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Michelle Keegan Reveals Post-'Coronation Street' Plans: Star Set To Launch Lipsy Fashion Collection

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Michelle Keegan has finally revealed what she’s been up to since filming her last ‘Coronation Street’ scenes by announcing plans to release her debut fashion collection with Lipsy.

The ‘Corrie’ actress shared the news via Twitter, explaining that she’s “so excited” to finally share the news with everyone, adding that the collection will be available from July 2014.

michelle keegan
Michelle Keegan


Michelle will be acting as both a designer and brand ambassador for Lipsy in her new role and she’s also revealed her reasons for moving into fashion.

”I have been wearing Lipsy since my teens. I have always admired their collections over the years,” she says. “Their pieces are always bang on trend, are made with good quality materials, and I always feel great when I wear Lipsy.”

The actress describes her debut collection as “classic, unfussy and feminine” and Michelle’s fiancée Mark Wright has already tweeted his support, writing: “Congratulations darling”.

michelle keegan
Michelle has also been busy planning her wedding


Michelle officially left ‘Coronation Street’ earlier this month and the cast were recently seen filming her character Tina McIntyre’s funeral scenes.

The starlet is currently preparing for her wedding to former ‘TOWIE’ star Mark, who has admitted he’s worried about crying on the big day.

Let's just hope all those years as chavvy Tina in the soap haven't affected Michelle's sense of style.

Michelle’s Lipsy collection will be available online and in Lipsy stores from 3 July 2014.



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Ten Reasons Why I Wear Sunglasses at Night

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"Why you wearing sunglasses in 'ere for"?..
"Oi mate! where's the sun"?


I get asked these type of questions by randoms every time I've got my sunglasses on in a nightclub. Now, It could be in a venue full of guys wearing shades but It seems I'm the approachable, non-threatening, go-to guy for these questions to be fired at. I now know how Mario Balotelli felt, Why Always Me?

So, for all those who want to know, Here are my 10 reasons for why I wear sunglasses at night.

10. I look mysterious in them.
They say the eyes are the window to the soul. Well then my windows are tinted!
The only person in a room with sunglasses on is automatically the one people will be more curious, and talk about. Is he or she important? I wonder what their eyes look like? I bet he's a pr*ck...I bet she's stuck up...all these questions and no answers? Mystery maintained.



9. Not enough people saw my exclusive designer sunglasses in the day...

...So I'm extending the public viewing through to the evening!
For some people, If they're honest, there's nothing more frustrating than parading something brand new and exclusive for the whole day and not receiving one compliment for it. There comes a point you may start making unnecessary trips to random places in the hope of grabbing a last minute compliment to hit your imaginary target of 5 per day.
Guys do it with their new cars, women do it with their outfits. I do it with my sunglasses.



8. No one can accuse me of 'screwing them'...

...'eyeballing' or 'watching man'. Sunglasses on means no accidentally prolonged eye contact with a group of shifty looking goons posted up outside the female toilets.



7. Girls look better.

You known when the night ends, the blinding house lights come on and every female cowers, shielding their eyes turning into hissing vampires? Well that is called the Light of Truth.
That 8/10 hotty you were chatting up in the dark is finally revealed as a monstrosity from something out of Dusk Til Dawn. Her lush brunette locks turn into snakes and her custom nail job are now jagged badger claws.
However, with your sunglasses on (the darker the tint the better), any female you find yourself conversing with, in your eyes, will remain a 8/10.
Why not take off your shades and see what she looks like before talking to her you may ask?
Rule No.1 of wearing sunglasses at night. Never take them off!



6. They're my perv orotectors.

When talking to a female with heaving breasts hulking out of her top, its very hard (no pun intended) to maintain eye contact. Not If I'm wearing my perv protectors its not! Try it! While your at the bar resting the side of your face on your fist, nodding in acknowledgment to her yapping on about something your not remotely interested in, she'll assume your eyes behind your sunglasses are fixed on hers, when in fact, you've dropped your glance a few inches down, oogling her 'tattas'. Perving in private.



5. To protect my eyes from the club strobe lights

This is what I tell doormen just so I'm allowed in the vicinity with my shades on, no matter what their door policy. I tell them I have a fake eye condition, flash them a 'medical card' (Burtons store card will do) they can't argue with somebody's condition therefore letting me keep my sunnies on. Works every time.



4. I'm doing research for a film I'm in, I play a blind dancer.

Not true, but I give this answer to super drunk girls who ask why I'm wearing sunglasses at night.



3. They protect my eyes from the bright orange glow of fake tan

Essex girls take note.



2. Uh, because I look cool in them?

Michael Jackson (RIP) did it. He was cool. Anna Wintour, Karl Lagerfeld, never seen without a pair of designer sunglasses. They're cool. [insert your favourite rappers] are all wearing them! They're definitely cool! Gosh, wearing sunglasses at night has been around since the 60s, keep up!



And finally...





1...COZ I F**KING WANT TO!

Happy?



Printed version of this list will be available to hand out to any individuals on request. If you have been affected by these questions being asked in your nightlife, please feel free to use any/all of these answers on offenders. :P


Pic credit: Trailpictures

Cannes Film Festival 2014: Nicole Kidman And Kendall Jenner Lead Celebrities At Opening Ceremony (PICS)

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Cannes Film Festival 2014 has kicked off in style with the event’s traditional Opening Ceremony and the first premiere of the week, a screening of ‘Grace Of Monaco’ starring Nicole Kidman.

Hollywood’s A-listers - and the odd ‘Loose Women’ star - have all flown to the South of France for the event and hot off the back of her Met Ball 2014 debut, Kendall Jenner took the chance to wow on the red carpet.

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Nicole Kidman


Kim Kardashian’s younger sister is certainly making an impression on the fashion world and at Wednesday night’s event she was stunning in a chic monochrome number.

After attending the first of many Cannes photocalls on Wednesday morning, Nicole joined her ‘Grace Of Monaco’ co-stars at the movie’s premiere, where she upped the glamour levels in a sparkling strapless gown.

‘Grace Of Monaco’ received mixed reviews ahead of its premiere, with one member of the Monaco Royal Family even stating that she wishes the film had never been made.

To make matters worse, the movie's premiere was snubbed Monaco Royal Family and Nicole admitted she was "sad" that they weren't fans of the film.

