful knitwear, or a Dolce & Gabbana corset from their vast back catalogue. This show desperately needed many more statement pieces from which to hang the rest of the exhibition.

It's not like the V&A to under-deliver like this - it has a well-deserved reputation for delivering high-quality showcases - so I'm ok with putting this down as a one-off. But it was a little weird exiting through the gift shop only to find the products available to buy more enticing than the exhibition I'd left behind.

Victoria and Albert Museum, London to July 27, 2014

Ticket Price: £13.50 (concessions available)

Image credits: Installation images of The Glamour of Italian Fashion 1945 - 2014 © Victoria and Albert Museum, London

Pool Side Style: The Brighter the Better!

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Holiday is booked and the shopping has commenced! The girls are kitted out head to toe H&M, is there actually a better shop for children!? Most of their dresses cost less than £3 which means I won't be getting heart failure each time they pour chocolate milkshake down the front of them. Paul's found some bits at Urban Outfitters that I convinced him to splash out on (what is it with boys thinking all they need to take on holiday is a pair of shorts and flip flops!?), and I, well I wanted to share with you some key pieces that I've been storing up since February waiting to take away!

Firstly, this fabulous Raffia Tote bag. It's by a brand called Mefie and has been hand woven in Madagascar so the quality and attention to detail is just wonderful. These bags come in 2 sizes and a huge variety of colours all with strong leather handles. The biggest (which is extremely spacious and very handy when travelling with small children) are an absolute bargain at just £37! Check out their full collection here.

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Next up is this traditional Kikoy. Probobly the most practical thing in my case (on a par with my gold stilettos which can be worn with absolutely everything). A kikoy doesn't just serve one purpose, not only do they look incredibly stylish as a sarong in the day and a scarf in cool evenings, they can be used as blankets, throws and even table cloths for when you get home! You can find my favourite collection at a store called Lov'Edu at Camden Market, but it might be easier just to check them out online here.

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I follow a brand called KoKo Kenya on Instagram (FYI it's a great place to discover new brands) and fell in love with a recent photo of their new collection of summer shorts! These come in a huge selection of vibrant prints and will add instant summer vibes to your holiday wardrobe. Check them out here.

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Every holiday deserves a new pair of flip flops right?! Havaianas remain at the top of the global style charts when it comes to relaxed pool side footwear and rightly so. When choosing yours, go as colourful as you can - it's practically impossible to clash with flip flops!

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Don't forget to check out my Scarlett and Me blog to enter my latest competition to WIN a Pampeano belt!

Finger Trap Test Apparently Determines Whether You're Hot Or Not

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Social media has some pretty weird ways of quantifying beauty: first there was #thighgap, then there was #bikinibridge and now there is slightly less insidious (but equally ridiculous) finger trap test.

Taking social media by storm - specifically Weibo, the Chinese version of Facebook - thousands of people have taken part.

The way you determine if you're beautiful is to place your index finger against your chin and nose to see if your lips touch it. If they do, well done - call Karl Lagerfeld and tell him he's found his new muse. If not, you may as well stop brushing your hair, don a hessian sack and quit society for life.

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HuffPost UK Lifestyle's Brogan Driscoll passes with flying colours...


Spotted by Vocativ.com, they say the method - which is loosely based on the 3:1 ratio that cosmetic surgeons use - is currently trending in over 200,000 Weibo discussions, largely among women.

But if you don't score well, don't be too disheartened. They write: "the phenomenon also appears to be mostly in jest. According to this method, Angelina Jolie, Jessica Alba, Christina Hendricks would all be considered victims of the ugly stick."

How did the HuffPost UK Lifestyle team score? Well, Brogan Driscoll, my assistant editor is clearly a hottie, while I am a nottie.

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Not quite...


The Mail Online quoted Dr Mark Holmes at McIndoe Surgical Centre as saying: "This is actually a bone fide test for lower facial symmetry and proportions. It is called Rickett's E-line.

"Is it a sign of beauty? That's a stretch. But part of beauty is determined by symmetry and correct proportions. However, it take no account of someone's energy and personality."

How did you score?


Kelly Strips To Bikini For New Photo Shoot, Reveals She 'Enjoys Life, Sex And Her Body' More In Her Thirties (PICS)

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Kelly Brook has stripped down to her bikini for a new photo shoot for Cosmopolitan Body and revealed to the magazine that she’s no slave to dieting.