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Kendall Jenner


Plenty of celebs are expected to attend this year’s event, including Ryan Gosling who is making his directorial debut with ‘How To Catch A Monster’.

Former couple Rob Pattinson and Kristen Stewart are also expected to be in town as they both have movies premiering at the festival.

Check out all the pictures from the first day of Cannes below…



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Cheryl Cole In Cannes: Singer Ensures All Eyes Are On Her In Dangerously Low-Cut Dress At Film Festival Party (PICS)

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Cheryl Cole is obviously out to make a big impression at this year's Cannes Film Festival if her outfit choices are anything to go by.

Just a day after she took to the red carpet in a stunning black strapless Monique Lhuillier gown, all eyes were on the former Girls Aloud star again at an uber posh party on Tuesday night.

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Cheryl Cole: How low can you go?


Cheryl wore a dangerously low-cut gown to the De Grisogono Fatale In Cannes party at Hôtel du Cap-Eden-Roc, which she accesorised with a very expensive looking necklace - not that anyone would have noticed.

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As well as letting her hair down, the singer - who will be making a return to this year's 'X Factor' judging panel - is in the South of France to meet with Hollywood producers to discuss possible film roles.

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A source told the Sun: “Cheryl is meeting with studio bosses in Cannes. The festival is the perfect place to meet properly and talk about some of the offers on the table.

“She’s considering a career on the big screen, of course, but only if the part is right. She wouldn’t go into anything lightly and would make sure she was fully trained and prepped for the job.

“The problem is now that she has another record ready for release and is back on The X Factor as a judge, any film work would have to be after that.”




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Cannes 2014: Sharon Stone Wows In Red Dress At The Film Festival (PICS)

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Sharon Stone made her first appearance on the Cannes Film Festival red carpet last night, wowing in a figure-hugging red dress.

The actress was attending the de Grisogono 'Fatale In Cannes' party at the Hotel du Cap-Eden-Roc, where she paired the gown with a statement necklace and matching earrings.

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Sharon Stone


The racy number was split to the thigh, showing off Sharon’s stunning figure and her blonde hair was slicked back.

The event was also attended by stars including Paris Hilton, Cara Delevigne and Tamara Ecclestone.

Since Cannes kicked off last week there have been a number of star-studded premieres and parties, including the premiere of Ryan Gosling’s directorial debut ‘Lost River’.

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Sharon and Cara strike a pose


Christina Hendricks, Cheryl Cole and Nicole Kidman have all been out in force on red carpets, though sadly not all of the movies being screened have received rave reviews.

Sharon recently wowed fans when she posed in her underwear on the cover of GQ.

Check out all the latest photos from Cannes Film Festival below…



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Mind What You Wear: It Can Change Your Life

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When I recently asked students to put on a Superman t-shirt it wasn't because I didn't like what they were wearing. There was a scientific reason behind my request. I wanted to know if wearing heroic clothing would change the students' thinking. I had become interested in something called 'enclothed cognition', the idea that what we wear can change our minds. An idea that was borne out in the tests the students completed.

When wearing a Superman t-shirt the students rated themselves as more likeable and superior to other students. When asked to estimate how much they could physically lift, those in a Superman t-shirt thought they were stronger than students in a plain t-shirt, or in their own clothing. This demonstrated that our inner mental processes and perceptions can be primed by our clothing, as we internalise the symbolic meaning of our outer layers.

Clothes change how we think and feel
It is easy to think of clothing as mere covering, or the means by which we project our image to other people. But studies have shown that clothes really can change how we think and feel. If you have ever been a hospital patient forced to wear a shapeless, pale, garment like a baby's gown that gapes at the back, you may remember how it made you feel docile, trusting and helpless. Or you may have felt the anonymity that comes from slipping into a uniform, or the power of wearing a sharp suit.

Research has confirmed that these clothes actually change our thinking. In the 1990's Barbara Fredrickson found that women who were given a maths test performed worse when wearing a swimsuit than in a sweater. Researchers from the US found wearing a white coat improved people's mental agility, priming their brain to take on the mental capacities they associated with being a doctor.

Our clothes reflect our mood - and can change it
What we wear has cognitive, social and emotional consequences. My previous research discovered a link between women's mood states and their clothing choices. The women were more likely to wear jeans when feeling low or depressed. More recently I found another clear link between mood and clothing, discovering that when women are stressed their world narrows down resulting in them wearing less of their wardrobe, neglecting 90% of it. This led me to speculate whether we can change our mood when we wear something different and to come up with the following list of 'happy' clothes likely to induce a more positive mood in the wearer:

1. A favourite well-cut dress in a beautiful fabric will lift the mood. A flared peplum shape, for example, creates the ideal hip-to-waist ratio that is feminising and comfortable.
2. A piece of statement (bold) jewellery that marks you out as an individual will make you feel special like wearing a badge of honour or medal.
3. Colours that are found in nature (sky blue, leaf green, sunshine yellow) link us to the natural world, protecting us from negative emotions and giving that extra burst of energy.
4. Playful patterns such as polka dots or abstract prints can resurrect the carefree feelings we experienced in childhood.
5. Mismatched items, e.g. a leather jacket over a floaty dress, formal with informal, vintage with new, give us a buzz because the brain enjoys novelty and surprise.
6. Loose clothing and flat shoes allow free unrestricted movement, associated with adventure and travel. Tight clothes and high heels do the opposite.
7. Vintage accessories, like bags or belts, are often better quality than we could buy today and, just like old movies, reconnect us with stories from the past giving a warm inner glow of reassurance.
8. Natural fibres like linen, cotton, silk and wool, nurture more than man-made fabrics by capitalising on our affinity with nature.
9. Flowered prints, lacy tops and floaty fabrics are associated with spring, making us feel ultra-feminine and glowing with health.
10. Any trend that harmonises with who you really are and is in tune with your inner self will boost your mood. Your smile is your best accessory, so if you smile whenever you wear an item of clothing, you've probably found the right piece for you.

These are fun suggestions featured in my book Mind What You Wear. They are based on theoretical knowledge about positive feedback, positive psychology and enclothed cognition - so try them out with an open mind.

I believe we can feel happier and more confident in the right clothes. And now science confirms that not only are we what we wear, we can actually become what we wear.

Cannes Film Festival 2014: Cara Delevingne Sparkles On The Red Carpet At ‘The Search' Premiere

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Cara Delevingne hit the Cannes Film Festival red carpet again last night, sparkling in a silver mini dress at the premiere of ‘The Search’.

The model paired her sparkly number with deep red lipstick and statement earrings that would make Pat Butcher herself jealous.

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Cara Delevingne


Cara jetted out to Cannes shortly after completing bridesmaid’s duties at her sister Poppy’s London wedding and she’s been spotted partying and relaxing with plenty of her celeb pals.

After enjoying a night out with fellow model Suki Waterhouse on her first evening in the South of France, Cara partied with Sharon Stone on her second evening, where she pretended to lick the actress’s face. Lovely.

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Cara posed with Fawaz Gruosi, the owner of jewelry specialists De Grisogono


The screening of ‘The Search’ is just one of many premieres the film festival has seen so far - movies including ‘Grace Of Monaco’ starring Nicole Kidman and Ryan Gosling’s directorial debut ‘Lost River’ have also had their debut - though neither received rave reviews from critics.

Cara’s Cannes style choices have been remarkably better than some other celebs, including Cheryl Cole who awkwardly posed in a dangerously low-cut dress earlier in the week.

Check out all the latest pictures from Cannes Film Festival here…



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Revamp Your Wardrobe - Live in the Present

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Change how you feel about yourself with the practical task of revamping your wardrobe. Begin to live in the present moment, really think about the contents of your wardrobe.

By getting rid of any unflattering clothes, the way is cleared for a new, improved you. A careful reassessment of what you wear is a truly transforming experience. Follow these guidelines, and you could change your life.

By ridding yourself of the unwearable rubbish, paradoxically you will find you have more of everything.
• More wearable, worthy clothes
• More time - you'll get dressed so much quicker!
• More money - no more impulse buys
• More confidence
• More control

To totally revamp your wardrobe, you will need:
• Best part of a day, uninterrupted
• Bin bags, boxes
• Coat hangers
• Good, uplifting music (anything you like that motivates you)
• Loads of energy and a positive attitude

First of all, take every single thing out of your wardrobe. Make sure the whole thing is empty. Put everything on the floor or bed. You need to clear the decks.

Next, create a reject pile and cast aside EVERYTHING that is:
• Broken
• Stained
• Doesn't fit (and never will).
• Old and tatty
• Dated
• Baggy and shapeless
• You have not worn for a year at least
• Totally not you.

Take a step back and have a really good look at what is left.

What are your clothes REALLY saying about you? Do you like what you hear? Is there anything not reflecting your true personality? If there is, put it on the reject pile.

You are bound to be left with a number of garments you still have doubts about. Try these on, and take a long look in the mirror.

• Does it still fit?
• Is it flattering?
• When did you last wear it? (Honestly)
  • Does it remind you of something in the past?

• If you saw someone else wearing it, would you compliment her?

Ask yourself, is the garment really worthy of being worn by you? If the answer is no, reject it. Be ruthless. From now on, only choose to wear clothes that reflect you at your best.

Let's just stop here and evaluate your cast off pile. How does it feel to be getting rid of this stuff? Take this opportunity to take stock of your appearance, your self-image, and your life. Do not choose to hold on to old clothes you no longer have use for? They are taking up precious space you could be using to expand into your new, beautiful self. If you would like to keep a memory, find something more appropriate: a photo, a piece of jewellery or a letter.

Resolve now to live in the present. Let go of these clothes and make room for your new life.
There may be items you have bought but have never worn, and maybe you feel guilty about these. You won't change that situation by hanging on to them, but just sustain it. Stop beating yourself up with the constant reminder every time you open the wardrobe. Do some good and take them to the charity shop.

Maybe you have lost some weight, but are still hanging on to your "fat clothes." Reject these now, and let go of the temptation to slip back into your old habits. If you do put weight back on, the clothes will probably be out of style, anyway.

Bag up your rejects right now and take them away. No regrets. Look to the future! Go and buy a few items that reflect the new you and you feel comfortable in. Add to these as and when you can afford to.

If you need help, ask a friend who will give you an honest opinion. Or you could work with an image consultant, or work with a coach to get the look and feel of the new you.

From Game Of Thrones To Mortal Kombat: Amazing Make-Up Artist Creates Stunning Looks

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Make-up artist Elsa Rhae painstakingly spends up to three hours pulling together these dramatic, stop-you-in-your-tracks looks (especially the Game of Thrones White Walker which gives us the willies), but the irony is that she first took up this kind of beauty work because she thought it would be easy.

Talking to HuffPost UK Lifestyle, she says: "I got into makeup during my last semester of college and I needed an elective in order to graduate with my film degree. So I took stage makeup because I thought it would be easy. I ended up creating my own faces outside of class because I wasn't really learning much from my professor (though she was a really nice lady).

"My friends and family kept giving me great feedback so I continued to create these faces. I have only been painting my face for one year."

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Despite how professional the make-up looks, Elsa says that half the time she doesn't know what she's doing.

"My parents are extremely artistic and I just kind of picked this up. I like doing it, people like seeing it, so I keep making more faces. I was never prompted by anything except boredom in class. The internet helped with my creativity, that's for sure.

"It takes anywhere from 30 minutes to 3 hours to create a look on just my face and chest area. My White Walker took the longest (3 hours) and I attempted it 3 times (each time being 3 hours."

SEE ALSO:

Make-Up Artist Reveals Jaw-Dropping Before And After Photos Of Women Transformed Into Models (PICTURES)

Beauty And Deceit: Woman's Amazing Make-Up Transformation Divides The Internet


The White Walker has been her hardest to date "due to all the weird details around the face".

She adds: "He was hard. I wasn't even entirely happy with the completed White Walker but I did NOT want to try it again."

Take a look at the pictures:



For more about how Elsa goes about turning an ordinary face into a superhero, visit her YouTube channel.

#MakeMeACurveModel Competition Celebrates Beautiful, Curvy Women In The Best Possible Way

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In the world of modelling, it's women size 8 and under that usually dominate the catwalk.

But thankfully one modelling agency has decided this is totally ridiculous, considering UK women who buy said clothes are more likely to be a size 8 and over.

Last year, top modelling agency Models1 launched the first British modelling competition on Instagram for plus-size women and it was so well-received they've brought it back for a second year, this time partnering with ASOS.