The star spoke to the magazine about how she learned to embrace her famous curves, explaining: “I’m not a super-skinny girl and I do love food. For me it’s not about doing 1,000 sit-ups before a photo shoot; it’s about feeling fresh… I’ve got rolls and boobs and I don’t ever want to change.”

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Kelly Brook


Kelly also claimed that she thinks the real key to being attractive isn’t in the physical at all, and as she’s got older she’s realised confidence is the most important thing.

She explained: “I’ve found, when you get into your thirties, you relax a bit. It’s not all about going to the gym or doing yoga everyday or living off green juice. You start enjoying life, sex and your body – and you know how to use it. Once you do that, that’s when people are drawn to you. That’s the most attractive thing.”

Perhaps that's how she managed to snag fiancé David McIntosh, who she announced her engagement to last month.

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Kelly smiles in her bikini


And while there’s no denying Kelly looks amazing in her bikini shots, we can’t actually remember the last time we saw Kelly out of a swimsuit, having recently posed for another photo shoot to promote her new range of swimwear for New Look.

Perhaps we can look forward to paparazzi shots of Kelly pushing a trolley around a supermarket in a bikini in the near future. Watch this space.

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Kelly’s full interview appears in Cosmopolitan Body, on sale now. Also available in digital edition on Apple Newsstand, click here for more content.



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Met Ball 2014: Beyoncé, Kim Kardashian, Rihanna Among A-List Guests For Fashion Fundraiser

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On Monday night, the A-listers were out in force (and brilliantly, even a few Z-listers managed to slip through the net) for the annual Met Ball in New York, undeniably one of the biggest nights in the fashion calendar.

Organised by Vogue editor-in-chief Anna Wintour, the yearly event raises money for the Metropolitan Museum of Art in New York’s ‘Costume Institute’, though it’s also a brilliant way for us to get to see some of the most famous people in the world parading around in fabulous clothes. So everyone’s a winner, really.

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Rihanna, Kim Kardashian and Beyoncé were among the biggest stars on the night


This year’s event was as star-studded as ever and saw the likes of Beyoncé, Rihanna and Kim Kardashian mingling with some of the biggest names in the fashion industry, such as Naomi Campbell, Rosie Huntington-Whiteley and Cara Delevingne.

It was also great to see some UK representatives at the New York event, with British stars including Rita Ora, Lily Allen and Alexa Chung all showing the American stars how we do it here in Blighty.

Meanwhile, it has to be said that this was the year of the ‘leg-bomb’ with Kim Kardashian, Rita Ora and even the usually demure Emma Stone all flashing their pins in high-slitted dresses, proving that Angelina Jolie’s infamous Oscars dress from 2012 still has a lot to answer for.

But don’t just take our word for it - you can judge the biggest fashion triumphs (and, indeed, the worst fashion flops) of the night for yourself by clicking through our gallery below...



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Met Ball 2014: Kim Kardashian Suffers Wardrobe Malfunction And Flashes Her Pants Ahead Of The NYC Gala (PICS)

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After that interesting ensemble at last year’s Met Ball, you’d think Kim Kardashian would play it safe this time - however before arriving at the event, she suffered a wardrobe malfunction and accidentally flashed her pants. Oh, Kim.

The reality TV star was leaving her New York hotel with boyfriend - or husband if rumours are to be believed - Kanye West, when she gave everyone a glimpse of her knickers.

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Kim suffered a wardrobe malfunction before arriving at the event


Kim didn’t appear to notice her mishap, however she did have a change of heart about her ensemble and decided to swap her belt and shoes for different ones while en route to the event.

Her half-sister Kendall Jenner was also in attendance, sporting a super sleek bespoke Topshop gown.

After finding fame on their family’s reality TV show ‘Keeping Up With The Kardashians’, Kim and Kendall have both been attempting to break into the fashion world.

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Kim was wearing a different belt and shoes when she arrived on the red carpet


Kim’s appearance on the cover of Vogue certainly had people talking, while Kendall was the model of the moment during the most recent London and New York fashion weeks.

See all the outfits from the Met Ball 2014 below...



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Met Ball 2014: David And Victoria Beckham Sport Matching White Outfits (PICS)

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Victoria and David Beckham went for matching outfits at Monday night’s Met Ball 2014, giving plenty of the event’s A-List guests a lesson in red carpet dressing.

Victoria sported a dress from her latest collection, while Becks reminded everyone that he scrubs up incredibly well by sporting a white Ralph Lauren Black Label jacket.

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David and Victoria Beckham


The former footie star looked on admiringly as Victoria, who recently celebrated her 40th birthday, posed for the cameras.

Back in the '90s, Posh and Becks were no strangers to donning matching ensembles, though they always swore it was never planned.

Victoria and David weren’t the only hot couple in attendance, as Beyoncé and Jay Z and Kim Kardashian and Kanye West also hit the red carpet.

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David looks on as Victoria strikes a pose


After her style mishap last year, we were hoping Kim would get it together for the 2014 event, however the reality TV star fell victim to an unfortunate wardrobe malfunction as she was leaving for the NYC gala and accidentally flashed her pants.

A number of other stars also failed to impress, including Rita Ora, whose strappy sandals and gold-leaf hair-parting were interesting to say the least.



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Dragão Fashion Brasil: 15 Years Celebrating Creativity as a Regenerative Social Force

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Organised every year since 1999 in Fortaleza (the capital city of the north-eastern Brazilian state of Ceará), Dragão Fashion Brasil is a platform for new and established fashion designers to show their creations accompanied by a public series of lectures, debates, performances, seminars and practical workshops about the importance of fashion and associated creative industries. In addition, the showcase also involves the region's buoyant manufacturing industry (which includes some of the largest textiles factories in the world, responsible for employing 115,000 people, producing 116,000 tonnes of fabric, and making 600 million garments a year) in the form of sponsorships and collaborations with emerging designers.

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Photograph © The Style Examiner / João Paulo Nunes

Between 23 and 27 April 2014, over 45,000 participants made the most of the latest edition of Dragão Fashion Brasil by attending at least one of the 40 runway shows or by taking part in dozens of presentations and hands-on activities. If most fashion creations demonstrated interesting treatments of experimental concepts, when it came to their execution proficiency levels unsurprisingly varied. However, a large number of designers stood out for their accomplished results and for demonstrating the benefits of quality and creativity to the betterment of society.

In womenswear, the reinterpretation of a traditional ultra-feminine perspective of fashion could be observed in the collections proposed by Kalil Nepomuceno and Ivanildo Nunes. In their designs, long voluminous evening dresses featured layers of chiffon and lace and the silhouettes were overall accentuated in voluptuous hourglass shapes. Drawing from this principle, but allowing a more dynamic fluidity generated by ornamented fabrics, Lino Villaventura presented a collection with a dramatic colour palette that combined dark earthy tones with off-whites, and print came in the form of ombré gradients, abstract florals and animal skin prints. And, in typical Villaventura fashion, large pleats, bejewelled pins and beaded stitching provided textured contours by manipulating the layering and hanging direction of delicate fabrics such as gauze and silk.

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Kalil Nepomuceno

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Ivanildo Nunes

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Lino Villaventura

London-based Italian designer Nico Didonna accepted the invitation made by the organisers of Dragão Fashion Brasil and presented a collection underpinned by the notion of wrapping. Plain off-white, royal blue, red, anthracite or hand-painted dresses made from jersey, viscose, or crepe highlighted the natural curves of the body while adjusting to, rather than shaping, the silhouette. Also playing a key role in this broad category, Mark Greiner and Roberto Dias worked together on a unique contemporary reinterpretation of local folklore that relied on strong original touches such as highly structured shoulders and a good treatment of noble fabrics (including chiffons, soft leathers and jacquards), even if, on a few occasions, the final results were let down by the actual styling of the runway presentation.

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Nico Didonna

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Mark Greiner and Roberto Dias

However, it was when designers opted for exploring minimal lines and structured silhouettes that womenswear collections were at their most successful during the 2014 edition of Dragão Fashion Brasil. In this sense, Vitorino Campos's fusion of streetwear tailoring with luxurious fabrics (unveiled just a few weeks earlier during São Paulo Fashion Week), Carol Barreto's asymmetrically fastened garments and structured cuts (that contrasted with oversized crocheted jewellery pieces), Jefferson Ribeiro's geometric exercises in an elegant colour palette of white, lemon and crimson, and Gisela Franck's deconstructed garments made from casual soft fabrics with applications of collage-like layers all contributed a new vocabulary towards the lexicon of Brazilian women's fashion.