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SEE ALSO:

'Being A Plus Size Model Is No Different To Being A Size 8,' Says Models 1 Winner Simone Charles

Nina Blakemore Who Was Told She Was 'Too Fat' As A Size Zero Model, Becomes A Successful Plus Size Model


HuffPost UK Lifestyle spoke to last year's winner, Simone Charles who said her life has changed dramatically since winning the competition.

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Last year's winner Simone Charles


"It has opened up a whole new career path for me that I didn't think was possible prior to the competition. I have an amazing agent and I am always meeting new clients and have spent more time in front of the camera than ever and I absolutely love it.

"I have shot campaigns for Evans and Yours Clothing which gained some massive exposure, and I have shot editorials for magazines and this has only been in the first 10 months... I look forward to what next year brings!"

While you would assume there is no obsessive dieting, as a plus-size model, Simone says that's it's important she's be mindful of her diet in order to stay looking and feeling her best.

"Being a model is all about looking and feeling good, fresh and confident. I have been watching what I eat more, eating more fresh fruit and vegetables and taking up new hobbies such as swimming and Zumba which allows me to have fun and still shape and tone my curves," she said.

Winning the competition has helped Simone to embrace her own body and accept that everyone is different - a lesson we could all benefit from learning.

She gave this advice for this year's hopefuls:

"I would say do not overdo it on the day- be yourself, let your natural beauty shine through (not too much make-up), wear something you feel comfortable in and remember you are beautiful as an individual - if you believe and see it, they will believe and see it!"

Despite the (somewhat infuriating) trends of the thigh gap and the bikini bridge, Simone does think that there has been a positive move towards accepting plus-size models in the last year.

"There have been massive steps in the plus size industry in the last year. Some of the girls from Models1 Curve exclusively walked the runway in New York earlier this year, Ashley Graham (an American plus model) graced the covers of Elle magazine," she said.

Speaking about this year's competition, a Models 1 spokesperson said: "In the winner we are essentially looking for someone who has good skin, personality, interesting features, fit/healthy appearance.

"We still look for the same qualities in a curve model as we would in a main board or new face girl. Beauty comes in different shapes and sizes."

The spokesperson added that Models 1 choose not to use the term plus-size: "The ‘plus-size’ is an unfortunate term the correct term is ‘curve’ that is what we prefer to use.

"Retailers are representing larger women better however it is mostly the UK High Street retailers who accommodate larger sizes and shapes of women. This is mostly online and not front of house. Designers do not go out of their way to accommodate such sizes but there has been progress which is promising."

Here are some of the ladies hoping to win this year's competition:
Story continues below pictures...



















Open to UK based females aged 17-28 and from a size UK18 plus, members of the public are able to enter the competition now by uploading a portrait image with #MakeMeACurveModel on Instagram.

The winner, chosen by Models 1 professional model bookers, will be announced in June 2014.

The lucky lady will win a contract with Models 1 Curve division and a day shoot at ASOS Studio’s modelling the ASOS CURVE collection and £500 ASOS vouchers.

The success of last year's competition - it received over 6,000 entries - shows that the world really is ready for plus-size models.

British Soap Awards 2014 Pictures: Best And Worst Dressed Stars On The Red Carpet (PHOTOS)

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The stars of ‘Coronation Street’, ‘EastEnders’ and ‘Hollyoaks’ were out in force last night, leading celebs on the red carpet at the British Soap Awards.

As usual, there were a number of glamorous gowns, bodycon dresses and um, playsuits on display, but who got it right and who needs to sack their stylist?

‘Corrie’ star Michelle Keegan mixed things up, ditching a classic evening dress in favour of a suit - which matched Mark Wright’s obviously - while Jennifer Metcalfe sported a crop top and matching red skirt.

Let’s face it, deciding who was best - and worst - dressed on the red carpet is as almost as important as the actual awards isn’t it?

Take a look through all the red carpet snaps and vote for your favourite looks below…



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Abbey Clancy's Ultimo Contract Terminated Early: Underwear Model ‘Clashed' With Boss Michelle Mone

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Abbey Clancy won’t be posing in her underwear for Ultimo anymore as her contract with the company has ended early.

The former ‘Strictly Come Dancing’ star’s contract with Ultimo should have seen her modelling for the company until 2015 however according to reports, a bust-up with Michelle lead to the early termination of the agreement.

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Michelle Mone and Abbey Clancy


Sources have reportedly told MailOnline that the disagreement is being labelled ‘bra wars’, adding that it all stems from a disagreement over Abbey’s other modelling jobs.

“It has all kicked off between Michelle and Abbey and we're calling it bra wars,”
the source said. “Abbey is only two-thirds of the way through her contract, but ti is clear the relationship between them has completely broken down.

“Michelle was unhappy about the picture of Abbey in her knickers for Veet. But Abbey is adamant she's done nothing wrong.”

A representative for the two women has stated that “each party have decided to to terminate the contract due to creative differences”.

Abbey’s Veet campaign photos were released in recent weeks and show the model standing topless, surrounded by shop mannequins.

Abbey’s partnership with Ultimo has seen her star in a number of campaigns since taking on the job in December 2013.

Her latest campaign for the brand was launched just three weeks ago.



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Cannes Film Festival: The Vogue Paris Edit

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By Charlotte Sutherland-Hawes

The red carpet at the 67th annual Cannes Film Festival was awash with looks from the latest shows and pieces custom-created by fashion's biggest names, as stars of fashion and film walked the famous 24 steps of the Palais des Festivals.

In pure silver screen style, the best of Fashion Week was showcased alongside bespoke creations made especially for Cannes, as Amber Heard attended in latest-season Vionnet, and Karlie Kloss chose a beaded Chanel couture dress. Suki Waterhouse was elegant in bespoke Christian Dior and Sofia Coppola broke away from the gowns in an on-trend sequin short suit from Valentino's Pre-Autumn/Winter 2014-2015 collection. The stand-out looks were dreamy creations featuring tulle, beading, silk and embellishment, as the trends for this season and next made a statement on the red carpet. Think metallics, columns of colour and dazzling details, as Vogue.fr picks the ten best-dressed stars at the Cannes Film Festival.