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Vitorino Campos

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Carol Barreto

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Jefferson Ribeiro

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Gisela Franck

In menswear, the most accomplished collection was the one that guest designer Nuno Gama presented on the very last day. Well-established in his native Portugal (where he founded his eponymous label in 1991), Gama chose to exhibit an edited version of his Autumn/Winter 2014 collection, where textures and rich materials (including fox fur, snakeskin, astrakhan, leather and thick wools) provided the material frame to extremely fitted cuts.

Currently enrolled in Milan's Istituto Marangoni, young designer Jonathan Scarpari took a break from his fashion studies to return to his native Brazil and show his latest collection during Dragão Fashion Brasil. Entitled 'B-24', the collection drew inspiration from the idea of incorporating the genetic code into the design of unique garments in order to highlight the importance of individuality. This was achieved by working fabrics such as softened leather through hand-woven three-dimensional houndstooth patterns. In addition, Brazilian and Italian cool wool and organic silk were used in fitted tops, tailored shirts, jackets, trousers, and overalls that showed the influence of recent menswear designs by the likes of J.W. Anderson while audaciously and confidently attempting to push forward the boundaries of conventional tailoring.

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Nuno Gama

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Jonathan Scarpari

Rather than focussing on a single collection, like most designers opted to do in Fortaleza, renowned Brazilian menswear designer Mario Queiroz showed 27 looks that he had designed throughout his 18-year-old career, ranging from conventional suiting and casual staples to more confidently daring kaftans, sleeveless jumpsuits, gold shorts, and sequined espadrilles. Pushing the boundaries quite a few steps further, Weider Silveiro and Jadson Raniere displayed the collection that they presented to inaugurate their label 2|Dois in October 2013. Both alumni of the São Paulo-based creative platform Casa de Criadores, Silveiro and Raniere investigated the potential of deconstructed tailoring, androgynous identities, and the influence of 1980s Japanese designers in details such as exposed stitching and frayed fabrics, elongated sleeves balancing cropped waist lines, oversized leather biker jackets, and abstract patterns inspired by the futuristic graphic artwork created by Peter Saville for Joy Division's 1979 album Unknown Pleasures.

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Mario Queiroz

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2|Dois


(Unless otherwise stated, photographs are courtesy of Dragão Fashion Brasil)

You Can Now Print Your Own Make-Up With Commercial Ink

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Printers aren't just for reproducing Word documents and clip art any more. They're for building houses and drawing models of the Eiffel Tower.

They're also for producing your own make-up.

This video showcases the work of former Harvard Business School student Grace Choi, who has come up with a method to mix your own makeup with the same ink you buy for a commercial printer.

The secret? That's exactly what make-up companies do.

So Choi made her own $300 printer which uses small containers of eyeshadow powder, which are cheap, that can be mixed with printer ink on demand to make your own shades.

It's an unbelievably simple idea, but one that could theoretically make it a lot easier (and less expensive) to try out different types of make-up.

The Fashion Dilemma...

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Recently, I've been asked to present workshops and seminars that focus on fashion. Initially, I was a little reticent - I left the retail fashion business in 1994. I felt that as I was no longer in the loop, therefore, was concerned my contribution would be rather tepid. However, I accepted an invitation to present a lecture on fashion at the Metropolitan University, London, where I'm Visiting Professor. About 10 days before the event, I did some research. I also attended a fashion lecture presented by Caryn Franklin. From 1986 to 2000, Caryn co-presented The Clothes Show on the BBC. Anyone mildly interested in clothes, fashion or style, regularly watched The Clothes Show.

I must admit, I was a tad nervous before arriving at Caryn's lecture. I kept thinking, 'Will all this seem new to me?' 'Will I be able to remember the fashion stuff, that was once second nature to me?' Perhaps not so surprisingly, almost as soon as Caryn started to speak, I felt entirely at home. In part, this was because Caryn's style of presenting was so engaging. My fashion background came flooding back to me. I was pleased I hadn't forgotten the key components of fashion and style. Which are: remain individual, mix it up, listen to your inner voice and focus on your personal style; which, I might add, unlike fashion, never dates. Phew! That was such a relief.

Armed with the fashion information I'd gleaned from Caryn's lecture, some research, and the use of my fashion-style intuition, I felt ready to present, albeit a tad nervous. After all, it had been 20 years since I was in the fashion business. And while much has changed, much hasn't. For instance, it continues to be a buying and selling game. The risks still exist and getting it right for both the retailer and consumer is pivotal. Moreover, as Coco Chanel has said, "Fashion changes, but style endures." This is so true. Indeed, fashion is ephemeral and in a way has to be. To be commercially viable, it has to change swiftly and become flavour of the month. Personal style, however, is, well, personal, and that's all about you, not what's in. Also, it's far more lasting.

For instance, your body shape is such that the latest hip-hugging pants don't suit your frame. Or, the newest shorter length jackets don't flatter your body shape. Perhaps this season's colours don't complement your skin tone, or current wardrobe. By following fashion, you might end up being a lemming. This is not good, as in life today, individualism is celebrated. And in order to embody your individualism, you'll need to have more than a modicum of self belief. In addition, one must learn how to develop a Personal Style. I say develop, because it takes time, effort, some risk- taking and practice to acquire a good eye, one that will lead you to making the right choices for you.

Some tips that will act as a guide:

- Take time to just browse, often, it's not best necessary to buy anything right away.

- Feed your mind with anything that has an aesthetic bent. Could be a magazine, a movie or visit to a museum.

- Ensure before you decide what to buy, that it fits well and feels comfortable.

- If feeling uncertain about your Personal Style, ask a trusted friend to accompany you while you shop.

- Remember, only purchase an item of clothing if it says something about you that's flattering. Perhaps the colour, shape, design or type of fabric.

- Don't follow fashion, however, be appraised about what's going on in the fashion world. That way, you'll be inclined to remain current.

- "Don't be formulaic = (Made to a formula). Create your own formula..." - Caryn Franklyn.

- Trust your intuition. If a clothing item feels right, it probably is. If it feels wrong, it probably is.

- Endeavour to create a Personal Style statement. Could be, 'I am sophisticated and elegant.' Let that statement act as your guide into making clothing choices.

MET Costume Institute Gala 2014: The Vogue Paris Top 20

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By Isabelle Granger

The red carpet was filled with the fashion world's brightest stars for the 2014 annual MET Costume Institute Gala on Monday evening, in gowns inspired by this year's Charles James theme. Held in New York's Metropolitan Museum of Art, dresses from the runway and bespoke gowns designed especially for the evening were elegantly paraded by the guests making their way into the ball. See the Vogue Paris top 20.

In honour of the MET's upcoming Charles James: Beyond Fashion exhibition celebrating the work of the visionary US designer, the dress code for the gala heralded elegant evening gowns from the world's greatest couturiers. Actresses and models graced the red carpet in looks by Prada, Chanel, Dior and Givenchy to name but a few and as the celebrities paired up with their dress designers, Stella McCartney gathered quite a gang with Cara Delevingne, Reese Witherspoon, Rihanna and Kate Bosworth in an eclectic array of her designs. Predominantly in pieces designed especially for the evening or from recent Fashion Weeks, American actress and model Stephanie Seymour stood out from the crowd in stunning vintage fuchsia Balenciaga. Other strong looks included Blake Lively's bespoke Gucci Première gown and Lily Donaldson in a Burberry Prorsum monochrome silhouette, with a black bow motif. Take a look inside and explore our gallery of gowns from the MET ball, with the Vogue.fr pick of the best-dressed from an evening of unbeatable couture.


To Wash or Not to Wash?

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Anyone reading this will probably have one thing in common when it comes to their wardrobe, and that is the feature of jeans. The comfort of a good pair of jeans can resemble the same that comes from receiving a hug off your mum, or having a coffee with an old friend. Whether you like yours baggy, tight, ripped, embellished, cut off, high wasted or low riding; we all have a well-loved pair of jeans that we turn to in times of need.

However when it comes down to denim there is one fact that can be as mystifying as the world's greatest conundrums... The Bermuda Triangle, Stone Henge, Big Foot ... all similar in comparison to the enigma that has probably entered each and every one of your heads at some point. It entered mine one wild Saturday night when I sat staring at the reddish spaghetti stain that had appeared on my favourite pair of denim pipes... and that is how you should actually wash your jeans?

The threats with washing jeans are numerous; losing shape, colour, style, length (potentially the worst one, boot leg ankle swingers will never look good on anyone), and everyone will have their own tips and tricks that you've probably test ran over the years. Old wives tales ranging from a cold soak, bathing them in vinegar (that's genuine, apparently the odour does disappear after drying), wet wipes, freezing, washing them after every wear, not washing them at all (you know who you are) or the classic steam shower (apparently). Despite there being a world of washing opportunity out there we are all pretty clueless about what road we should actually go down. So before you go reaching for the balsamic or having your jeans join you in the shower, how should you actually wash them?