What I Wore Today: The Demise of the Fashion Blog

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I recently read an article in the New York Times fashion supplement The Cuttitled The Golden Era of 'Fashion Blogging' Is Over. The article, written by esteemed veteran fashion writer Robin Givhan suggests that the rise of the smart phone and of course the now almost-worldwide use of the internet has accounted for the mainstream surge that now make up a bulk of the numbers in the once prestigious 'members only' existence of the fashion world. Fashion, much like travel; was once open to but a mere selection of the world's elite. The list accommodated actors, royals (those with a Roman numeral following their name), models, and the rich who holidayed so much that the concept of 'resort wear' (or 'cruise collection' if you like) was created.

But oh how times have changed. Fast forward to 2014, and we're suddenly in an age of budget airlines and smart phones with cameras. These two elements alone distinctively erased much of the shine off of an industry that prides itself on exclusivity. What's exclusive about it now? Anyone who owns a phone and collects a salary is a 'hipster-fashionista. Be in the right place at the right time and you're in. It's like a hurricane level disaster for fashion public relations when those smart enough to know - find that fashion is, well, mostly smoke and mirrors. Where we once felt FOMO (fear of missing out) we now feel bored. We aren't missing anything it seems.

Which brings me to my next point and back to Robin's article. The golden era of fashion blogging IS over. And only some of us will really know what that means. Back when blogging was in its earliest conception in 2002, the first waves of fashion bloggers (myself included) really only established a following or got invited to events from around 2007. It became more serious from then on, until its major decline - in from what I can see and adhere to personally, to be 2012.
Now when I say a decline, I am mostly talking about the original blog set-up, where we were invited to fashion events and reported on the event itself. We'd take actual cameras along and speak to the PR's, and take an interest in the product that was being sold/serviced. I'd come home, look through the notes from the event and try and write a piece that reflected the experience. It was blogging for sure, but it involved a level of research and an integrity and effort to write, and write well. My peers all worked very hard, as did I.

Now, everybody is a blogger. And more so, everyone is, or wants to be a fashion blogger. But its a little late on the uptake. Its an overrun, mostly shallow experience. Blog sites are free to set up, and instagram provides enough filters to make even a horrible day in a horrible place look enticingly original or exciting.

The real winners here are Facebook and Google. Collecting enough content and personal information to satisfy even the fattest appetites of the fattest fat cats.


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The day's of the independent blog are over. Those able to take the time, have the money required (and who really want to) make a living out of blogging alone, have turned to management and now operate under slick machine-like marketing, are housed under one url which collects traffic - and in turn, attracts sponsors.

The content of blogging has also changed considerably. In my beginnings, written content ruled, now its about the photolog. The headings 'What I wore today' are filling the net and in my opinion, suffocating us with extreme narcissism. Isn't that what Facebook and Instagram are for? It's fine here and there on the appropriate medium; but do we need it on blogs as well?

I have no problem with great blogs and will be the first one to read an interesting, well thought out and original piece from a respected blogger in the industry. I even enjoy it more if it's witty and satirical. And there are a few, I must be honest. Some are definitely good at what they do and deserve the readerships that follow. Some. But it does appear to me that the blogosphere is now over-crowded with self-interest. There are few that are still focused on fashion itself. I have trolled through many sites lately that are merely diary's of selfies with the underlying tone of being a 'fashion blog' but they really just need a platform to show everyone their latest shoes or haircut. I'm sorry to those I know with photologs - but I'm finding it a little dull. Why would anyone care what you're wearing in 2014 when we have unlimited access to artists, models, actors and designers from all over the world at any given time of day. In saying that, I did used to enjoy some of the street style snaps but even that is now becoming old. And fast. Perhaps its me though, maybe I have seen it all for too long and now have the awareness for something new. But really, where and who is bringing the new?

Fashion is accessible to everyone, which is actually a fantastic thing for us mere mortals. We can feel apart of the action. Unfortunately there is little action now that it is so accessible. That's the catch. Now that the majority of the developed world can enjoy a holiday almost anywhere in the world at any time, season's are even less relevant, which in turn makes autumn/winter and spring/summer less relevant - and less exciting because we aren't waiting on seeing it.

I recently left London in favour of returning home to Sydney and attended an industry talk at Australian Fashion Week with the heads of big retailers ASOS, H&M and Topshop - all now operating in their second biggest markets away from the UK - Australia. My fears of Australia being so far away from the fashion industry were squashed in this single meeting. The majority of the world's wealth (which is the majority of those who are able buy designer fashion) now travel further and more often, so "season's", say the heads - have become less viable. Which makes fashion collections and the catwalks that follow less relevant, and good quality individual products, designed with lifestyles in mind are instead picking up pace. Australia is the second largest fashion-conscious market outside of the UK (and growing). We are happy to buy European designs, Australian designs, wherever designs....so long as there is an intelligent need for them. America is following suit.

I can see the slow death of resort-wear already....a sign of the times. Couture has long been embroiled in debates of cost versus labour and indeed, need.

So where to from here? Recent experience tells me that the industry has become bored of the over-crowding and will cut down on bloggers to re-build its gated fortress; once again focusing on fashion, instead of its self-promoting wearers. Having first worked as a fashion stylist, and then as a blogger for so long, it's a strange thing to say but I hope they do. It is the true testament to my love of fashion. I love it. I always have. So much so that I am willing to once again be an outsider looking in. It's truthfully more fun as a hobby anyway. But posers? well, that's just plain boring.....please bring back the substance!

How Billy Huxley (And His Beard) Are Changing The Face Of Men's Modelling

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Male models occupy a funny territory: often angular, slim and pretty boyish, they aren't the first choice for women to perve on and while men may admire the clothes they are wearing, they are unlikely to swap pizza for salad leaves to look like them.

So male model Billy Huxley poses something of an alternative. First, check out the beard. Second, the tats are deeply unusual considering most models are meant to be somewhat of a blank canvas.

Thirdly, Billy has personality. Lots of East London, beardy, quirky personality which is evident if you stalk peruse his pictures on Instagram.

SEE MORE MONTH OF MEN:


What Does Top Photographer Rankin Have To Say About Selfies?

Meet The Man Who Wrote His Resignation Letter On A Cake



It's to be expected from a former roofer who was once so poor he had to sell his car because he "didn't have a carrot" - his unusual introduction into the world of modelling is largely what makes him so interesting.

So how did he go from scrambling on the tops of people's houses to joining Models1, one of the UK's most prestigious modelling agencies, and posing with Cara Delevigne?

HuffPost UK Lifestyle caught up with him for a chat...


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Imagine we've been living under a rock for the last year and don't know the Billy Huxley story. How did you go from being a roofer to a model?

My cousin Hannah Lisa is a make-up artist and could put forward some models for a show she was involved in, she asked me if I wanted in, I agreed and that's where it all started really.

From there I was freelance modelling through the summer and then got spotted via social media in the winter and that's where it all began.

Do you still keep in touch with your old mates - and what do your building chums have to say about the modelling?

Yeah I do, my old pals have always been there for me and I'll always be there for them regardless what happens to me in my career. They knew how much I hated roofing and couldn't be happier for me how things are working out. Let's just hope it carries on.

How did your first ever modelling gig go - was it nerve-wracking?

To be honest (without sounding like a twat) I rarely get nervous. It came quite natural to me, my first gig was for a company called Choice, doing their e-commerce stuff, everyone was really cool and chilled so that helps a lot. The photographer was great and talked me through everything. I picked it up pretty easy and your confidence just grows with each shoot really.

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Have you ever come across a piece of food lodged in your beard hours after eating said item?

I'm a big fan of peanut butter and honey on toast, so you can imagine that can get quite messy!

I must have not had a clean up after breakfast then went straight to work, when I got into the studio I see all this honey congealed in my beard.. It wasn't pretty! I wondered why I was getting funny looks on the tube.

The tats - talk us through them.

My first one was Huxley on my back because I was 15 years old and wasn't very imaginative back then. Tattoos: it's a bit like a scrap book, you just keep putting in things you like. I'm really relaxed about it all. I've never seen tattoos as a big deal, If an idea comes into my head that I like, then I'll get it tattooed! It's as simple as that really.

I have a few DIY tattoos, I wrote addict on my leg with a needle and a pot of ink.. I'm actually quite proud of that one!

Do models date models and that's our roundabout way of asking if you date models?

I've only dated one model. I'm not a shallow bastard. Only date models? No. Looks count for something for sure but personality goes a long way too. A lot of the female models I've met don't talk much.. I prefer dating girls that like to talk LOL.

Tell us something about the male modelling world that we don't know, or may make assumptions

Well from the dudes I've met, most are just like normal stand up guys, but with ridiculous six packs! We like to work hard and party hard...very hard. That's all I'm saying.

What advice would you give to your 15-year-old self?

Try and get some half decent grades and go to Uni.The parties are fucking awesome.

billy

How do you keep in shape?

Yeah I try and go gym Monday to Friday. I always mix it up, cardio, heavy lifting, light lifting. I have to stay a certain size to get in to the samples sizes so I can't go too mad. If I know I've got a topless shoot coming up I'll be right strict and won't booze until after the shoot. I become a little hermit.

As a model do you watch what you eat? What's an average food diary like?

Yeah definitely. I eat healthy 90% of the time, veg, salads, white meat, fish. I have a philosophy, the healthier I eat, the more alcohol I can get away with. Works an absolute treat.

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How Should One Dress For a British BBQ? Like This...

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Come rain or shine, as soon as May hits - BBQ season is upon us. With such unpredictable weather, planning an outfit to an outdoors event is harder than ever! (I know this only too well having recently hosted an 'indoor BBQ' to celebrate my birthday...) Only in this country do you have to carry a mini umbrella and a tube of Factor 30 around at the same time. So with this in mind, I have put together some fashion essentials for a truly British BBQ...

The Genuine Panama Hat

Nothing says instant summer style like it, and The Panama Hat Company have the best collection around imported directly from Ecuador. I have the Brisa Snap Brim Trilby and can't recommend it enough. This is the first hat I have ever owned that has been sized and fitted to my head and it makes all the difference. It is crucial that the hat sits perfectly for the overall look to work. Of course you can get high street alternatives, but once you have sampled the quality of a genuine Panama you can appreciate and justify the cost and will cherish this hat for years to come. Check out their complete collection of hats for men and women here.

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The Statement Scarf...

If you a regular reader of my blog you will know how much I love a brightly coloured scarf and can imagine my delight when this little beauty arrived in the post. The Animal Denim by Siskin London. They have a beautiful collection of fine silk scarves to brighten and compliment any outfit. The designs of their current collection have been inspired by the stunning surroundings of the Pyrénées-Orientales in southern France (sounds magical doesn't it!). They have a very exciting Pop up Shop launching in Marylebone from 29th May - 4th June to showcase their latest Spring / Summer collection and to help promote some equally beautiful British brands not available on the high street. If you are in the area then be sure to check it out, click here for more details!

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A Touch Of The Sports Luxe

Of course you can't go wrong with summer wedges for a BBQ, you have the elegance of a heel with the practicality of comfort on unsteady ground. But, if you fancied venturing out from the tan/cork combo - give these fab 'sports luxe' shoes from Dune a go! Compliment with a bright pedicure and a pair of your skinniest jeans for subtle summer style.

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To Keep You Warm

When the sun has set and the cool evening breeze is upon you, lose the shades and the panama hat and replace with this beautiful linen waterfall cardigan by Phase Eight. The light grey means it will go with pretty much anything you are wearing and the cut is flattering whatever your shape thanks to the gathering detail on the back. If there was such a thing as an investment purchase for summer evenings, this would be it.

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If you have enjoyed this post, please check out my other blog at Scarlett and Me for more on fashion and beauty for mums on the go :)

Graduate Fashion Week 2014

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I have always been amazed at the graduates across the UK who, generation after generation, continually wow us with their fresh ideas, creativity and mind-blowing talent. These graduates are the lifeblood and future of the creative industry.

I have for a long time been a supporter of fashion innovation and creative thinking and, having been director of Graduate Fashion Week for the past three years, my passion on this topic continues to grow. Now in its 23rd year, I am extremely proud to be part of such an incredible charity where the opportunities and new schemes being put in place are bigger and better than ever.

The difficulties young people face finding jobs after graduating is phenomenal with nearly 40% of students struggling for six months to find employment. It is important that we do all we can to nurture and celebrate their skills.

This is the very reason the Graduate Fashion Week Charity was set up 23 years ago - to help young people make that all important transition into the industry. Over the years the charity has helped 10,000s of graduates from universities and colleges from right across the UK to do just this. I am very proud of the fact that we have also helped 1,000s of school students see the opportunities available to them and enable them to make the right decisions for their futures.