Well in a nutshell, you shouldn't, or as little as you can get away with without causing someone to heavily sniff in your company. However before you're enlightened on the correct formalities when it comes to washing your denims, let's take a look at what you as a whole opt for in the first place. New Look commissioned a survey asking 2000 of the general public their habits when it comes to the trouser department....

Out of this survey 524 said they wash their jeans after only wearing them a couple of times or less, and 971 washing them after getting 'quite a few' wears out of them. 43 said they would only wash them if someone commented on the smell (still a worryingly high number) and 10 of you said 'other'. This allusive 'other' is both intriguing and slightly alarming, so please get in touch and enlighten us. They'll be no judging.

One surprising conclusion from this survey was that 32 females said that if they were to spill something on their jeans they would bath it in vinegar... whereas interestingly, a higher 48 males would do the same. Boys, where did you learn this jewel of cleaning wisdom and why have you not been sharing? Another fun fact was that 25 males said they would think to cover the stain with a patch, whereas a mere 8 ladies said they would do the same.... so needle and thread out fellas, there is no excuse now.

Another determination that can be made from this survey is that females revert to the washing machine after a few wears, whereas males tend to see it out a little longer (probably because they are busy persisting with the malt vinegar or adorning their Levi's with patch work). Overall, 64% of people aren't actually aware of the recommendation not to wash your jeans, and only 6% of this number will actually follow this advice through. 64% of you wash your jeans after only wearing them 2-5 times, and only 17% will consider washing after 10+ wears.

So it looks like not many of us will be taking Tommy Hilfiger's stance on washing our denims, once quoting "I never wash my Levi's. I love them broken in'. However, if we are all going to be persistent with our washing then here are some pearls of wisdom to help you on your path to denim enlightenment.

This psalm of washing philosophy? Well it all actually depends what kind of denim you have, this is where most of the confusion lies. Look upon denim like human beings. We are all predominately made of the same stuff, but the male and female genders can react and behave in different ways. The same with denim, like humans are categorized by being either female or male, with denim you have either 'raw' or 'treated'. Raw, is unwashed and dry. It never receives a wash after drying, so the colour isn't locked. Therefore, the part of the jeans that receives the most stress (thigh and upper knee) will react by fading over time. Whereas treated, is already washed. This means it is more stable during the washing cycle because it's already been washed out, so doesn't react as much as raw denim does. So avoid washing your raw, but cleanse away your treated. As for the male and female comparison, you can decide who is who.

This information opens up an entire new realm of opportunity, now you can choose. Opt for raw denim and own a jean that you can make your mark on, being eventually able to read your life story from by just looking at the fibre of them. If not then treated is your pairing, seeking comfort and care. Knowing that even though you may be making less of a mark on them, what you see is what you get.

Whether this article has completely changed your perception on the subject of denim as a whole, driven you to sniff your jeans and wonder 'how many wears could I actually get away with then?' or made you look at your boyfriend and think 'I've always fancied a patch work quilt....' then it has achieved something. Thanks to New Look we are now a lot clearer on how we can finally treat our jeans the way they deserve to be treated. Now, where's the vinegar...

America's Next Top Model Picks Contestant With Vitiligo, Proving Beauty Isn't One Size Fits All

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While America's Next Top Model may be better known for bitchy behaviour and insane fashion shoots involving models dangling out of nets or brandishing lobster claws, the show has made a genuine step towards diversity in beauty.

In the next season which starts this summer, we'll see 19-year-old Chantelle Brown-Young, who goes by the name Winnie Harlow, and has vitiligo. The condition causes depigmentation of the skin in patches, which is more noticeable in darker skin tones.

tyra banks winnie harlow

At school, she was constantly bullied and was called 'zebra' and 'cow'. Yet looking at her Instagram account, it's hard to see how people can view her as anything less than beautiful.



In her pitch video, she said: “I want to be America’s Next Top Model because it’s a lifelong dream. I am the underdog and I want to prove that one can follow one’s dreams despite all the flaws and setbacks.”

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In a video from 2011, she says: “We have nothing different about ourselves. It's just skin,” Chantelle explains in a video from 2011. “People have black skin, people have brown skin, I have both.”

Chantelle's confidence about her looks had made her something of a spokesperson.



HuffPost Canada reported: "Recently, she was invited back to her high school to give a motivational talk to the students, focusing on the discrimination she faced. To those struggling with accepting who they are, she said, “I loved myself. And with that, opportunities start to fall into my lap. And I thank God for all of them. Try loving yourself.”"