The George Gold Award provided by our title sponsor, who offers the winner an internship at George House will ensure the graduate is closely mentored and guided during their time with the company. Helping young people being prepared for employment and launching their own businesses is vitally important - not just for them but also for Britain.

We are extremely excited to be at a brand new venue for this year, The Old Truman Brewery. The move signals a new era for graduate fashion, setting us in the heat of one of London's most vibrant and creative areas. The location is sensational and the space allows us to expand the workshop and atelier areas of the exhibition, as well as showcase the graduate collections on some very cool catwalks. I look forward to seeing many of you over the course of the weekend to support the new faces of the fashion industry.

To buy tickets, go here.

In the mean time, here is a sneak preview of what's to come from this year's graduates...


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Students at universities across the UK showcase their graduate collections ahead of Graduate Fashion Week 2014 at new venue The Old Truman Brewery. Now in its 23rd year, the event will take place from 31 May - 3 June, exhibiting the work of over 1000 students with more than 42 universities from around the globe participating.

Vogue Confidential: Headspace

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We've been familiar with the work of Headspace - the organisation that aims to "demystify meditation" - for some time now, and since meditation is all about taking some time out, it seemed apt that we do just that this morning as we attended the launch of Headspace V2 (its second-phase App).

The inspiring panel - comprising Team GB's coach and practitioner Katie Warriner, Olympic Canoe champion Etienne Stott, Headspace's Dr David Cox and founder Andy Puddicombe, and Ariana Huffington - talked about the benefits of spending time on your own when you can connect to a place of clear reflection and the importance of, as Stott put it, "being comfortable with being uncomfortable".


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Arianna Huffington with Headspace founders Andy Puddicombe and Richard Pierson



"We all have a certain place - a place of wisdom, peace and strength. That's a part of human inheritance and most of us don't know it," said Huffington. "Many of us have glimpses of it, no one I know lives with it all the time - the question is how quickly we get to it. You don't have to believe in it - you just need to look at the data."

Headspace V2 aims to help you do just that with updates delivered daily to your device giving digestible, easy-to-adopt advice.

"If we are connected to that place, then the violence and all the things we're seeing in the world would not make sense," continued Huffington. "With mindfulness in schools and the movement in corporations, it gives the most stubborn of sceptics proof. There is no trade-off between productivity and achievement in taking the time to connect to this place."

Wise words that we have taken note of.

Find out more about the work of Headspace and how to download the new app (which launches June 26) at Headspace.com.

This post was originally published on The Vogue Blog.

Betty Noire Hosts Maddest Mad Hatter Tea Party of All Time

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There are certain traits that are all too often overlooked when it comes to matters of business. Traits that don't spring to mind when you think of money and success. Because, we've been lead to believe; success can be achieved more readily at the expense of others. Where there is a winner, there must be a loser. Win at all costs. It's a competitive market. Sure. However; honesty, respect, integrity and hard work have long been the key traits that make up not only the successful, but the good. Those few and far between that you actually WANT to work with, and equally, want to see do well.

I first met Susan Millard in an office environment that characterised none of the aforementioned traits. It might have been this lack of surrounding inspiration that allowed me to forge a distinct and genuine friendship with Susan, I simply don't know, but I do know that her story is a unique one. One that's lead to her new start and one that will surely surface amongst her new business and her beautiful designs.

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Susan has a way of speaking poetically, everything is to be understood and appreciated. So it's with little wonder her many years of life in fashion PR, has, amongst many other things, amounted to a comprehensive list of colleagues just like myself who are on call to personally vouch for her character, and natural ability.

There are no bent strings or falsettos to be found. There is no clout, no mouth - and no empty promises. What you see is what you get. Warmth, light and a good amount of fine food and quality wine.

In an industry that draws you in and then swallows you whole, and where everything was meant to be done yesterday, I took time out with Susan, away from the phone, right by the fireplace, in a corner of her modest London home and had a tour of what's making those year's of knowledge and passion once again resurface - and hopefully remain....

Me: Firstly, congratulations on launching your new site Hats by Betty Noire

Susan: Thank you!

Me: When did the idea turn from dream to reality?

Susan: The first steps to making my millinery venture a reality were taken towards the end of 2013 and the website is just up and running so it is still a process to some extent - but I wanted to get everything exactly right and rushing anything was not really on the agenda.

Me: Why millinery - has it always been an interest?

Susan: Absolutely - I studied fashion design some 30 years ago and hats have always been a great passion - I had a fabulous aunt who was known for her hats and I think she was a major inspiration. I have collected vintage hats for many years and I have a particular fondness for the styles of the 1930s and 40s when a hat was a much more essential element to any look.

Q. Where do you start with something like this. I mean, did you have the whole picture visualised or is it a 'lets go one step at a time' and see what happens kind of thing?

Whilst I had a clear vision and what I wanted to create in terms of a brand identity and style, the actual realisation of that has been a step at a time and has evolved gradually.

Q. You obviously have so many great industry contacts and friends within the fashion business. How important has that been for launching?

Very! From showing a few trusted fashion editor friends my first samples and being given their encouragement to pursue my ideas further, to knowing I would have the contacts to help me promote those ideas once they became a reality. I probably would not have had the confidence to move ahead with my plans had it not been for the support of those trusted and knowledgeable contacts.

Q. You make no secret of the fact that technology isn't your fortay. How difficult/easy has it been to communicate your aesthetics online to achieve the kind of branding wish for yourself?

I have been very fortunate in having some fabulous and generous friends who have helped realise my ideas and make them work in a practical way. The fact that the site was developed by people who know me well meant they had an understanding of me and my style and taste and could translate my vision very effectively. One of the most reassuring things has been the feedback now the site is live - so many people have said it is very much a reflection of me.

Q. Do you design with yourself in mind or your customer in mind?

Both! I have very distinctive taste and my hats definitely have a nod to vintage style - but being a bespoke milliner means I have to take note of what my customers want and their own style and taste. Hopefully what emerges is a melding of the two.

Q. Who is your ideal customer?

In essence my ideal customer would be a woman with a strong sense of her own style and the confidence to go with that and not be swayed by the fads of fleeting fashion.

Q. If you could make a hat for anyone, who would it be and where would they wear it?

Helena Bonham Carter - I love that she dresses for herself and she does seem to like a hat! Wherever she wore any hat I had made I would be delighted!