ANTM, as the show is called, for all its frivolity, has long since held open a space for unconventional models. Six years ago the show saw its first plus-size winner, Whitney Thompson.

When talking about what makes her different, she says, “A lot of people have a story or a background, but mine is painted on my body.”

(Source: MTV)

Artist Tal Peleg Paints Tiny Pictures On Eyelids - Her Latest Is To Tackle Bullying

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Most women tend to use a touch of mascara and a flash of eyeliner to make our eyes stand out - but one lady takes eye make-up to a whole new level.

Make-up artist Tal Peleg has amazed the world (and us here at HuffPost UK Lifestyle) with the unique miniature masterpieces she paints onto her eyelid.

Inspired by scenes from fairy tales, films, classic novels and human emotions, the Israeli make-up professional and blogger creates these weird but wonderful eye designs using make-up tools such as liquid eyeliner and eyeshadow, plus tiny appliqué particles.

eye art

Speaking to The Huffington Post UK, Tal said: "Using the eye as my canvas is my way to mix between my love for art, design and makeup.

"The challenge is to create designs that will use the natural curves of the eye, and to paint miniatures on the eye of course - it's sometimes hard, by enjoy every second of it, and keep on challenging myself and pushing my limits."

This desire to push herself to the limits has seen Tal move away from the light-hearted fairy tale images and create pieces that aim to be thought-provoking.

Her latest project, named Window To The Soul, includes the anti-bullying image pictured below.

bullying art

The young artist has said she wishes to use her new-found fame to explore important social issues, and has paired her emotive design with the slogan, 'words can be dangerous, use them wisely.

SEE ALSO

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Woman Nicknamed 'Zebra' Picked For America's Next Top Model


Speaking to the Daily Mail, Tal said the power she sees in make-up "is not just the ability to make a woman more beautiful, but in general its ability to transform."

She has more than 7,000 likes on Facebook and 9,000 followers on Instagram, where she posts regular updates of her new designs.

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Model Erin Wasson Is Body Shamed For Being A 'Skeleton' After Posting This Pic On Instagram

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Body shaming comes in all shapes - not just a plus size. Proof of this are the comments that followed a picture posted by model Erin Wasson, which, had they been aimed at a larger person, would have been derided as being bigoted.



Comments included “so skinny” and “Ribs ... eat a little!”, which seem to have now been removed. There is still a comment on there which says: "Love her back? She's a skeleton!"

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The 32-year-old model, who has frequently come under fire for her weight, has previously said she has always been slim: "“I think, more than anything at this point in my career, my responsibility is to stay strong — mind, body and soul ... I’ve always been an athletic person, I’ve been blessed with good genes from my mum and dad and I’m going to ride that genetic wave for as long as I can.”

By her own admission, Erin has said that she was bullied for being flat-chested and skinny, yet clearly both users and media outlets are making negative comments about her frame. Is this not a form of bullying, we must ask ourselves. Commentary on a person's physical appearance to such an extreme and negative level sure isn't acceptable no matter how big or small that person may be.

Writing about skinny shaming on The Guardian, Emma Woolf wrote about the issue saying: "A senior colleague – a lovely woman in her 50s – would always urge me, loudly, to have a croissant. She would prod me in the side, in a friendly manner, and say: "Look, she's nothing but skin and bone!"

"The fact that I was deeply anorexic and that she was overweight is irrelevant. She was drawing attention to my size in a way that would have been unacceptable had I done the same to her."

Emma raises a very good point about skinny shaming, in that it appears to be difficult to have a conversation without it descending into backbiting. She added: "t seems we can't have a rational debate about the reasons for, and the experience of, obesity – fat is still a feminist issue, and a fraught one at that. But I'm fed up with being judged for being physically disciplined, for watching what I eat, and for exercising five times a week."

Tell us your thoughts in the comments below.


Lingerie Store La Perla Takes Down Mannequin With Ribs Showing After Complaints

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You'd think the universal reaction to the bikini bridge selfie trend - photos of jutting hip bones - would be message enough to retail stores that women don't find such images healthy or appealing.

So quite why lingerie brand La Perla used these mannequins with ribs showing is a bit baffling. The good news is that following a tweet about them, the store took them down pretty quickly.




The team at La Perla responded within hours of the posted photo, mentioning that the mannequin in question will be removed, as well as others, as the brand is "redesigning all La Perla stores with a new concept image," Vogue UK reports.

Yet in the world of plus size and super skinny, opinions are divided.

Founder of plus size magazine SLiNK, Rivkie Baum says: "When these La Perla mannequins popped up on my Facebook feed yesterday I was utterly shocked that such a large corporation could have such poor judgement. While we need to champion all bodies big and small as beautiful and socially acceptable, to opt for a mannequin with a protruding rib cage is quite shocking and a poor body image message to both young girls and ironically their own, more grown up customer base.

"Brands like La Perla need to look at their socially responsibility, lingerie brands especially have the power to inspire and build the confidence of women by being thoughtful and responsible in the imagery and body standards they promote."

SEE ALSO:

The Bikini Bridge Isn't A New Selfie Fad, Thank God, Rather A Giant Hoax - But Is It Still Damaging?

Topless Muslim Maks Poses For American Apparel 'Made In Bangladesh Advert' (NSFW PICTURE)

However Alex B, a model and HuffPost UK blogger, doesn't agree. She says that the mannequins hint at body diversity, even if it's not what we expect.

"We must not get overexcited about this, mannequins are after all just dolls. It would be good to have a whole range of mannequins representing all body types. We must not forget that the very thin do exist! I think that if La Perla also had plumper mannequins then a very thin one would be fine, as they do sell lingerie in very small sizes as well as large sizes."

What are your thoughts?

Benedict Cumberbatch, Cara Delevingne And Kate Moss Attend Prince William's Charity Fundraiser (PICS)

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Cara Delevingne, Kate Moss and ‘Sherlock’ star Benedict Cumberbatch were among the celeb attendees at a charity dinner party hosted by Prince William on Tuesday night.

Cate Blanchett and ‘Harry Potter’ actress Emma Watson also attended the event, which was held at Windsor Castle.

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Cara Delevingne outside Windsor Castle


As well as celebrities, cancer survivors and others who have been affected by the disease were invited to the bash, which was raising money for the Royal Marsden Hospital.

The Queen gave Prince William special permission to use the castle's State Rooms for the evening, though guests hoping to bump into Kate Middleton were left disappointed, as the Duchess of Cambridge was at home looking after Prince George.

As he met Ralph Lauren, William joked: “I'm sorry my wife's not here, you probably would far rather you saw my wife.”

He later delivered a speech to his famous guests, all of whom are friends or supporters of the hospital, saying: “I am enormously grateful to Ralph Lauren for his generosity, and to all of you who so kindly support the hospital. You should know that what you do saves lives and gives hope to thousands of people.”

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Kate Moss laughs with Prince William


As well as the fashion designer, the Prince was photographed mingling with a number of his famous guests, and was even seen getting a laugh out of Kate Moss - an achievement if ever there was one.

He was also spotted speaking to 'Sherlock' star Benedict and the two looking like old friends as they chatted away at the fundraiser.

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Prince William and Benedict Cumberbatch


Check out the gallery below for all the pictures from the star-studded fundraiser...



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Cannes Film Festival 2014: Nicole Kidman Leads ‘Grace Of Monaco' Cast At Photocall (PICS)

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Nicole Kidman has stepped out on the opening day of Cannes Film Festival 2014, joining her ‘Grace Of Monaco’ co-stars at a photocall ahead of the film’s premiere tonight.

The actress looked suitably glamorous at the event, sporting a demure white dress and a slick of red lipstick.

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Nicole Kidman


Nicole was joined by her co-stars Tim Roth, Jeanne Balibar and Paz Vega as well members of the movie’s production team including producer Pierre Ange Le Pogam and director Olivier Dahan.

Plenty of A-list Hollywood stars are set to descend on the South of France for the 67th Annual Cannes Film Festival, including Ryan Gosling who is making his directorial debut with 'How To Catch A Monster'.

Former couple Robert Pattinson and Kristen Stewart are also expected to attend as they both star in movies which will be premiered at the festival.

nicole kidman
Nicole poses with Tim Roth


WATCH: See The 'Grace Of Monaco' Trailer Here


The long-awaited biopic ‘Grace Of Monaco’ will open the festival and early reviews of the movie have been mixed.

The film has also been criticised by Monaco’s Royal Family, with Princess Stephanie of Monaco declaring that she will “never see the film”.

“This film does not praise Monaco or the great man that was my father, Prince Rainier,” she told The Monaco Times.

See all the pictures from the photocall in the gallery below...



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