Q. Your hats are vintage inspired. Do you have a favourite period?

Yes - the period between the wars and immediately after - but particularly the 30s - such elegance! I love watching old movies for inspiration - from Fred and Ginger in the RKO years to some of those great film noir classics.

Q. What keeps you inspired?

So many things - books, classic movies, paintings, photographs, textiles, flowers - I love to go to exhibitions - next on the list is the Matisse cut outs at the Tate Modern in London. The Pearls exhibition at the Victoria and Albert museum earlier this year was incredibly inspirational. You never know where the next idea can come from and I am always looking!

Q. Where do you feel most yourself?

At home in London - it is such a vibrant and exciting city and I never tire of it. My flat is such a strong reflection of me too - I read a great quote recently which said that your home should be like a moodboard of who you are and the life you have had - I think mine qualifies.

Q. I know you've faced some heartbreaking challenges through your life - both personally, and professionally. What's the main thing you've learnt from them?

That is a tough question to answer but I think the main thing is just to keep going and try to focus on the positive things - even when it is hard to find them. Everyone experiences difficulties and challenges in their life, we are none of us exempt and it is not what happens to us but how we approach those things which defines us. I believe in trying to approach any situation with as much grace and style as possible.

Q. What gives you strength?

My friends and family - the people I love!

Q. Tell us something about yourself that might surprise us.

I used to sing in a jazz club occasionally some years ago and a personal project is to learn to play the ukelele - I have a beautiful shiny black one which was a gift and is ready and waiting!

Q. Are you interested in collaborations? if so, with who?

I haven't really given this much thought but, if I did consider it, it would have to be something where I felt there was a very real brand affinity.

Q. Most challenging thing about your business so far?

Without any doubt the technical challenges of having a website and what that involves - they are a constant which I don't see changing!

Q. Most rewarding thing about your business so far?

Seeing the delight of someone having and wearing a hat which makes them look good and feel special. That and a BAFTA award winning costume designer telling my hats are 'beautiful and witty' - given she designed for some of what I think have been the most stylish period TV programmes I can think of no higher praise!

Q. If you could host a mad-hatters tea party with 10 guests, dead or alive - who would be invited and where would you have it?

It would have to be either at Claridges because it is so beautiful and they do a delicious tea, or at the most fabulous Art Deco hotel, Burgh Island in Devon which I visited some years ago.
Guests is a very tricky one - after much thought I have come up with the following list - the deceased on the proviso they would all be at their best and in their prime!
Helena Bonham Carter - because I think she would be fun and she would be wearing one of my hats.
Fred Astaire - it would have to be a tea dance and he would be the most sublime partner.
Peter Cooke - because by all accounts he was one of the funniest dining companions ever.
Dudley Moore - because they would be hilarious together and he could play the piano for us.
Dorothy Parker - for witty and pithy comment and she might like a hat too.
Madame Paulette - Parisian 'Queen of Milliners' I could learn so much from her.
David Niven - because he would be charming and urbane and could regale us with stories of old Hollywood.
Woody Allen - he could join Dudley in some jazz and maybe write an amusing vignette of the occasion.
Diana Vreeland - because I think she would be truly inspirational.
Dorian Thomson - my late partner, because I think he would be so proud of me for this venture and and because he loved a hat and was incredibly entertaining and funny - it would also be a chance to say goodbye to him properly which I never had.
And can I add my photographer friend Ian looking on with his camera so I would have great visual memories of the event? - a somewhat odd assortment but you did say it would be a 'Mad' Hatters Tea Party!

Me: of course you can!

Tarun Tahiliani at Aashni & Co

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He's a major force in the world of contemporary Indian fashion; Tarun Tahiliani, who has mastered a fine balance between aesthetics and design, recently stopped by Aashni & Co, in London, to host a "trunk show".

Giving guests a chance to view his latest collection up, close and personal, it was clear he satisfied a craving for exquisite and detailed design. Draping was a key feature for this collection.

Traditional motifs, embroidery and stitching meld seamlessly with contemporary cuts and shapes, which is Tahiliani's trademark; his inspirations for this collection came from wildly eclectic sources - abstract art, traditional carpet designs, architecture and jewellery.


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Photo from Aashni & Co


The influences solidified into a collection which was creatively intense, yet relaxed and playful. The colours ranged from muted and subtle to rich and exuberant. Autumnal warmth emanated in abundance, which was reminiscent of traditional Rajasthani arts and crafts.

Above everything else, it was the intricate embroidery which stood out. Carefully stitched floral detailing, dominated the fabric in serpentine twists and swirls. Designs fashioned with a broader colour palette included crystals and gold thread. Other patterns were bolder in execution, with unashamedly elaborate florals and paisley that conjured up a celebratory mood.

The entire collection was a celebration; a celebration of eclecticism, which showed off Tahiliani's frenzied creative zeal, which is weighed perfectly with his strict and studious quest for sartorial harmony. Aashni & Co was the perfect setting for Tahiliani to host his "trunk show", with its intimate and minimalist decor; it gave guests a chance to savour the designs in a serene environment.



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Photo from Aashni & Co



This collection marked a turning point for Tahiliani, who like many other Indian fashion designers is broadening his appeal across the world, with the fashion press from all corners now beginning to shine a spotlight on him as a fashion leader.

Aashni & Co, a boutique store that opened its doors in 2012, is now one of the most sought after destinations for Indian fashion in the city, a perfect platform for sartorial artisans from the subcontinent to showcase their designs in the heart of Notting Hill.

Created by Aashni Shah who said to me back in 2013, when speaking about the genesis of the store - "My background and interests have always been focused on being a creative and a collaborator. Fashion has forever been a great passion of mine and growing up in India immersed by beautiful design, colour and clever use of fabric is something I pined for during my travels and my time in London."


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Photo from Aashni & Co



In just under three years Aashni and her team have procured the crème of Indian fashion, with the likes of Sabyasachi, Manish Malhotra and Gaurav Gupta et al now staple fixtures. Aashni has also cleverly geared her store to appeal to a broad range of customers, dispelling the misconception that Indian fashion appeals to the NRI market alone.

Aashni had long desired to create a store that could act as a vehicle for the wealth of new Indian fashion, and that desire has become a reality, with Aashni & Co now ranking as the top destination for fashionistas across the UK and further afield.

Ben Mirza
Editor - Think Shaadi
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